LUTHERAN THEOLOGICAL REVIEW - Concordia Lutheran Seminary
LUTHERAN THEOLOGICAL REVIEW - Concordia Lutheran Seminary
LUTHERAN THEOLOGICAL REVIEW - Concordia Lutheran Seminary
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18 <strong>LUTHERAN</strong> <strong>THEOLOGICAL</strong> <strong>REVIEW</strong> XII<br />
whorehouse. The Bawd remarks, “She would make a puritan of the devil”<br />
(IV.vi.9). Later Pericles, grieving the deaths of both wife and daughter,<br />
comes to Myteline. He is so deep in depression that he has let his hair grow<br />
wild and refuses to speak to anyone. Marina, gifted with song and speech,<br />
restores him to sanity and they are reunited. Overjoyed, Pericles exclaims,<br />
“She is not dead” (V.i.215). They go to worship at Ephesus, where they<br />
encounter the priestess who cries, “That Thaisa am I, supposed dead / And<br />
drown’d” (V.iii.35-36).<br />
In this play we have a double resurrection. Pericles’ wife and daughter<br />
come back to life. Marina is not only one of Shakepeare’s virtuous women;<br />
she is positively an evangelist, preaching righteousness in the midst of a very<br />
fallen world. Even Pericles himself, after losing his reason like<br />
Nebuchadnezzar, experiences a kind of rebirth.<br />
6. The Winter’s Tale<br />
Like Measure for Measure, this play has been a lightning rod for critics<br />
opposing Christianity. Hallet Smith contends, “considerable straining of the<br />
language, structure, and atmosphere of the play is required to make a<br />
specifically Christian doctrinal statement of it” (RS, 1567). Smith errs.<br />
Dogma is dogma, plays are plays. Dogma plays badly on stage, and plays are<br />
not written to expound dogma. Nevertheless, sound doctrine can inspire high<br />
art, and the greatest works of art can present Christian themes in imaginative<br />
ways inaccessible to academic theology. So we have in The Winter’s Tale a<br />
Christian story of redemption.<br />
Leontes, King of Sicilia, is hosting his old friend Polixenes, the King of<br />
Bohemia. Leontes tends to be jealous, though, and can’t get it out of his<br />
mind that he is being cuckolded by his friend. Leontes trumps up charges<br />
and imprisons his virtuous wife, Hermione. In prison, she gives birth to a<br />
daughter, Perdita. Leontes rejects his own child and banishes it. Even when<br />
he is confronted with the truth, Leontes remains intransigent. Polixenes<br />
breaks with him, accompanied by the faithful Camillo, former servant of<br />
Leontes. Suddenly, news comes that the King’s son Mamillius is dead.<br />
Hermione collapses and is carried off. The virtuous Paulina says, “this news<br />
is mortal to the queen” (III.ii.148). Then, at last, Leontes repents and grieves<br />
his rash behaviour: “I have deserv’d / All tongues to talk their bitt’rest”<br />
(III.ii.215-16). He assumes that his daughter is dead also.<br />
The banished child Perdita is taken to Bohemia where she found<br />
abandoned and raised by a shepherd. Eventually she falls in love with<br />
Florizel, son of Polixenes. In a parallel plotline, Polixenes disowns his son<br />
for courting a common shepherd-girl. Camillo reveals the truth of Perdita’s<br />
identity, and helps her and Florizel flee to Sicilia. Polixenes pursues them in<br />
anger. Leontes and reconciles with Polixenes and receives his “dead”<br />
daughter with astonishment. Paulina then takes them all to visit a “statue” of