Caflisch Script: a one-axis multiple master typeface

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13.15 regular To the writer’s mind, the physical act of shaping thoughts on paper has numinous overtones. Not surprisingly, this reverence toward the mystery of the creative process permeates the tools of the trade, so that you find writers engaged in curious rituals involving pens, ink, pencils, paper, and even erasers. Some can only work with a single, charmed combination; others require different instruments for different kinds of composition. As a case in point, to choose the fountain pen an author must be unafraid swash regular To the writer’s mind, the physical act of shaping thoughts on paper has numinous overtones. Not surprisingly, this reverence toward the mystery of the creative process permeates the tools of the trade, so that you find writers engaged in curious rituals involving pens, ink, pencils, paper, and even erasers. Some can only work with a single, charmed combination; others require different instruments for different kinds of composition. As a case in point, to choose the fountain pen an author must be unafraid swash regular with alternate regular To the writer’s mind, the phsical act of shapin thouhts on paper has numinous overtones. Not surprisinly, this reverence towar the mystery of the creative process permeates the tools of the trae, so that you find writers enaed in curious rituals involving pens, in pencils, paper, and even erasers. Some can only work with a sinle, charme combination; others reuire different instruments for different inds of composition. As a case in point, to choose the fountain pen an author must be unafraid 7890& 123456789070 pt.
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Page 1 and 2: a one-axis multiple master typeface
Page 3 and 4: Oh! Nature’s noblest gi My grey g
Page 5 and 6: Multiple Master Typefaces These new
Page 7 and 8: Designing Caflisch Script The proje
Page 9 and 10: Primary Fonts A set of primary font
Page 11 and 12: Handwriting For 6,000 years, man ha
Page 13 and 14: Figure 8. The late 16th century bro
Page 15 and 16: Figure 13. Examples of everyday han
Page 17 and 18: Character Samples As a typographer
Page 19 and 20: 8.10 light To the writer’s mind,
Page 21 and 22: 14.16 light To the writer’s mind,
Page 23: 24.26 36.37 42.43 light, regular, s
Page 27 and 28: MENU Soup of Spinach and Cream Tour
Page 29 and 30: Kristen Weerhahn Illustrations at t
Page 31 and 32: Type Development at Adobe Type is d
Page 33 and 34: Further Reading Fairbank, Alfred.

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