Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

description
ii Furthermore, tantric elements are not lacking: we know the Kundalini (82) and two
sexual prowess mudra, vafroli and khecart (126).
CIBN of auditory phenomena acompafian certain yogic exercises. By the sound
perceived in Siddhasana position, which makes him deaf to every sound from the outside
world, the Yogi reaches the state in a fortnight turiya (31-32). At first the sounds
perceived are violent (similarity above the ocean, thunder, waterfalls), then take a
musical structure (of Mardala, bell and horn) and finally, hearing becomes very sensitive
(sounds de vina, flute, from abe-ja, 33-35). The yogi must strive to get more sounds for
your-tiles is the only possible way to progress in their meditation. Finally, the yogi
proved experimentally the junction with the sound lacks Parabrahman (asabda). This
state-vo meditatio probably resembles a cataleptic state, since the text states that "the
yogi remains dead is freed (muk-ta). His body, in that state unmani (made at the time that
has passed the audition yogi mystic) is "like a piece of wood, she feels neither hot nor
cold, neither joy nor pain" (53-54). He hears no sound and
This Upanishad suggests, also originated "experimental" was undoubtedly made in a
specialized yogi "auditions mystical", ie to obtain the "ecstasy" through concentration on
the sounds. Let us not forget that such a "concentration" is obtained only through the
application of a technique yogi (asana, pranayama, etc.). And that its ultimate goal is to
transform the entire cosmos in a wide theophany sound (with referendums to "sounds
mystical" , see Note HI, 6).
The most abundant indications Upanishad techniques and re-wakes mystical, of all the
Upanishads late, is undoubtedly the Dhyanabindu. His magical and contrary to the
obvious devotion from the first row, which says that the sins of one man, for more serious
they are, are destroyed by the dhyana-yoga. It's exactly the point of view of Tantrism
extremist: the total emancipation of the adept, with respect to all moral and social laws.
The Dhyanabindu, such as Nadabindu, beginning with an iconographic description of the
syllable OM, which must be "provided" as identical with Brahman. Each of the letters of
the syllable (a + u + m) has a color "mystical" and is accredited to a god. Moreover,
assimilation to the gods (devoid of any religious value here and regarded as iconographic
symbols) is not particular to the syllable OM. Pranayama is also identified with the three
main gods of the Vedic pantheon: Brahma is considered the aspiration. Visnu the
suspension (of respiration), Rudra's expiration. However, it is advisable to get the
pranayama through concentration on the syllable OM (19).
In the text we are referring to the physiology "subtle" is especially strong. Detailed (25)
that the "lotus of the heart" and Trienta has eight petals and filaments. Pranayama
acquires special value, the inspiration to be effected by the "three mystical vein, susumna,
Ida ypingala and absorbed" between the eyebrows ", a place that is both" the root of the
nose and the abode of immortality "(40). Asana is mention four, seven cakra (centers)
and ten nodi names (the "veins" of "Hindu mystic physiology) .12 Similarly, it cites (66)
the" awakening "of Paramesvari, ie Kundalini Tantric specifically on the process that will
already be-ing opportunity to speak. It also reveals an element of magic erotica, a
technique with certain analogies with gestures "or" giasticos "of vamacari (gropes" left
hand ") and the sahajiya sect. Obviously, these are only indications, not detailed and
comprehensive instructions. Thus, for example, make sure that whoever efectiia the
khecarimudra1 ' "never nopierde his seed, even embraced by a woman" (84). (The is