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PeopleSmart in Business eBook - The Platinum Rule

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28<br />

Two: I Know Who You Are, But What Am I?<br />

Th <strong>in</strong>k deeply<br />

Visualize Woody Allen, the quiet, unassum<strong>in</strong>g director, actor, and<br />

clar<strong>in</strong>et player who covets his privacy. In most of his movies, either<br />

he or his characters agonize over what to do next, what and how their<br />

feel<strong>in</strong>gs operate, and how to ultimately do the right th<strong>in</strong>g. He typically<br />

puts his emotions under a microscope where he analyzes and<br />

reanalyzes them. Cautious Th <strong>in</strong>kers also can become overwhelmed by<br />

<strong>in</strong>decision when pressure builds.<br />

Due to compliance to their own personal standards, they demand<br />

a lot from themselves and others and may succumb to overly critical<br />

tendencies. But Cautious Th <strong>in</strong>kers oft en keep their criticisms to themselves,<br />

hesitat<strong>in</strong>g to tell people what they th<strong>in</strong>k is defi cient. Th ey typically<br />

share <strong>in</strong>formation, both positive and negative, only on a “need<br />

to know” basis when they are assured that there will be no negative<br />

consequences for themselves.<br />

When Cautious Th <strong>in</strong>kers quietly hold their ground, they do so as<br />

a direct result of their proven knowledge of facts and details or their<br />

evaluation that others will tend to react less assertively. So they can<br />

be assertive when they perceive they’re <strong>in</strong> control of a relationship or<br />

their environment. Hav<strong>in</strong>g determ<strong>in</strong>ed the specifi c risks, marg<strong>in</strong>s of<br />

error, and other variables that signifi cantly <strong>in</strong>fl uence the desired results,<br />

they will take action.<br />

Cautious Th <strong>in</strong>kers enterta<strong>in</strong> uniquely<br />

Cautious Th <strong>in</strong>ker enterta<strong>in</strong>ers want to move beyond the audience,<br />

s<strong>in</strong>ce they are motivated to deliver a one-of-a-k<strong>in</strong>d, captivat<strong>in</strong>g,<br />

near-perfect performance. Th ey want spectators to th<strong>in</strong>k, “What a<br />

unique performance” or “Noth<strong>in</strong>g else is quite like it!” When they take<br />

their varied stages, Cautious Th <strong>in</strong>ker enterta<strong>in</strong>ers have meticulously

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