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Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

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nuanced as manifested by<br />

Tunico element is much larger than in the previous cases, but is still thinking who defines<br />

the emotional coloration that is modified by it ", A. Bloom), 4 ') heart center (located in"<br />

the upper heart, a little below the left nipple, "according to the Greek Fathers," a little<br />

arribr "according Theophane Reclus him and others." It is the perfect physical attentional<br />

"Bloom Antoine L'Hesychasme, Yoga chretien ?, pa-gina 185 and ff.).<br />

Noto VI, 10: On "LenguajeMencionar<br />

Haraprasad Shastri, in his book Win or Donate Bouddha (Calcutta, 1916), sandhya-Bhasa<br />

explained as follows: All works of Sa-hajayana are written in sandhya-Bhasa, this is a<br />

Bhasa (language) of light and of darkness ( "alo-a-Dhari"), half light, half dark, certain<br />

bits are understandable, others are not at all in other pakbras in such dis-course on the<br />

dharma, which are so high, it also becomes to mention other things. "According<br />

Vidushekar Shastri (Sandhabhasa, Ind. Hist Quart, 1928, IV, 287-296)," the word<br />

sandhaya of Buddhists is the same as the term abhisandhaya Brahmanical texts. The<br />

Chinese original sources per-miten conclude that Sandha-abhiprayika Břasy means<br />

going-American, or "tntencionoT language. This same interpretation of the term is held<br />

by P. C. Baggchi, The Sandhabhasa and Sandhavacana (Ind. Hist. Quart., 1930, VI, 384-<br />

484, article reprinted in Studies m the Tantras, 27-33), which provides new testimomos of<br />

Chinese origins, mainly from chapter 13 of Hevajatantra devoted to Sandha-Bhasa. Many<br />

a poet and mystic texts written in "intentional language" have been grouped by S.<br />

Dasgupta in an appendix of their Religious Cults obscure book (p. 477: Enigmatic<br />

language of the Old and Mediaeval poet).<br />

On Doha, see N. Shahidullah, Les Chants et Kanha mystiques Doha-Kosa (Paris, 1928);<br />

B. Bhattacharyya, The Date of the Buddha Gan or Doha (Behar Jorn. Orissa Research<br />

Society, XIV, 1928, p. 341-357); S. Dasgupta, op cit, p. 61, 93, 423, and passim; P. C.<br />

Baggchi, Materials for a critical edition of the old Bengali Caryapadas. A comparative<br />

study of the text and the tibetan traslation, Part I (Calcutta University Press, 1938, reprint<br />

from the Journal of Department of Letters, Vol XXX); also Anah Basu,<br />

Tattvasvabhavardstogitikudoha (hid Hist. Quart., 1924, p. 676 ff.); C. Ben-dall,<br />

Subhasita-Samgraha (Museon, new series, IV-V, Leuven, 1905), p. 71.<br />

Note VI, 11: "For losjmismos acts ..."<br />

The Prajnopayaviniscayasiddhi (1, 15) Anangavajra, the In-drabhuti teacher repeats the<br />

same maxim. In this treaty, as in Indrabhuti Jnanasiddhi of the maithuna is strongly<br />

recommended (ed. B. Bhatta-caryya, Two VajrayanaWorks, Gaekwad Orient. Series,<br />

Baroda, 1929, p. 20-29, 33-35, etc. .). The mudra (ritual spouse) must be submitted to the<br />

guru and the ritual can take place only through an initiation by the guru assured.<br />

Moreover maithuna with the mudra of consecrated bread that circumstance, the yogi can<br />

enjoy muieres many as you want, sip drinks alcol61icas, steal and even rrmtnr, without<br />

thereby committing a "sin." Indrabhuti, moreover, determines the end of the M> n<br />

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