09.03.2013 Views

Persia from the Earliest Period to the Arab

Persia from the Earliest Period to the Arab

Persia from the Earliest Period to the Arab

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

HISTORY OF PERSIA. 183<br />

tassel 1 His tunic has tight long sleeves<br />

and is bound by a belt which passes over <strong>the</strong> right<br />

hip ; <strong>the</strong> folds of <strong>the</strong> tunic at <strong>the</strong> <strong>to</strong>p of <strong>the</strong> belt are<br />

well expressed in <strong>the</strong> s<strong>to</strong>ne. To <strong>the</strong> o<strong>the</strong>r side of this<br />

girdle it is probable <strong>the</strong> sword is attached, <strong>the</strong> hilt<br />

of which he is grasping with his left hand. On my<br />

arrival afterwards at Shiniz, a <strong>Persia</strong>n artist shewed me<br />

a very old drawing of this bas-relief, where <strong>the</strong> present<br />

mutilated space was filled by <strong>the</strong> upper part of <strong>the</strong><br />

figure of a boy, crowned with a diadem like <strong>the</strong> person-<br />

age on <strong>the</strong> left, and like <strong>the</strong> figure of <strong>the</strong> king, clasping<br />

<strong>the</strong> hilt of his sword with his left hand." Opposite<br />

<strong>to</strong> <strong>the</strong> king stands a figure whose closely fitting dress<br />

suggests a feminine form. A third figure with a short<br />

bushy beard stands behind <strong>the</strong> king. The composition<br />

of <strong>the</strong> piece seems <strong>to</strong> indicate a royal union, and may<br />

refer <strong>to</strong> VarahrSn V and his queen, who, besides being<br />

<strong>the</strong> partner of his domestic pleasures, was, as we may<br />

see <strong>from</strong> <strong>the</strong> coins of <strong>the</strong> period, associated with him<br />

and his son in <strong>the</strong> empire.<br />

The next relief, a few paces <strong>from</strong> <strong>the</strong> former,<br />

represents a combat between two horsemen, and<br />

has been designed with much spirit. The chief<br />

figure, in <strong>the</strong> act of charging his opponent with a<br />

spear, exhibits considerable grace and harmony of ac-<br />

tion. He wears a winged helmet and scaly armour,<br />

not al<strong>to</strong>ge<strong>the</strong>r unlike that of <strong>the</strong> Knights Tem-<br />

plars. A second and prostrate figure lies under<br />

1 Sir R. K. Porter had not, of course, seen <strong>the</strong> monuments dis-<br />

covered at Nimnid and elsewhere by Mr. Layard and o<strong>the</strong>r ex-<br />

cava<strong>to</strong>rs. The treatment of <strong>the</strong> beard would seem <strong>to</strong> have arrived<br />

at its culminating point of care and completeness as early as <strong>the</strong> ninth<br />

century B.C.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!