Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net
Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net
Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net
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Theophany is itself reduced to a phoneme. The findings in this regard are legion.<br />
Interestingly, however, that Vyasa approval, the science knowledge of salvation to a<br />
technical mis-tica, and it is not repeated here more than the syllable OM, and not<br />
dedicated to formulate theories to Carse thereon.<br />
and renounce the human passions, in return for which it was agreed that power. The<br />
conception of this almost fi-physical balance between denial and magical fruits of<br />
renunciamien-to, is remarkable.<br />
The physical purification, says Patanjali, a feeling that new vo is welcome: the<br />
apprehension of one's body and breaking the contact with other bodies (II, 40). Through<br />
the purification fi-sica ekagrata is obtained, ie, authority over the senses and the ability to<br />
know the soul (II, 41). Compliance with himself, sobriety, provide a "joy unspeakable"<br />
(II, 42), and as such asceticism (tapas, physical exertion used as a means of purification)<br />
away impurities and opens a new power over the senses is ie the possibility of<br />
transcending the limits of the senses (vision, audition nitida, guess-ture of thought, etc.).<br />
or delete at will (Vyasa, ad II, 43).<br />
YOGI POSITIONS (ASANA) <strong>AND</strong> THE DISCIPLINE OF BREATHING (Pranayama)<br />
Latest from the third "member of Yoga" (yoganga) start-za yogi technique itself. This<br />
third "member" is asana, which refers to the position well known yogi that Yoga-Sutra<br />
(II, 46) defined as follows: sthirasukham, "stable and enjoyable." In-asana against the<br />
description of many treaties in Hatha Yoga in Patanjali, such a description is only<br />
sketched, since the asana is learned through the explanations of a guru and not<br />
descriptions. The important thing is the fact that the asana gives a rigid body stability<br />
while the mi-nimo reduces the physical effort. This avoids the irritating feeling of fa-tiga,<br />
the enervation of certain parts of the body, the processes governing physiological and<br />
enables, thereby, to deal exclusively with the attention the fluid part of consciousness. At<br />
first, the asana is uncomfortable and even unbearable. But after a train-ing, the effort<br />
required to keep the body in the same position becomes minimum. However, and this is<br />
of capital importance, the effort must go, the meditative position tor-mined to be natural:<br />
it is only then when it facilitates concentration. "The position is perfect when the effort to<br />
accomplish it disappears, so that no more movement in the body. Similarly, his perfection<br />
is met when the spirit is processed in an infinite ma (anantasamapattibhyam), ie, when it<br />
makes the idea of infinity its own content "(Vyasa, ad Yoga-Sutra, II, 47). And Vacaspati<br />
writes, commenting on the interpretation of Vyasa: "The practicing asana must make use<br />
of an energy con-sisting of the efforts to remove natural body. Otherwise, the ascetic<br />
view that we speak here may not be realized. As regarding the "spirit become infinite"<br />
means a total suspension of attention to the presence of his own body.<br />
The asana is one of the techniques characteristic of Hindu asceticism. We find in the<br />
Upanishads, and even in the Vedic literature, but the allusions to the asana are more<br />
abundant in the Epic and Purana. It is clearly in the literature where asana hathayogui<br />
play an increasingly important role: the treaty Gheranda-Samhita describes thirty-two<br />
varieties of asana. See-ing, for example, as you get one of the easiest and most common<br />
meditation position, the padmasana: "Place your right foot on the left calf, and similarly,<br />
the left foot over right calf: cross your hands on asid back and the talo-tions of the feet<br />
(right hand on the right and the left heel on the left heel). rested her chin on your chest