Some Little Fluxus Events and Fluxus Concerts As part of ... - Prada
Some Little Fluxus Events and Fluxus Concerts As part of ... - Prada
Some Little Fluxus Events and Fluxus Concerts As part of ... - Prada
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<strong>Some</strong> <strong>Little</strong> <strong>Fluxus</strong> <strong>Events</strong> <strong>and</strong> <strong>Fluxus</strong> <strong>Concerts</strong><br />
The Small Utopia. Ars Multiplicata<br />
August 31-September 7, 2012<br />
<strong>As</strong> <strong>part</strong> <strong>of</strong> the exhibition The Small Utopia. Ars Multiplicata, curated by Germano Celant, the<br />
Fondazione <strong>Prada</strong> is organizing a series <strong>of</strong> events to mark the fiftieth anniversary <strong>of</strong> the birth <strong>of</strong><br />
<strong>Fluxus</strong> (1962‐2012) that will commence on August 31, 2012.<br />
<strong>Fluxus</strong> is the smallest <strong>of</strong> the small utopias <strong>of</strong> the 20th century, but also the one with the most<br />
illustrious founding fathers, from Erik Satie to Marcel Duchamp, Tristan Tzara, Filippo<br />
Tommaso Marinetti <strong>and</strong> John Cage. It has been <strong>and</strong> still is an avant‐garde <strong>of</strong> déraciné artists<br />
from every corner <strong>of</strong> the world, specialists in contradiction, but faithful to a poetics that wants<br />
to turn art into an experience that measures up to the desires <strong>of</strong> life today, since, as Duchamp<br />
argued, le spectateur fait l’oeuvre.<br />
The term <strong>Fluxus</strong> was coined in 1961 in New York, by George Maciunas (1931‐78), but came<br />
into current use the year after, in 1962, at Wiesbaden in Germany, where a series <strong>of</strong> musical<br />
actions <strong>and</strong> events were held that have gone down in the history <strong>of</strong> modern art <strong>and</strong> in<br />
<strong>part</strong>icular <strong>of</strong> performance.<br />
To define <strong>Fluxus</strong> is to define the indefinable, but the fact remains that its poetics has, with<br />
Cage above all, changed forever contemporary music <strong>and</strong> the way it relates to art. In <strong>Fluxus</strong> a<br />
dual alliance has been achieved, that <strong>of</strong> the word with the gesture, speech with silence, non‐<br />
sense with the absolute seriousness <strong>of</strong> play. For George Maciunas <strong>Fluxus</strong> represented the<br />
eruption <strong>of</strong> the unexpected into daily life with the objective <strong>of</strong> restoring to art its ancient<br />
dream, that <strong>of</strong> an experience capable <strong>of</strong> generating new social ties above <strong>and</strong> beyond any form<br />
<strong>of</strong> power <strong>and</strong> violence.<br />
To commemorate this small <strong>and</strong> last utopia <strong>of</strong> the 20th century the Fondazione <strong>Prada</strong> has<br />
asked Gianni‐Emilio Simonetti––one <strong>of</strong> the Italian artists who has played a <strong>part</strong> in <strong>Fluxus</strong> <strong>and</strong><br />
who has been involved with music since 1960––to restage, in a manner as much in keeping<br />
with the spirit <strong>of</strong> the time as possible, a <strong>Fluxus</strong> Concert, divided into two <strong>part</strong>s, <strong>and</strong> a Flux<br />
Dinner. In this connection Arthur C. Danto, the doyen <strong>of</strong> the philosophy <strong>of</strong> art in the United<br />
States, wrote in Unnatural Wonders (2005) that what distinguished <strong>Fluxus</strong> in the 1970s was the<br />
use <strong>of</strong> food as art <strong>and</strong> as the subject <strong>of</strong> many performances.<br />
In line with the spirit <strong>of</strong> <strong>Fluxus</strong> the direction <strong>of</strong> these events is Simonetti’s responsibility, but he<br />
will rely on the help <strong>of</strong> young <strong>and</strong> nonpr<strong>of</strong>essional performers: Evelina Carrara, Sara Murrone,
Giulia Tacchini, Melissa Sieben, Andrea Grotto, Gionatan Lass<strong>and</strong>ro, Jacopo Pagin <strong>and</strong> Giulio<br />
Saverio Rossi.<br />
They will present pieces by Ay‐o, George Brecht, Philip Corner, Al Hansen, Dick Higgins, Alison<br />
Knowles, Takehisa Kosugi, Shigeko Kubota, Joe Jones, George Maciunas, Walter Marchetti,<br />
Nam June Paik, Ben Patterson, Terry Riley, Tomas Schmit, Mieko Shiomi, Ben Vautier, Robert<br />
Watts <strong>and</strong> La Monte Young, <strong>and</strong> for the occasion several works by John Cage will also be<br />
reinterpreted in the spirit <strong>of</strong> this avant‐garde: Fontana Mix (1958), Sounds <strong>of</strong> Venice <strong>and</strong> Water<br />
Walk (1959), Variation III (1962).<br />
Program<br />
<strong>Some</strong> <strong>Little</strong> <strong>Fluxus</strong> <strong>Events</strong> organized by Gianni Emilio Simonetti<br />
Friday August 31, 6 pm – 9 pm<br />
<strong>Fluxus</strong> Concert, An Anthology. Part I.<br />
Saturday September 1, 7 pm<br />
<strong>Fluxus</strong> Concert, An anthology. Part II.<br />
Sunday September 2, 7 pm<br />
A <strong>Fluxus</strong> Dinner preceded by John Cage’s Variation III (1962)<br />
Friday September 7, 7 pm<br />
Ca’ Corner della Regina – Calle de Ca’ Corner, Santa Croce 2215, Venice 30135<br />
RSVP +390254670981 info@fondazioneprada.org<br />
Please note that the maximum number <strong>of</strong> guests admitted inside the exhibition space <strong>of</strong> 200<br />
persons at once.<br />
Details <strong>of</strong> the exhibition<br />
Title: “The Small Utopia. Ars Multiplicata,” curated by Germano Celant<br />
Venue: Ca’ Corner della Regina – Calle de Ca’ Corner, Santa Croce 2215, Venice 30135 – San<br />
Stae Stop, Linea 1, Direction Lido<br />
Opening hours: 10 am‐6 pm, closed on Tuesdays. The ticket <strong>of</strong>fice closes at 5:30 pm<br />
Entrance: 10 euros, except for under 18s <strong>and</strong> over 65s<br />
Information: tel. +39.041.8109161 Venice; tel. +39.02.54670515 Milan<br />
www.fondazioneprada.org ; info@fondazioneprada.org<br />
Press Office: tel. +39.02.54670202 / press@fondazioneprada.org<br />
Vaporetto dell’arte: priority boarding <strong>and</strong> 15% discount on all publications<br />
Publication: The Small Utopia. Ars Multiplicata, Edizione Progetto <strong>Prada</strong> Arte