Caflisch Script: a one-axis multiple master typeface
Caflisch Script: a one-axis multiple master typeface
Caflisch Script: a one-axis multiple master typeface
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13.15 regular<br />
To the writer’s mind, the physical act of shaping thoughts<br />
on paper has numinous overt<strong>one</strong>s. Not surprisingly, this<br />
reverence toward the mystery of the creative process permeates<br />
the tools of the trade, so that you find writers<br />
engaged in curious rituals involving pens, ink, pencils,<br />
paper, and even erasers. Some can only work with a single,<br />
charmed combination; others require different instruments<br />
for different kinds of composition. As a case in point,<br />
to choose the fountain pen an author must be unafraid<br />
swash regular<br />
To the writer’s mind, the physical act of shaping thoughts<br />
on paper has numinous overt<strong>one</strong>s. Not surprisingly, this<br />
reverence toward the mystery of the creative process permeates<br />
the tools of the trade, so that you find writers<br />
engaged in curious rituals involving pens, ink, pencils,<br />
paper, and even erasers. Some can only work with a single,<br />
charmed combination; others require different instruments<br />
for different kinds of composition. As a case in point,<br />
to choose the fountain pen an author must be unafraid<br />
swash regular with alternate regular<br />
To the writer’s mind, the phsical act of shapin thouhts<br />
on paper has numinous overt<strong>one</strong>s. Not surprisinly, this<br />
reverence towar the mystery of the creative process permeates<br />
the tools of the trae, so that you find writers<br />
enaed in curious rituals involving pens, in pencils,<br />
paper, and even erasers. Some can only work with a sinle,<br />
charme combination; others reuire different instruments<br />
for different inds of composition. As a case in point,<br />
to choose the fountain pen an author must be unafraid<br />
7890& 123456789070<br />
pt.