Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net
Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net
Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net
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nuanced as manifested by<br />
Tunico element is much larger than in the previous cases, but is still thinking who defines<br />
the emotional coloration that is modified by it ", A. Bloom), 4 ') heart center (located in"<br />
the upper heart, a little below the left nipple, "according to the Greek Fathers," a little<br />
arribr "according Theophane Reclus him and others." It is the perfect physical attentional<br />
"Bloom Antoine L'Hesychasme, Yoga chretien ?, pa-gina 185 and ff.).<br />
Noto VI, 10: On "LenguajeMencionar<br />
Haraprasad Shastri, in his book Win or Donate Bouddha (Calcutta, 1916), sandhya-Bhasa<br />
explained as follows: All works of Sa-hajayana are written in sandhya-Bhasa, this is a<br />
Bhasa (language) of light and of darkness ( "alo-a-Dhari"), half light, half dark, certain<br />
bits are understandable, others are not at all in other pakbras in such dis-course on the<br />
dharma, which are so high, it also becomes to mention other things. "According<br />
Vidushekar Shastri (Sandhabhasa, Ind. Hist Quart, 1928, IV, 287-296)," the word<br />
sandhaya of Buddhists is the same as the term abhisandhaya Brahmanical texts. The<br />
Chinese original sources per-miten conclude that Sandha-abhiprayika Břasy means<br />
going-American, or "tntencionoT language. This same interpretation of the term is held<br />
by P. C. Baggchi, The Sandhabhasa and Sandhavacana (Ind. Hist. Quart., 1930, VI, 384-<br />
484, article reprinted in Studies m the Tantras, 27-33), which provides new testimomos of<br />
Chinese origins, mainly from chapter 13 of Hevajatantra devoted to Sandha-Bhasa. Many<br />
a poet and mystic texts written in "intentional language" have been grouped by S.<br />
Dasgupta in an appendix of their Religious Cults obscure book (p. 477: Enigmatic<br />
language of the Old and Mediaeval poet).<br />
On Doha, see N. Shahidullah, Les Chants et Kanha mystiques Doha-Kosa (Paris, 1928);<br />
B. Bhattacharyya, The Date of the Buddha Gan or Doha (Behar Jorn. Orissa Research<br />
Society, XIV, 1928, p. 341-357); S. Dasgupta, op cit, p. 61, 93, 423, and passim; P. C.<br />
Baggchi, Materials for a critical edition of the old Bengali Caryapadas. A comparative<br />
study of the text and the tibetan traslation, Part I (Calcutta University Press, 1938, reprint<br />
from the Journal of Department of Letters, Vol XXX); also Anah Basu,<br />
Tattvasvabhavardstogitikudoha (hid Hist. Quart., 1924, p. 676 ff.); C. Ben-dall,<br />
Subhasita-Samgraha (Museon, new series, IV-V, Leuven, 1905), p. 71.<br />
Note VI, 11: "For losjmismos acts ..."<br />
The Prajnopayaviniscayasiddhi (1, 15) Anangavajra, the In-drabhuti teacher repeats the<br />
same maxim. In this treaty, as in Indrabhuti Jnanasiddhi of the maithuna is strongly<br />
recommended (ed. B. Bhatta-caryya, Two VajrayanaWorks, Gaekwad Orient. Series,<br />
Baroda, 1929, p. 20-29, 33-35, etc. .). The mudra (ritual spouse) must be submitted to the<br />
guru and the ritual can take place only through an initiation by the guru assured.<br />
Moreover maithuna with the mudra of consecrated bread that circumstance, the yogi can<br />
enjoy muieres many as you want, sip drinks alcol61icas, steal and even rrmtnr, without<br />
thereby committing a "sin." Indrabhuti, moreover, determines the end of the M> n<br />