NEWSLETTER_Newsletter Mar10 - Cavatina Chamber Music Trust
NEWSLETTER_Newsletter Mar10 - Cavatina Chamber Music Trust
NEWSLETTER_Newsletter Mar10 - Cavatina Chamber Music Trust
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Registered Charity No. 1067716 Issue February 2012<br />
One more year has flown by! It is<br />
difficult to imagine that CAVATINA<br />
has been in existence for 13 years.<br />
When one tries to scan the<br />
continuous progress that the <strong>Trust</strong><br />
has made from very modest<br />
beginnings one is amazed at the way our<br />
activities have grown. Clearly our mission<br />
“CAVATINA brings <strong>Chamber</strong> <strong>Music</strong> to young<br />
people and young people to <strong>Chamber</strong><br />
<strong>Music</strong>…” resonates among music lovers - young<br />
and not so young. The fact that the CAVATINA<br />
Family Concerts in Swiss Cottage Library were<br />
so well attended encouraged us to expand in<br />
order to be able to accommodate a bigger<br />
audience. We now have a larger size venue in<br />
Fitzjohn’s Primary School in NW3, and a new<br />
series at the French Institute in SW7. All our<br />
activities are progressing well. This is mostly due<br />
to the fact that we have recruited a<br />
talented team of creative helpers responsible for<br />
specific activities. The CAVATINA family<br />
is growing. We have a second website,<br />
www.cavatinaconcerts.net listing all CAVATINA<br />
tickets under the Ticket Scheme, Family concerts<br />
etc. Really worth a look! This <strong>Newsletter</strong><br />
describes the main highlights of the year. These<br />
include exciting developments such as our close<br />
association with Wigmore Hall, new <strong>Chamber</strong><br />
<strong>Music</strong> Competitions and exciting events<br />
organised by the CAVATINA Ambassadors. The<br />
CAVATINA Ticket Scheme at Wigmore Hall is an<br />
unqualified success. Up to 50 FREE tickets are<br />
available at 30 pre-selected concerts and<br />
disappear within days of the opening booking<br />
dates. It is truly heart-warming to see these<br />
young faces alongside the older stalwarts of the<br />
Wigmore. This is truly an example of ‘mission<br />
fulfilled’…<br />
Simon Majaro<br />
CAVATINA <strong>Chamber</strong> <strong>Music</strong> <strong>Trust</strong><br />
<strong>NEWSLETTER</strong><br />
1<br />
C<br />
The Sacconi Quartet present the<br />
CAVATINA Family Concert<br />
On November 28th, 2011, we returned to the<br />
Wigmore Hall for the annual CAVATINA concert.<br />
This year the Sacconi Quartet gave an entertaining<br />
and interactive concert to a large audience of<br />
parents and children, who much appreciated their<br />
lively programme.<br />
The next CAVATINA concert on December 8th<br />
2012 will feature Schubert’s ‘Trout’ Quintet, one<br />
of the most beautiful pieces in the chamber music<br />
repertoire. Do come! (Bookable from July)<br />
Two New Venues for Family Concerts<br />
Family concerts in northwest London moved<br />
from the Swiss Cottage library for the Autumn<br />
Term 2011 to the charming Fitzjohn’s Primary<br />
School, where they are proving even more<br />
successful. Audiences have filled the school hall<br />
and we have already received encouraging<br />
comments: (i) ‘The last three concerts have been<br />
fantastic!! Please may I register for 2 of the three<br />
Spring 2012 concerts.’ (ii) ‘….. to all involved in<br />
this wonderful initiative - we feel very fortunate to<br />
be able to experience the family concerts and will<br />
certainly be attending in the New Year! It is<br />
something very special you have created there,<br />
many thanks for providing such an amazing<br />
opportunity to so many.’<br />
Sacconi Quartet at Fitzjohn’s Primary School
C<br />
We set up an extra series of family concerts at<br />
The French Institute in southwest London in the<br />
autumn: ‘Thanks to the CAVATINA <strong>Chamber</strong><br />
<strong>Music</strong> <strong>Trust</strong>, l’Institut Français au Royaume-Uni<br />
(the French Institute SW7) has been able to<br />
launch a new series of family concerts. They take<br />
place in the beautiful listed library of the building<br />
in South Kensington. Since October three<br />
concerts featuring the Carducci Quartet, the<br />
Badke Quartet and the Thorne Trio have taken<br />
place. These concerts are very well received by<br />
our audience, and with the continuing support of<br />
CAVATINA, we are very pleased to announce<br />
that another three concerts are planned for<br />
Spring, 2012. The audience for these concerts is<br />
a mix of British and French parents and children.<br />
Everyone is captivated by the fantastic playing<br />
and the interactive musical games presented by<br />
these talented CAVATINA artists.’<br />
Françoise Clerc (Head of Classical <strong>Music</strong>)<br />
Badke Quartet at the Institut Français<br />
Schools Concerts<br />
CAVATINA continues to take world-class<br />
chamber music into schools in London and<br />
across the country. This year we have been<br />
visiting old regulars as well as lots of new<br />
schools across the capital and indeed the<br />
country. The small matter of pregnancy and a<br />
newborn baby slowed proceedings slightly this<br />
Autumn. Now five months old, little Finley has<br />
2<br />
been accompanying me to some of the recent<br />
school workshops and Family Concerts. He is<br />
always absolutely transfixed by the<br />
performances and generally has some<br />
constructive criticism to give at the end! It just<br />
goes to show, you can never start them too<br />
young! I look forward to Fin growing up under the<br />
auspices of CAVATINA and its statement of<br />
intent.<br />
Some of our groups have been working for<br />
CAVATINA for over a decade now and have<br />
always been selected<br />
for a ‘special something’<br />
in their demeanour and<br />
performance, as well as<br />
their technical abilities.<br />
Each ensemble brings<br />
its own individual style,<br />
repertoire and games<br />
and each never fails to<br />
entertain. Recently we<br />
have been seeking out<br />
new additions to the CAVATINA family. The<br />
Lawson Piano Trio gave their debut school<br />
concert for us at Fitzjohn’s Primary in November<br />
adding variation to our menu of mainly string<br />
quartets.<br />
The Lawson Piano Trio at Fitzjohn’s Primary<br />
School<br />
We are also trying out two more string quartets<br />
and a wind ensemble. Watch this space for news
on their progress…! Next term is already packed<br />
to the gunnels with workshops, so roll on 2012!<br />
Rhian Hancox<br />
Carducci String Quartet – some gratifying<br />
feedback<br />
All our professional groups who take their music<br />
to children do us very proud - it was gratifying to<br />
get such glowing feedback about them from<br />
Churchill <strong>Music</strong>.<br />
Churchill Community School<br />
“My goodness, they have done it<br />
again! Everyone involved with the Carducci day<br />
at Churchill School yesterday are absolutely<br />
buzzing from the top of their heads to the tips of<br />
their toes. We cannot thank you enough for<br />
enabling these kids to have such magnificent,<br />
inspirational events. There were even tears from<br />
some of the students at the Community School<br />
following their workshop - tears of delight at<br />
hearing the Carducci perform their short<br />
compositions and hearing the sound they had<br />
created!<br />
Year 6 children from Churchill’s feeder primary<br />
schools came to their future senior school for the<br />
concert. As you can see from the photos, the<br />
children were indeed enthralled. The staff just<br />
couldn’t get over it. One member of staff<br />
escorting a primary school class has sent the<br />
feedback below already!! “I was lucky enough to<br />
escort the children to the Carducci event today<br />
3<br />
at Churchill School. The Carducci Quartet’s<br />
introduction to the string quartet repertoire was<br />
pitched perfectly at the rows of nine and ten year<br />
old children who sat (and also sang and clapped)<br />
enthralled. Before each (shortish) excerpt the<br />
children were asked to listen out for special<br />
sounds, and, at one point, four young assistants<br />
identified the player of the main musical theme<br />
(the tune) at any given moment by placing (or<br />
removing) woolly hats. The Quartet showed their<br />
enjoyment playing the sometimes jagged,<br />
angular modern works, and the children<br />
responded in kind, listening openly to these too,<br />
without fear or favour. Clearly the Carducci have<br />
done this sort of thing before. Can we look<br />
forward to seeing them again next year?”<br />
In the meantime a HUGE ‘thank you’ from<br />
Churchill <strong>Music</strong>! for such a truly innovative and<br />
inspiring day of chamber music making. I do not<br />
think that it was possible to have got more out of<br />
the day in any way. The Carducci were simply<br />
terrific and CAVATINA even more so for making it<br />
possible.<br />
Jan Murray Churchill <strong>Music</strong><br />
A letter like this makes it all worthwhile:<br />
Thank you CAVATINA (Ticket Scheme)<br />
Dear CAVATINA,<br />
C<br />
‘I am writing this email to thank you for your<br />
generous sponsorship in introducing me to and
C<br />
then falling madly in love with classical music.<br />
You have introduced me to a world, which I have<br />
never witnessed before. Through your general<br />
support, I have attended many concerts over this<br />
year and I deeply enjoyed every single one of<br />
them. I felt that writing this thank you email to<br />
express my sincere gratitude is the least thing I<br />
can do in return. Thank you very much.’ …..Eric<br />
Liu (DPhil Student Oxford University)<br />
University Ambassadors’ concert<br />
The Oxford University Ambassadors’ concert<br />
took place on Friday 11 November 2011 in the<br />
Holywell <strong>Music</strong> Room. Drumming up audiences<br />
can be very difficult at the best of times, no more<br />
so than in a city like Oxford where the daily<br />
competition often includes recitals by artists of<br />
international acclaim, let alone a whole raft of<br />
student-run performances. It was a particular<br />
triumph, therefore, that the concert organised by<br />
our Oxford Ambassadors, Naomi Miller and<br />
Benjamin Bernard - which collided with events<br />
elsewhere by two virtuosi musicians – almost<br />
filled the Holywell <strong>Music</strong> Room, with about 100<br />
young people attending free under the<br />
CAVATINA Ticket Scheme. The premise was<br />
simple and effective: a renowned chamber group<br />
would share the stage with a student ensemble,<br />
each presenting their own works in the first half,<br />
but then collaborating on a larger-scale piece in<br />
the second.<br />
To this end, the supreme Wihan Quartet was<br />
complemented by students from the University of<br />
Oxford and the city itself in a programme of<br />
Mozart, Dvořák, and Mendelssohn, culminating<br />
The Octet takes a bow at the Holywell <strong>Music</strong><br />
room<br />
4<br />
in the latter’s ever-youthful Octet in E-flat major,<br />
Op. 20. And the result was glorious!<br />
Each performance was distinguished by a vital<br />
effervescence, the Wihan setting a benchmark,<br />
and the Ambassadors’ ensemble meeting it at<br />
every corner. Hearty congratulations to all<br />
involved, particularly our two long-standing<br />
Ambassadors, Naomi and Benjamin, who are<br />
nearing the end of their tenures and whose hard<br />
work paid off so spectacularly.<br />
Naomi Miller, Tom Hancox, Benjamin Bernard<br />
Intercollegiate String Quartet Competition at<br />
the Greenwich International Festival<br />
April 29th - May 1st 2011<br />
In spite of the Royal Wedding taking place on the<br />
first day of the second Greenwich International<br />
String Quartet Festival, the very full programme<br />
went ahead. Some of CAVATINA’s regular<br />
groups took part in the Festival, viz. the Wihan,<br />
Carducci and Brodowski Quartets. Also, the Wu<br />
Quartet, whom some of you might remember<br />
from their concert at Netherhall House in May<br />
2009, gave a performance for Junior Trinity,<br />
which was very well received. The highlight for<br />
Friends was the CAVATINA Intercollegiate String<br />
Quartet Competition on Sunday May 1. Student<br />
Quartets from the eight music conservatoires in<br />
the UK took part. The standard of playing was<br />
very high. Each Quartet played a movement of<br />
their choice and then had to interpret the set<br />
piece, ‘Are we on the same page?’<br />
commissioned by CAVATINA from Cecilia
McDowell, which tested the groups musical<br />
interpretation to the extreme, as all dynamic and<br />
tempo markings had been omitted on purpose!<br />
David Kenedy, Emile Cantor and Liesbeth Kok<br />
Cantabile Quartet (left); Daimon Quartet (right)<br />
The adjudicators chose the Cantabile Quartet of<br />
the Royal Scottish Academy and the Daimon<br />
Quartet, Royal Academy of <strong>Music</strong>, as joint<br />
winners. The Daimon also won the prize for the<br />
best interpretation of Cecilia McDowall’s piece.<br />
Trinity in-house competition<br />
The adjudicators, Susan Tomes, pianist of the<br />
Florestan Trio, author and lecturer, and Richard<br />
Ireland, Director of <strong>Chamber</strong>Studio, chamber<br />
musician and teacher, both praised the students<br />
for their enthusiastic performances. However,<br />
they encouraged all three of the participating<br />
groups to search for much more contrast and<br />
detail in their preparation, and to be careful of<br />
falling into the trap of using over-fast tempi and<br />
5<br />
louder dynamics to create an initial generic<br />
excitement, but one which an audience quickly<br />
tires of. Both adjudicators recommended that<br />
attending professional concerts is such an<br />
important and helpful part of training, and is also<br />
crucial for students to keep aware of the<br />
standard they should be aiming at in order to be<br />
successful in the professional world. Both the<br />
CAVATINA prize and the Audience prize went to<br />
the Meridian Trio.<br />
Meridian Trio with adjudicators<br />
C<br />
Friends’ Concert at Netherhall House, NW3<br />
(by courtesy of Peter Brown, the Director)<br />
It is difficult to define a recipe for a wonderful<br />
evening of music and sociability, but whatever<br />
the secret, the concert given by the Daimon<br />
Quartet from the Royal Academy of <strong>Music</strong> at<br />
Netherhall House on October 29, 2011 certainly<br />
had all the right ingredients. Everyone agreed it<br />
was one of the best. The Daimon Quartet gave<br />
sparkling performances of quartets by Haydn<br />
and Mendelssohn, the Quartettsatz by Schubert<br />
and Cecilia McDowell’s ‘Are we on the same<br />
page?’ the set piece they performed at the<br />
CAVATINA Intercollegiate Competition at the<br />
Greenwich International String Quartet Festival<br />
earlier in the year. Cecilia introduced her piece to<br />
the audience and complimented the Quartet on<br />
its imaginative interpretation. The large audience<br />
showed its enthusiastic appreciation. The<br />
concert was followed by a lively reception with<br />
the Quartet getting acquainted with the audience,
C<br />
some of whom promised to attend their next<br />
concert at Lauderdale House, Highgate.<br />
The Daimon Quartet is a young and vibrant<br />
string quartet based in London. It was formed in<br />
2008 at the Royal Academy of <strong>Music</strong>. The<br />
members, who have a similar approach to<br />
making chamber music, are from different<br />
European countries (Poland, Latvia, Romania,<br />
and Portugal) thus giving the Quartet a rich<br />
understanding of the European artistic tradition.<br />
The name of the Quartet was inspired by the<br />
Greek word Daimon. It describes a spiritual force<br />
or inspiration that overcomes a person. Great<br />
artists have felt the influence of Daimonic forces<br />
over the years and subsequently produced great<br />
works of art. The Quartet has performed in many<br />
concerts and continues to captivate audiences<br />
with the members’ individual qualities of sound<br />
and the depth of their interpretations. The<br />
Daimon Quartet was awarded the Wolfe<br />
Wolfinsohn String Quartet Prize at the Royal<br />
Academy of <strong>Music</strong> for their outstanding<br />
performance of Haydn. The Quartet’s future<br />
engagements include concerts in the UK and<br />
Europe.<br />
Daimon Quartet with Cecilia McDowall<br />
CAVATINA to the rescue…<br />
Rosemary Rapaport was the Founder and first<br />
Principal of the Purcell School. The Purcell<br />
6<br />
School started its activities under her direction as<br />
The Central Tutorial School for Young <strong>Music</strong>ians<br />
at Conway Hall. After a tortuous journey via<br />
Morley College, Hampstead and then Harrow it<br />
reached its current impressive location at<br />
Bushey, Hertfordshire. Rosemary was an<br />
eminent violinist and a highly respected teacher.<br />
She spent many years teaching at the Royal<br />
Academy of <strong>Music</strong>. In 1961 Rosemary founded<br />
an intercollegiate string quartet competition at<br />
the Royal Academy of <strong>Music</strong> in memory of her<br />
pianist husband, Gerard Heller. After Rosemary<br />
passed away in 2001, the prize was renamed<br />
‘the Gerard Heller and Rosemary Rapaport<br />
Memorial Quartet Prize.’ The family sponsored<br />
this Competition. Unfortunately, funds needed to<br />
continue this Competition are now limited and the<br />
future of this event was becoming uncertain.<br />
CAVATINA has decided to come to the rescue of<br />
this Competition and will be the main sponsor of<br />
this event. Moreover instead of being biannual it<br />
will become annual with alternate formations:<br />
string quartets in 2012 and piano trios in 2013<br />
and so on. The Competition will be re-named:<br />
The CAVATINA Intercollegiate <strong>Chamber</strong><br />
<strong>Music</strong> Competition in memory of Gerard<br />
Heller and Rosemary Rapaport<br />
The <strong>Trust</strong>ees of the Elias Fawcett <strong>Trust</strong> have<br />
kindly agreed to be the sponsors of the Audience<br />
Prize. The first competition under this name,<br />
open to all conservatoires in the United Kingdom<br />
will be on Monday 30 April 2012 at the Royal<br />
Academy of <strong>Music</strong>.<br />
Cecilia McDowall, Composer<br />
Cecilia McDowall has been close to the hearts of<br />
CAVATINA for many years now and as a most<br />
gifted composer she deserves special mention.<br />
On October 9th 2011 she celebrated her 60th<br />
birthday in style at St John’s, Smith Square. The<br />
concert included many of her own compositions<br />
including ‘<strong>Cavatina</strong> at Midnight’ This magical
piece encompasses a reference to the opening<br />
of the <strong>Cavatina</strong> movement from Beethoven’s<br />
Opus 130 string quartet. <strong>Cavatina</strong> at Midnight<br />
was first performed by Catriona Scott (clarinet)<br />
Gemma Rosefield (cello) and Michael Dussek<br />
(piano) (see <strong>Newsletter</strong> 2009). The second<br />
commission was a String Quartet ‘Are we on the<br />
same page?’ as the set piece for the CAVATINA<br />
Intercollegiate Competition at the 2nd<br />
Greenwich International String Quartet Festival<br />
in Spring 2011 (as mentioned above). Cecilia’s<br />
‘The Last Dance’ for oboe, clarinet and bassoon,<br />
was written for the Thorne Trio, a wind group<br />
which has worked for many years for our<br />
schools’ outreach programme. It is a fun, jazzy<br />
piece which stretches the professionals in<br />
rythmn and co-ordination during its two and a<br />
half minutes.<br />
It can be seen/heard on:<br />
http://www.youtube.com/watch?v=ZLEUl3DbFGI<br />
having been filmed by Pamela Majaro at a<br />
Family Concert at the French Institute. We<br />
congratulate Cecilia on her great list of wonderful<br />
compositions and for the accolades she has<br />
deservedly received for them. One reviewer in<br />
the Gramophone wrote:<br />
‘She constantly tweaks the<br />
ear with her range of spicy<br />
rhythms and colours then<br />
suddenly produces a<br />
highly atmospheric and<br />
grippingly expressive<br />
interlude which is just as<br />
compelling.’ Pamela<br />
Majaro says: ‘Cecilia is<br />
wonderful to work with;<br />
always a delight to talk to,<br />
always on the dot with her<br />
commissions and answers emails by return.’<br />
7<br />
C<br />
Welcome to Richard Ireland<br />
CAVATINA welcomes Richard Ireland as a<br />
valued addition to our ever-growing part-time<br />
team. London-born into a family of string quartet<br />
players (his father Patrick was in the Allegri<br />
Quartet, and his brother Robin in the Lindsays),<br />
Richard studied with Eli Goren and then with<br />
Shmuel Ashkenasi in the USA, where he<br />
subsequently became Ashkenasi’s Teaching<br />
Assistant. Having taught at the RNCM in<br />
Manchester for many years and at the RCM in<br />
London, he is much in demand as teacher,<br />
coach, adjudicator and as jury member in<br />
competitions both in the UK and abroad. As a<br />
member of the Chilingirian Quartet, Richard<br />
performed at many of the important festivals and<br />
concert halls around the world. With this wealth<br />
of experience, he created and now runs<br />
<strong>Chamber</strong>Studio, a unique scheme where young<br />
professional groups can receive subsidised<br />
masterclasses given by renowned chamber<br />
musicians. These classes, which are open to<br />
the public, are held at Kings Place.<br />
http://chamberstudio.org/ .The Lawson Trio,<br />
which has been attending masterclasses at<br />
<strong>Chamber</strong>Studio over the last year, have now<br />
joined the carefully selected team of CAVATINA<br />
ensembles giving school concerts.
C<br />
Alan Rabin (1933-2011)<br />
It was with great<br />
sadness that we<br />
received the<br />
news that Alan<br />
Rabin, our dear<br />
friend and a<br />
very active and<br />
loyal trustee of<br />
CAVATINA, had<br />
passed away<br />
after a long and<br />
incapacitating<br />
illness. We watched his condition, which affected<br />
his mobility and speech, deteriorating<br />
progressively. Yet he retained his dignity,<br />
modesty and sense of humour until the end.<br />
Alan and I had a special bond because for many<br />
years we shared a love for violin making. We<br />
8<br />
spent a whole day, once a week, in the<br />
Cambridge workshop of Juliet Barker and Kit<br />
Beament. We met in Cambridge for an early<br />
coffee, which gave us an opportunity to sort out<br />
the world’s problems, before ‘clocking in’ for a<br />
busy day of gouging, chiseling, scraping and<br />
occasionally bemoaning unexpected mishaps.<br />
Alan was a wonderful trustee of CAVATINA. For<br />
a number of years he used to prepare the <strong>Trust</strong>’s<br />
annual accounts with remarkable speed and<br />
accuracy. After many years as a senior<br />
accountant at John Lewis, CAVATINA’s financial<br />
matters were for him literally kindergarten stuff.<br />
Nonetheless he attended to them with the kind of<br />
diligence that one would have expected to see<br />
given to blue-chip public companies. Our<br />
deepest condolences to Arlene and the rest of<br />
the family. We miss Alan very much.<br />
Simon Majaro<br />
PLEASE KEEP UP TO DATE WITH CAVATINA PROJECTS<br />
www.cavatinaconcerts.net<br />
CAVATINA would like to thank the following for their generous and constant support:<br />
Andor Charitable <strong>Trust</strong>, The Coln <strong>Trust</strong>, John Lewis Partnership, The Monument <strong>Trust</strong>,<br />
The Paul Morgan Charitable <strong>Trust</strong>, The Laurie & Gillian Marsh Charitable <strong>Trust</strong>,<br />
Peter Storrs <strong>Trust</strong>, The Harold Hyam Wingate Foundation, Anonymous Benefactors<br />
CAVATINA <strong>Chamber</strong> <strong>Music</strong> <strong>Trust</strong><br />
52D Maresfield Gardens, London NW3 5RX; Tel: 020 7435 8479; FAX: 020 7431 2737<br />
e-mail: majaro@cavatina.net<br />
www.cavatina.net<br />
<strong>Newsletter</strong> Editor: Dr. Carol Lovelidge<br />
Patrons: Derek Aviss, Sir Vernon Ellis, Edmond Fivet CBE, John Gilhooly, Gavin Henderson<br />
CBE, Lady Irvine of Lairg, Seppo Kimanen, Lord Moser, Steven Isserlis CBE, Menahem<br />
Pressler, Gabor Takacs-Nagy, Sir John Tusa, Dr. Peter Woodford, Benjamin Zander.<br />
<strong>Trust</strong>ees: Huw Davies, Marion Friend, Pauline McAlpine,<br />
Pamela Majaro MBE, Simon Majaro MBE