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Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

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goes alia of death, there is another path" (III, 8) immortality ( HI, 10; III, 13), the Spirit is<br />

the owner of immortality (III, 15), which is known triumphs over death (IV, 15, 17, 20),<br />

gods and poets who have co - nocido the essence of Brahman hidden in the Vedas and<br />

Upanishads have been<br />

The predominance of "motive" of immortality "encourages us to believe that<br />

Svetaavatara Up was written in a" mystical ", or rather was restored in such an<br />

environment, because the text has suffered nu-merous additions, over the centuries. The<br />

term "liberation" is not so often alii. But there are passages that speak of joy radiating<br />

"eternal happiness" obtained by those who know a mother Siva (VIJ 12), expression that<br />

among so many others (IV, 11, 12, etcetera) betrays a secret content of mystical<br />

experience ver - dader. The Brahman is identified with Shiva, whose name is also Hara<br />

(I, 10), Rudra (III, 2) and Bhagavat (III, 11). We oc-takee of the composite structure of<br />

nuance "sectarian" (sivaita) of this Upanishad (see Note III, 5). But it was necessary to<br />

emphasize its mystical-experimental (IV, 20) to better explain the importance it attaches<br />

to the yogic practices (II, 8-13). When it comes to traditions or "trade secrets" themselves<br />

of certain "experimented" recluses, the author himself (or one of its "Edit-res") leaves<br />

him understand. Then he tells us (VI, 21): Tor ru power of austerity and by God's gratia<br />

(devaprasadat) indeed revealed Svetasvatara wise as well as necessary, to Brahman who<br />

have crossed the ashram, the purification tada supreme accepted by the assembly of the<br />

rsi (trans. L. Silburn).<br />

Thus the yogi technique is integrated with the tradition Upanishads: technique that<br />

presents quite analogous to that of the Yoga-Sutra. Here are the essential passages:<br />

"Given the strong body upright in the three parts (chest, neck, head, Bhagavad Gita, VI,<br />

13), into the heart by the senses and thought, a sa-bio, with the boat of Brahman traverse<br />

all rivers threaten-ing (II, 8). Having compressed the respiration in the body, regular<br />

movement lando, you ought to breathe through the nostrils with reduced breath (Bh. Gita,<br />

V, 27 ) as a vehicle NICU do with bad horses, the wise must repress their thoughts<br />

without distraction. (9) that yoga is practiced in a smooth and pure (Bh. Gita, VI, 11), no<br />

pebbles, no fire, or sand, pleasant to intemal sense of sounds, water, etc.., not dislike the<br />

look, sheltered by a depression in the ground. (10) The fog, smoke, sun, fire, wind,<br />

Phosphorescent insects, lightning, crystal,<br />

vuefto famortales (V, 6); immortality through Siva only (VI, 15, 17); "the ultimate bridge<br />

to immortality" (amrtasaparam setum, VI, 19).<br />

moon are the preliminary elements that produce, in Yoga, the manifestation of Brahman.<br />

(11) Where the quality of Yoga quintuple was produced rising from the earth, water, fire,<br />

wind and space, since there is neither disease nor old age nor death for one who has<br />

obtained a body made with the fire of Yoga. (12) Lightness, health, lack of desire, fair<br />

complexion, excellent voice, pleasant smell, decreased excreta, that is, they say, the first<br />

effect of Yoga "(13: trad. L. Silburn).<br />

We have acknowledged in passing the most important anga of the Yoga-Sutra: The asana,<br />

the pratyahara, pranayama. The aci s-cal phenomena and light that mark the stages of<br />

yogic meditation, and for which the Upanishads further emphasis will confirm the<br />

technical, experimental, of the secret tradition transmitted by the Svetasvatara. Another<br />

Upanishad the same group, the Mandukh-ya, provides critical details concerning the four<br />

states of consciousness and its relations with the mystic syllable OM. The extreme<br />

brevity of this Upanishad (s61o has twelve stanzas) is am-broadly de-fined offset by the

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