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NEWSLETTER_Newsletter Mar10 - Cavatina Chamber Music Trust

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Registered Charity No. 1067716 Issue February 2012<br />

One more year has flown by! It is<br />

difficult to imagine that CAVATINA<br />

has been in existence for 13 years.<br />

When one tries to scan the<br />

continuous progress that the <strong>Trust</strong><br />

has made from very modest<br />

beginnings one is amazed at the way our<br />

activities have grown. Clearly our mission<br />

“CAVATINA brings <strong>Chamber</strong> <strong>Music</strong> to young<br />

people and young people to <strong>Chamber</strong><br />

<strong>Music</strong>…” resonates among music lovers - young<br />

and not so young. The fact that the CAVATINA<br />

Family Concerts in Swiss Cottage Library were<br />

so well attended encouraged us to expand in<br />

order to be able to accommodate a bigger<br />

audience. We now have a larger size venue in<br />

Fitzjohn’s Primary School in NW3, and a new<br />

series at the French Institute in SW7. All our<br />

activities are progressing well. This is mostly due<br />

to the fact that we have recruited a<br />

talented team of creative helpers responsible for<br />

specific activities. The CAVATINA family<br />

is growing. We have a second website,<br />

www.cavatinaconcerts.net listing all CAVATINA<br />

tickets under the Ticket Scheme, Family concerts<br />

etc. Really worth a look! This <strong>Newsletter</strong><br />

describes the main highlights of the year. These<br />

include exciting developments such as our close<br />

association with Wigmore Hall, new <strong>Chamber</strong><br />

<strong>Music</strong> Competitions and exciting events<br />

organised by the CAVATINA Ambassadors. The<br />

CAVATINA Ticket Scheme at Wigmore Hall is an<br />

unqualified success. Up to 50 FREE tickets are<br />

available at 30 pre-selected concerts and<br />

disappear within days of the opening booking<br />

dates. It is truly heart-warming to see these<br />

young faces alongside the older stalwarts of the<br />

Wigmore. This is truly an example of ‘mission<br />

fulfilled’…<br />

Simon Majaro<br />

CAVATINA <strong>Chamber</strong> <strong>Music</strong> <strong>Trust</strong><br />

<strong>NEWSLETTER</strong><br />

1<br />

C<br />

The Sacconi Quartet present the<br />

CAVATINA Family Concert<br />

On November 28th, 2011, we returned to the<br />

Wigmore Hall for the annual CAVATINA concert.<br />

This year the Sacconi Quartet gave an entertaining<br />

and interactive concert to a large audience of<br />

parents and children, who much appreciated their<br />

lively programme.<br />

The next CAVATINA concert on December 8th<br />

2012 will feature Schubert’s ‘Trout’ Quintet, one<br />

of the most beautiful pieces in the chamber music<br />

repertoire. Do come! (Bookable from July)<br />

Two New Venues for Family Concerts<br />

Family concerts in northwest London moved<br />

from the Swiss Cottage library for the Autumn<br />

Term 2011 to the charming Fitzjohn’s Primary<br />

School, where they are proving even more<br />

successful. Audiences have filled the school hall<br />

and we have already received encouraging<br />

comments: (i) ‘The last three concerts have been<br />

fantastic!! Please may I register for 2 of the three<br />

Spring 2012 concerts.’ (ii) ‘….. to all involved in<br />

this wonderful initiative - we feel very fortunate to<br />

be able to experience the family concerts and will<br />

certainly be attending in the New Year! It is<br />

something very special you have created there,<br />

many thanks for providing such an amazing<br />

opportunity to so many.’<br />

Sacconi Quartet at Fitzjohn’s Primary School


C<br />

We set up an extra series of family concerts at<br />

The French Institute in southwest London in the<br />

autumn: ‘Thanks to the CAVATINA <strong>Chamber</strong><br />

<strong>Music</strong> <strong>Trust</strong>, l’Institut Français au Royaume-Uni<br />

(the French Institute SW7) has been able to<br />

launch a new series of family concerts. They take<br />

place in the beautiful listed library of the building<br />

in South Kensington. Since October three<br />

concerts featuring the Carducci Quartet, the<br />

Badke Quartet and the Thorne Trio have taken<br />

place. These concerts are very well received by<br />

our audience, and with the continuing support of<br />

CAVATINA, we are very pleased to announce<br />

that another three concerts are planned for<br />

Spring, 2012. The audience for these concerts is<br />

a mix of British and French parents and children.<br />

Everyone is captivated by the fantastic playing<br />

and the interactive musical games presented by<br />

these talented CAVATINA artists.’<br />

Françoise Clerc (Head of Classical <strong>Music</strong>)<br />

Badke Quartet at the Institut Français<br />

Schools Concerts<br />

CAVATINA continues to take world-class<br />

chamber music into schools in London and<br />

across the country. This year we have been<br />

visiting old regulars as well as lots of new<br />

schools across the capital and indeed the<br />

country. The small matter of pregnancy and a<br />

newborn baby slowed proceedings slightly this<br />

Autumn. Now five months old, little Finley has<br />

2<br />

been accompanying me to some of the recent<br />

school workshops and Family Concerts. He is<br />

always absolutely transfixed by the<br />

performances and generally has some<br />

constructive criticism to give at the end! It just<br />

goes to show, you can never start them too<br />

young! I look forward to Fin growing up under the<br />

auspices of CAVATINA and its statement of<br />

intent.<br />

Some of our groups have been working for<br />

CAVATINA for over a decade now and have<br />

always been selected<br />

for a ‘special something’<br />

in their demeanour and<br />

performance, as well as<br />

their technical abilities.<br />

Each ensemble brings<br />

its own individual style,<br />

repertoire and games<br />

and each never fails to<br />

entertain. Recently we<br />

have been seeking out<br />

new additions to the CAVATINA family. The<br />

Lawson Piano Trio gave their debut school<br />

concert for us at Fitzjohn’s Primary in November<br />

adding variation to our menu of mainly string<br />

quartets.<br />

The Lawson Piano Trio at Fitzjohn’s Primary<br />

School<br />

We are also trying out two more string quartets<br />

and a wind ensemble. Watch this space for news


on their progress…! Next term is already packed<br />

to the gunnels with workshops, so roll on 2012!<br />

Rhian Hancox<br />

Carducci String Quartet – some gratifying<br />

feedback<br />

All our professional groups who take their music<br />

to children do us very proud - it was gratifying to<br />

get such glowing feedback about them from<br />

Churchill <strong>Music</strong>.<br />

Churchill Community School<br />

“My goodness, they have done it<br />

again! Everyone involved with the Carducci day<br />

at Churchill School yesterday are absolutely<br />

buzzing from the top of their heads to the tips of<br />

their toes. We cannot thank you enough for<br />

enabling these kids to have such magnificent,<br />

inspirational events. There were even tears from<br />

some of the students at the Community School<br />

following their workshop - tears of delight at<br />

hearing the Carducci perform their short<br />

compositions and hearing the sound they had<br />

created!<br />

Year 6 children from Churchill’s feeder primary<br />

schools came to their future senior school for the<br />

concert. As you can see from the photos, the<br />

children were indeed enthralled. The staff just<br />

couldn’t get over it. One member of staff<br />

escorting a primary school class has sent the<br />

feedback below already!! “I was lucky enough to<br />

escort the children to the Carducci event today<br />

3<br />

at Churchill School. The Carducci Quartet’s<br />

introduction to the string quartet repertoire was<br />

pitched perfectly at the rows of nine and ten year<br />

old children who sat (and also sang and clapped)<br />

enthralled. Before each (shortish) excerpt the<br />

children were asked to listen out for special<br />

sounds, and, at one point, four young assistants<br />

identified the player of the main musical theme<br />

(the tune) at any given moment by placing (or<br />

removing) woolly hats. The Quartet showed their<br />

enjoyment playing the sometimes jagged,<br />

angular modern works, and the children<br />

responded in kind, listening openly to these too,<br />

without fear or favour. Clearly the Carducci have<br />

done this sort of thing before. Can we look<br />

forward to seeing them again next year?”<br />

In the meantime a HUGE ‘thank you’ from<br />

Churchill <strong>Music</strong>! for such a truly innovative and<br />

inspiring day of chamber music making. I do not<br />

think that it was possible to have got more out of<br />

the day in any way. The Carducci were simply<br />

terrific and CAVATINA even more so for making it<br />

possible.<br />

Jan Murray Churchill <strong>Music</strong><br />

A letter like this makes it all worthwhile:<br />

Thank you CAVATINA (Ticket Scheme)<br />

Dear CAVATINA,<br />

C<br />

‘I am writing this email to thank you for your<br />

generous sponsorship in introducing me to and


C<br />

then falling madly in love with classical music.<br />

You have introduced me to a world, which I have<br />

never witnessed before. Through your general<br />

support, I have attended many concerts over this<br />

year and I deeply enjoyed every single one of<br />

them. I felt that writing this thank you email to<br />

express my sincere gratitude is the least thing I<br />

can do in return. Thank you very much.’ …..Eric<br />

Liu (DPhil Student Oxford University)<br />

University Ambassadors’ concert<br />

The Oxford University Ambassadors’ concert<br />

took place on Friday 11 November 2011 in the<br />

Holywell <strong>Music</strong> Room. Drumming up audiences<br />

can be very difficult at the best of times, no more<br />

so than in a city like Oxford where the daily<br />

competition often includes recitals by artists of<br />

international acclaim, let alone a whole raft of<br />

student-run performances. It was a particular<br />

triumph, therefore, that the concert organised by<br />

our Oxford Ambassadors, Naomi Miller and<br />

Benjamin Bernard - which collided with events<br />

elsewhere by two virtuosi musicians – almost<br />

filled the Holywell <strong>Music</strong> Room, with about 100<br />

young people attending free under the<br />

CAVATINA Ticket Scheme. The premise was<br />

simple and effective: a renowned chamber group<br />

would share the stage with a student ensemble,<br />

each presenting their own works in the first half,<br />

but then collaborating on a larger-scale piece in<br />

the second.<br />

To this end, the supreme Wihan Quartet was<br />

complemented by students from the University of<br />

Oxford and the city itself in a programme of<br />

Mozart, Dvořák, and Mendelssohn, culminating<br />

The Octet takes a bow at the Holywell <strong>Music</strong><br />

room<br />

4<br />

in the latter’s ever-youthful Octet in E-flat major,<br />

Op. 20. And the result was glorious!<br />

Each performance was distinguished by a vital<br />

effervescence, the Wihan setting a benchmark,<br />

and the Ambassadors’ ensemble meeting it at<br />

every corner. Hearty congratulations to all<br />

involved, particularly our two long-standing<br />

Ambassadors, Naomi and Benjamin, who are<br />

nearing the end of their tenures and whose hard<br />

work paid off so spectacularly.<br />

Naomi Miller, Tom Hancox, Benjamin Bernard<br />

Intercollegiate String Quartet Competition at<br />

the Greenwich International Festival<br />

April 29th - May 1st 2011<br />

In spite of the Royal Wedding taking place on the<br />

first day of the second Greenwich International<br />

String Quartet Festival, the very full programme<br />

went ahead. Some of CAVATINA’s regular<br />

groups took part in the Festival, viz. the Wihan,<br />

Carducci and Brodowski Quartets. Also, the Wu<br />

Quartet, whom some of you might remember<br />

from their concert at Netherhall House in May<br />

2009, gave a performance for Junior Trinity,<br />

which was very well received. The highlight for<br />

Friends was the CAVATINA Intercollegiate String<br />

Quartet Competition on Sunday May 1. Student<br />

Quartets from the eight music conservatoires in<br />

the UK took part. The standard of playing was<br />

very high. Each Quartet played a movement of<br />

their choice and then had to interpret the set<br />

piece, ‘Are we on the same page?’<br />

commissioned by CAVATINA from Cecilia


McDowell, which tested the groups musical<br />

interpretation to the extreme, as all dynamic and<br />

tempo markings had been omitted on purpose!<br />

David Kenedy, Emile Cantor and Liesbeth Kok<br />

Cantabile Quartet (left); Daimon Quartet (right)<br />

The adjudicators chose the Cantabile Quartet of<br />

the Royal Scottish Academy and the Daimon<br />

Quartet, Royal Academy of <strong>Music</strong>, as joint<br />

winners. The Daimon also won the prize for the<br />

best interpretation of Cecilia McDowall’s piece.<br />

Trinity in-house competition<br />

The adjudicators, Susan Tomes, pianist of the<br />

Florestan Trio, author and lecturer, and Richard<br />

Ireland, Director of <strong>Chamber</strong>Studio, chamber<br />

musician and teacher, both praised the students<br />

for their enthusiastic performances. However,<br />

they encouraged all three of the participating<br />

groups to search for much more contrast and<br />

detail in their preparation, and to be careful of<br />

falling into the trap of using over-fast tempi and<br />

5<br />

louder dynamics to create an initial generic<br />

excitement, but one which an audience quickly<br />

tires of. Both adjudicators recommended that<br />

attending professional concerts is such an<br />

important and helpful part of training, and is also<br />

crucial for students to keep aware of the<br />

standard they should be aiming at in order to be<br />

successful in the professional world. Both the<br />

CAVATINA prize and the Audience prize went to<br />

the Meridian Trio.<br />

Meridian Trio with adjudicators<br />

C<br />

Friends’ Concert at Netherhall House, NW3<br />

(by courtesy of Peter Brown, the Director)<br />

It is difficult to define a recipe for a wonderful<br />

evening of music and sociability, but whatever<br />

the secret, the concert given by the Daimon<br />

Quartet from the Royal Academy of <strong>Music</strong> at<br />

Netherhall House on October 29, 2011 certainly<br />

had all the right ingredients. Everyone agreed it<br />

was one of the best. The Daimon Quartet gave<br />

sparkling performances of quartets by Haydn<br />

and Mendelssohn, the Quartettsatz by Schubert<br />

and Cecilia McDowell’s ‘Are we on the same<br />

page?’ the set piece they performed at the<br />

CAVATINA Intercollegiate Competition at the<br />

Greenwich International String Quartet Festival<br />

earlier in the year. Cecilia introduced her piece to<br />

the audience and complimented the Quartet on<br />

its imaginative interpretation. The large audience<br />

showed its enthusiastic appreciation. The<br />

concert was followed by a lively reception with<br />

the Quartet getting acquainted with the audience,


C<br />

some of whom promised to attend their next<br />

concert at Lauderdale House, Highgate.<br />

The Daimon Quartet is a young and vibrant<br />

string quartet based in London. It was formed in<br />

2008 at the Royal Academy of <strong>Music</strong>. The<br />

members, who have a similar approach to<br />

making chamber music, are from different<br />

European countries (Poland, Latvia, Romania,<br />

and Portugal) thus giving the Quartet a rich<br />

understanding of the European artistic tradition.<br />

The name of the Quartet was inspired by the<br />

Greek word Daimon. It describes a spiritual force<br />

or inspiration that overcomes a person. Great<br />

artists have felt the influence of Daimonic forces<br />

over the years and subsequently produced great<br />

works of art. The Quartet has performed in many<br />

concerts and continues to captivate audiences<br />

with the members’ individual qualities of sound<br />

and the depth of their interpretations. The<br />

Daimon Quartet was awarded the Wolfe<br />

Wolfinsohn String Quartet Prize at the Royal<br />

Academy of <strong>Music</strong> for their outstanding<br />

performance of Haydn. The Quartet’s future<br />

engagements include concerts in the UK and<br />

Europe.<br />

Daimon Quartet with Cecilia McDowall<br />

CAVATINA to the rescue…<br />

Rosemary Rapaport was the Founder and first<br />

Principal of the Purcell School. The Purcell<br />

6<br />

School started its activities under her direction as<br />

The Central Tutorial School for Young <strong>Music</strong>ians<br />

at Conway Hall. After a tortuous journey via<br />

Morley College, Hampstead and then Harrow it<br />

reached its current impressive location at<br />

Bushey, Hertfordshire. Rosemary was an<br />

eminent violinist and a highly respected teacher.<br />

She spent many years teaching at the Royal<br />

Academy of <strong>Music</strong>. In 1961 Rosemary founded<br />

an intercollegiate string quartet competition at<br />

the Royal Academy of <strong>Music</strong> in memory of her<br />

pianist husband, Gerard Heller. After Rosemary<br />

passed away in 2001, the prize was renamed<br />

‘the Gerard Heller and Rosemary Rapaport<br />

Memorial Quartet Prize.’ The family sponsored<br />

this Competition. Unfortunately, funds needed to<br />

continue this Competition are now limited and the<br />

future of this event was becoming uncertain.<br />

CAVATINA has decided to come to the rescue of<br />

this Competition and will be the main sponsor of<br />

this event. Moreover instead of being biannual it<br />

will become annual with alternate formations:<br />

string quartets in 2012 and piano trios in 2013<br />

and so on. The Competition will be re-named:<br />

The CAVATINA Intercollegiate <strong>Chamber</strong><br />

<strong>Music</strong> Competition in memory of Gerard<br />

Heller and Rosemary Rapaport<br />

The <strong>Trust</strong>ees of the Elias Fawcett <strong>Trust</strong> have<br />

kindly agreed to be the sponsors of the Audience<br />

Prize. The first competition under this name,<br />

open to all conservatoires in the United Kingdom<br />

will be on Monday 30 April 2012 at the Royal<br />

Academy of <strong>Music</strong>.<br />

Cecilia McDowall, Composer<br />

Cecilia McDowall has been close to the hearts of<br />

CAVATINA for many years now and as a most<br />

gifted composer she deserves special mention.<br />

On October 9th 2011 she celebrated her 60th<br />

birthday in style at St John’s, Smith Square. The<br />

concert included many of her own compositions<br />

including ‘<strong>Cavatina</strong> at Midnight’ This magical


piece encompasses a reference to the opening<br />

of the <strong>Cavatina</strong> movement from Beethoven’s<br />

Opus 130 string quartet. <strong>Cavatina</strong> at Midnight<br />

was first performed by Catriona Scott (clarinet)<br />

Gemma Rosefield (cello) and Michael Dussek<br />

(piano) (see <strong>Newsletter</strong> 2009). The second<br />

commission was a String Quartet ‘Are we on the<br />

same page?’ as the set piece for the CAVATINA<br />

Intercollegiate Competition at the 2nd<br />

Greenwich International String Quartet Festival<br />

in Spring 2011 (as mentioned above). Cecilia’s<br />

‘The Last Dance’ for oboe, clarinet and bassoon,<br />

was written for the Thorne Trio, a wind group<br />

which has worked for many years for our<br />

schools’ outreach programme. It is a fun, jazzy<br />

piece which stretches the professionals in<br />

rythmn and co-ordination during its two and a<br />

half minutes.<br />

It can be seen/heard on:<br />

http://www.youtube.com/watch?v=ZLEUl3DbFGI<br />

having been filmed by Pamela Majaro at a<br />

Family Concert at the French Institute. We<br />

congratulate Cecilia on her great list of wonderful<br />

compositions and for the accolades she has<br />

deservedly received for them. One reviewer in<br />

the Gramophone wrote:<br />

‘She constantly tweaks the<br />

ear with her range of spicy<br />

rhythms and colours then<br />

suddenly produces a<br />

highly atmospheric and<br />

grippingly expressive<br />

interlude which is just as<br />

compelling.’ Pamela<br />

Majaro says: ‘Cecilia is<br />

wonderful to work with;<br />

always a delight to talk to,<br />

always on the dot with her<br />

commissions and answers emails by return.’<br />

7<br />

C<br />

Welcome to Richard Ireland<br />

CAVATINA welcomes Richard Ireland as a<br />

valued addition to our ever-growing part-time<br />

team. London-born into a family of string quartet<br />

players (his father Patrick was in the Allegri<br />

Quartet, and his brother Robin in the Lindsays),<br />

Richard studied with Eli Goren and then with<br />

Shmuel Ashkenasi in the USA, where he<br />

subsequently became Ashkenasi’s Teaching<br />

Assistant. Having taught at the RNCM in<br />

Manchester for many years and at the RCM in<br />

London, he is much in demand as teacher,<br />

coach, adjudicator and as jury member in<br />

competitions both in the UK and abroad. As a<br />

member of the Chilingirian Quartet, Richard<br />

performed at many of the important festivals and<br />

concert halls around the world. With this wealth<br />

of experience, he created and now runs<br />

<strong>Chamber</strong>Studio, a unique scheme where young<br />

professional groups can receive subsidised<br />

masterclasses given by renowned chamber<br />

musicians. These classes, which are open to<br />

the public, are held at Kings Place.<br />

http://chamberstudio.org/ .The Lawson Trio,<br />

which has been attending masterclasses at<br />

<strong>Chamber</strong>Studio over the last year, have now<br />

joined the carefully selected team of CAVATINA<br />

ensembles giving school concerts.


C<br />

Alan Rabin (1933-2011)<br />

It was with great<br />

sadness that we<br />

received the<br />

news that Alan<br />

Rabin, our dear<br />

friend and a<br />

very active and<br />

loyal trustee of<br />

CAVATINA, had<br />

passed away<br />

after a long and<br />

incapacitating<br />

illness. We watched his condition, which affected<br />

his mobility and speech, deteriorating<br />

progressively. Yet he retained his dignity,<br />

modesty and sense of humour until the end.<br />

Alan and I had a special bond because for many<br />

years we shared a love for violin making. We<br />

8<br />

spent a whole day, once a week, in the<br />

Cambridge workshop of Juliet Barker and Kit<br />

Beament. We met in Cambridge for an early<br />

coffee, which gave us an opportunity to sort out<br />

the world’s problems, before ‘clocking in’ for a<br />

busy day of gouging, chiseling, scraping and<br />

occasionally bemoaning unexpected mishaps.<br />

Alan was a wonderful trustee of CAVATINA. For<br />

a number of years he used to prepare the <strong>Trust</strong>’s<br />

annual accounts with remarkable speed and<br />

accuracy. After many years as a senior<br />

accountant at John Lewis, CAVATINA’s financial<br />

matters were for him literally kindergarten stuff.<br />

Nonetheless he attended to them with the kind of<br />

diligence that one would have expected to see<br />

given to blue-chip public companies. Our<br />

deepest condolences to Arlene and the rest of<br />

the family. We miss Alan very much.<br />

Simon Majaro<br />

PLEASE KEEP UP TO DATE WITH CAVATINA PROJECTS<br />

www.cavatinaconcerts.net<br />

CAVATINA would like to thank the following for their generous and constant support:<br />

Andor Charitable <strong>Trust</strong>, The Coln <strong>Trust</strong>, John Lewis Partnership, The Monument <strong>Trust</strong>,<br />

The Paul Morgan Charitable <strong>Trust</strong>, The Laurie & Gillian Marsh Charitable <strong>Trust</strong>,<br />

Peter Storrs <strong>Trust</strong>, The Harold Hyam Wingate Foundation, Anonymous Benefactors<br />

CAVATINA <strong>Chamber</strong> <strong>Music</strong> <strong>Trust</strong><br />

52D Maresfield Gardens, London NW3 5RX; Tel: 020 7435 8479; FAX: 020 7431 2737<br />

e-mail: majaro@cavatina.net<br />

www.cavatina.net<br />

<strong>Newsletter</strong> Editor: Dr. Carol Lovelidge<br />

Patrons: Derek Aviss, Sir Vernon Ellis, Edmond Fivet CBE, John Gilhooly, Gavin Henderson<br />

CBE, Lady Irvine of Lairg, Seppo Kimanen, Lord Moser, Steven Isserlis CBE, Menahem<br />

Pressler, Gabor Takacs-Nagy, Sir John Tusa, Dr. Peter Woodford, Benjamin Zander.<br />

<strong>Trust</strong>ees: Huw Davies, Marion Friend, Pauline McAlpine,<br />

Pamela Majaro MBE, Simon Majaro MBE

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