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Persia from the Earliest Period to the Arab

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HISTORY OF PERSIA. iy<br />

man at full charge. In this case, thoiugh <strong>the</strong> rock<br />

has been smoo<strong>the</strong>d away for a space of about sixteen<br />

by twelve feet, <strong>the</strong> sculpture has remained unfinished.<br />

The ruins of Shahpur, about fifteen miles north of<br />

Kazerun, are among <strong>the</strong> most celebrated works of<br />

Sassanian times, and yet, though but a few miles out<br />

of <strong>the</strong> road, <strong>the</strong>y have been passed by every traveller<br />

<strong>from</strong> Tavernier and Thevenot down <strong>to</strong> Scott Waring :<br />

it was not, indeed, till Mr. Morier visited <strong>the</strong>m in<br />

<strong>the</strong> year 1809, that anything was really known about<br />

<strong>the</strong>m. Mr. Morier considers that <strong>the</strong> ruins of Shah-<br />

pur<br />

have extended over a circumference of about six<br />

miles, enclosing a tract of plain and a hill, on which<br />

<strong>the</strong> ancient citadel forms a conspicuous object. Mr.<br />

Morier describes <strong>the</strong> position as one of singular gran-<br />

deur and beauty, and adds :<br />

" The first object which at-<br />

tracted our attention, was a mutilated sculpture of two<br />

colossal figures on horseback, carved on <strong>the</strong> upper<br />

superficies of <strong>the</strong> rock. The figure <strong>to</strong> <strong>the</strong> right was<br />

<strong>the</strong> most injured, <strong>the</strong> only part, indeed, that we could<br />

ascertain with precision, was one of <strong>the</strong> front, and two<br />

of <strong>the</strong> hinder feet of a horse, standing over <strong>the</strong> statue<br />

of a man, who was extended at his full length, his face<br />

turning outwardly, and reposed on his right hand, and<br />

his attire bearing marks of a Roman costume. A<br />

figure in <strong>the</strong> same dress 1 was placed in an attitude of<br />

1 This is clearly ano<strong>the</strong>r representation of <strong>the</strong> s<strong>to</strong>ry of Valerian<br />

and Shahpur : <strong>the</strong> figure kneeling may be Cyriades awaiting in-<br />

vestiture ; a subject more than once repeated with varying details.<br />

On ano<strong>the</strong>r, but somewhat similar sculpture, <strong>the</strong> Roman<br />

emperor is not so readily recognised, and it is probable that this<br />

one refers <strong>to</strong> some o<strong>the</strong>r vic<strong>to</strong>ry of <strong>the</strong> <strong>Persia</strong>n monarch. It may<br />

be added that <strong>the</strong>re is no trace in any of <strong>the</strong>se reliefs, of any barbarous<br />

treatment of <strong>the</strong> Roman emperor on <strong>the</strong> part of his caj <strong>to</strong>r.

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