Caflisch Script: a one-axis multiple master typeface

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280 light 325 364 406 regular 440 490 556 semibold 570 584 598 612 626 640 bold rituals involving pens, ink rituals involving pens, ink rituals involving pens, ink rituals involving pens, ink rituals involving pens, ink rituals involving pens, ink rituals involving pens, ink rituals involving pens, ink rituals involving pens, ink rituals involving pens, ink rituals involving pens, ink rituals involving pens, ink rituals involving pens, ink
Handwriting For 6,000 years, man has communicated through written symbols. The evolution of handwriting, from the earliest pictograms to our current alphabet, has been driven by a quest for simplicity and efficiency. For centuries, written language has been the primary means of documenting human endeavor, affording us a window to the past. The alphabet we know today was established during the Italian Renaissance. The elegant and practical scripts of this time evolved from earlier writing systems and derived their character from the broad-edged quill (figures 4 and 6). These scripts, in all their forms, had a sweeping influence on society and led to the creation of the roman and italic letterforms that we use today. In the early 17th century, with the advent of copperplate engraving as a means of reproducing letterforms and illustrations, italic handwriting evolved to emulate the marks of the engraver’s pointed burin. The pointed quill soon replaced the broad-edged quill, giving rise to copperplate handwriting. For the next 300 years, a vari - ety of pointed-quill handwriting styles were practiced by professionals and amateurs alike (figures 10 and 11). Modern handwriting is a potpourri of styles, written with a wide variety of instruments. It is an everyday activity with results ranging from a disposable note to a fine piece of calligraphy. Whether we write in a traditional or unconventional manner, our personality, intellect, and mood shine through. However, the primary purpose of writing is communication, which requires a legible script. Fine handwriting is a craft worthy of admiration as well as a joy to read. Early Pictogram, Val Camonica
Page 1 and 2: a one-axis multiple master typeface
Page 3 and 4: Oh! Nature’s noblest gi My grey g
Page 5 and 6: Multiple Master Typefaces These new
Page 7 and 8: Designing Caflisch Script The proje
Page 9: Primary Fonts A set of primary font
Page 13 and 14: Figure 8. The late 16th century bro
Page 15 and 16: Figure 13. Examples of everyday han
Page 17 and 18: Character Samples As a typographer
Page 19 and 20: 8.10 light To the writer’s mind,
Page 21 and 22: 14.16 light To the writer’s mind,
Page 23 and 24: 24.26 36.37 42.43 light, regular, s
Page 25 and 26: Role Call! THE COMMUNITY PLAYERS ar
Page 27 and 28: MENU Soup of Spinach and Cream Tour
Page 29 and 30: Kristen Weerhahn Illustrations at t
Page 31 and 32: Type Development at Adobe Type is d
Page 33 and 34: Further Reading Fairbank, Alfred.

Caflisch Script: a one-axis multiple master typeface

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