Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net
Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net
European. i 'R. Blechsteiner, L'Eglise Jattne (trad, fr., Paris, 1937), ps. 194-195. About gtohod, see also Alexandra David-Neel, et magiciens Mystiques Tibet (Paris, 1929), p. 126 et seq. SIMILAR found elsewhere: for ple in Australia or in certain North American tribes. In the case of Tcho, we are in the presence of a mystical revalorization initiation chamaluca scheme. His side "sinister" is rather apparent: it is an experience of death and resurrection that, like all such experiences are "terrifying". Indo-Tibetan Tantrism even more radically spiritualized irriciatico scheme of "conduction to death" by demons. Here is some tantric meditations aimed dismissal * jar the body of his flesh, and the contemplation of the skeleton itself. The Yogi is asked to imagine their body as a corpse, and his own intelli-gence in as an angry goddess, holding a skull and a knife. "Think she cut the head of the corpse, and cutting the body into pieces and throws them into the skull as an offering to the gods .. Another exercise is viewed as" one-skeleton is white, bright and huge, where out flames as high-ties that fill the void of the universe. "Finally, the third meditation yogi proposes seen as tra ^ nsformado in dakini angry, ripping the skin of his body. The continual text" Stretch that skin to cover the universe (...) • And it piles on your bones and your flesh. Then, when evil spirits are in full your joy, imagine making the dakini irritated skin and wound (...) and crashed hard, reduc-dola, like all its contents, a pulpy mass of flesh and bones, which will be devoured by hordes of wild animals, produce acids mentalrnente ".* 4 Surely this is a genre of meditations which can be dedicated in certain Indian yogis cemeteries (see p. 284). Now this is a spiritual exercise specific arctic shamanism. The Eskimo shamans, whom Rasmussen questioned on the ability to watch himself as a skeleton, were inaccurate, because it is a big secret. Let us see what Rasmussen says: "Although no shaman can explain the how and why, can, however, by the power that gets your pen-cessing of the supernatural, depriving his body of flesh and blood, so that nothing is left but the bones (• • ■). Con - l * Kasi Lama Dawa Samdup and W. Y. Evans-Wentz, Tibetan Yoga and secret lot doctrine * (trad. fr. Paris, 1938), ps. 315, 322 and ff. temple as well, naked and completely liberated from the flesh and blood perishable and ephemeral, embodied the same (using) the sacred language of the shamans, to his great task, through the body part that is designed to withstand longer the action of sun, wind and time "18 The reduction to a skeleton and the ability to see himself co-mo a skeleton rising above the mean the profane human condition, namely, the initiation or release. We know that the ritual costume of Siberian shamans often tries to imitate a skeleton (our Le Chamanisme, p. 151 et seq.). However, the same symbolism is widely reported in Tibet and the Himalayan regions. According to legend, Padmasambhava was dancing on the roof of his house, a mystical dance, dressed solely the "seven bone ornaments. We know also the paper by de-empefiado human skulls and femurs in tantric ceremonies and Iamaistas. The dance called the skeleton has first-rate importance in the dramatic setting called tcham, proposed, inter alia, to familiarize viewers with the terrible images that arise in the bardo state, ie in the intermediate state between death and a new reincarnation. Des-from that point of view the skeleton dance should be considered as an
initiation, it reveals certain experiences posthumous (our Le Chamanisme, p. 383 et seq.). ASCENSION TO HEAVEN. MYSTIC FLIGHT On the second element "shamanic" that identify you as a rope-trick, to say the "ascent to heaven" is a more complex problem. Indeed, the rite of ascension on the path of post slaughter (yupa) exists in Vedic India, and outside any shamanic complex: it is a ritual which is performed by the "split level". However, drawing our attention to certain similarities in structure between the Indian ritual and shamanic ascent of the tree, we know that this symbolizes the cosmic tree, however, the sacrificial post (yupa) is also treated as Cosmic Tree (Rig Veda, III, 8, 3; SotapathaBr., Ill, 6, 4, 13, 7, 1, Knud Rasmussen, Intellectual Culture of the Iglulik Eskimos (Copen-hagen, 1929), p. 114. 14, the tree has seven, nine or scanned from LONES, symbolizing each in a Heaven, and his ascension is equal to the ascent of the tree or the cosmic pillar, however, the Indian sacrificial rises, also the, the sky through the sacrificial Post yupa assimilated (TaittiriyaSamhita, VI, 6 , 4, 2, etc.).. The same symbolism appears in the birth of Buddha newborn, gives seven steps and touch the top of the world (Matfimanikayalll, 123), as the Altaic shaman at seven or nine notches on the birch ritual end to get to Heaven (see our Le Chamanisme, ps. 235-362). Afiadir superfluous as the old cosmological scheme of the heavenly ascent and Vedic shamanic presented here is enriched with the contribution of ancient Indian metaphysical theorizing. The Seven Steps of Buddha are not intended as "the world of the gods" and "immortality" but the overshoot of the human condition. The conception of the seven heavens, which alludes to Majjia-manikaya goes back to Brahmanism, and we probably face an influence of the Babylonian cosmology, which also influenced, though indirectly, on the cosmological conceptions and Altaic Siberian. But Buddhism also known cosmological scheme of nine heavens, deeply "internalizedzados" on the other hand, for the first eight heavens correspond to the different stages of meditation, symbolizes heaven and the last Nirvana. In each of these heavens is projected a god of the Pantheon. Buddhist, while representing a specified level of meditation yogui.1 * Now we know that among the seven or nine Altai heavens are inhabited by different shapes or semi-divine divine the shaman is over his ascension and with which departe: in the ninth heaven, is before the Supreme Being, Bai Ulgan. Obviously, in Buddhism it is no longer symbolic of ascension to heaven, but the stages of meditation, while the "steps" towards final liberation. The Brahmanic sacrificer ascends to heaven through the ritual of climbing a ladder; the Buddha transcends the Cosmos licamente symbolized through the seven heavens through meditation the Yogi makes a boo-far 'of a purely spiritual ascension. All en - 18 W. Ruben, Schamanismus im alten Indien (Acta Orientalia, 17, 1939 ps. 164-205), p. 169 Eliade, Le Chamanisme, P. 365. temple as well, naked and completely liberated from the flesh and blood perishable and ephemeral, embodied the same (using) the sacred language of the shamans, to his great task, through the body part that is designed to withstand longer the action of sun, wind and time "16 The reduction to a skeleton and the ability to see himself co-mo a skeleton rising above
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initiation, it reveals certain experiences posthumous (our Le Chamanisme, p. 383 et seq.).<br />
ASCENSION TO HEAVEN. MYSTIC FLIGHT<br />
On the second element "shamanic" that identify you as a rope-trick, to say the "ascent to<br />
heaven" is a more complex problem. Indeed, the rite of ascension on the path of post<br />
slaughter (yupa) exists in Vedic India, and outside any shamanic complex: it is a ritual<br />
which is performed by the "split level". However, drawing our attention to certain<br />
similarities in structure between the Indian ritual and shamanic ascent of the tree, we<br />
know that this symbolizes the cosmic tree, however, the sacrificial post (yupa) is also<br />
treated as Cosmic Tree (Rig Veda, III, 8, 3; SotapathaBr., Ill, 6, 4, 13, 7, 1,<br />
Knud Rasmussen, Intellectual Culture of the Iglulik Eskimos (Copen-hagen, 1929), p.<br />
114.<br />
14, the tree has seven, nine or scanned from<br />
LONES, symbolizing each in a Heaven, and his ascension is equal to the ascent of the<br />
tree or the cosmic pillar, however, the Indian sacrificial rises, also the, the sky through<br />
the sacrificial Post yupa assimilated (TaittiriyaSamhita, VI, 6 , 4, 2, etc.).. The same<br />
symbolism appears in the birth of Buddha newborn, gives seven steps and touch the top<br />
of the world (Matfimanikayalll, 123), as the Altaic shaman at seven or nine notches on<br />
the birch ritual end to get to Heaven (see our Le Chamanisme, ps. 235-362). Afiadir<br />
superfluous as the old cosmological scheme of the heavenly ascent and Vedic shamanic<br />
presented here is enriched with the contribution of ancient Indian metaphysical<br />
theorizing. The Seven Steps of Buddha are not intended as "the world of the gods" and<br />
"immortality" but the overshoot of the human condition.<br />
The conception of the seven heavens, which alludes to Majjia-manikaya goes back to<br />
Brahmanism, and we probably face an influence of the Babylonian cosmology, which<br />
also influenced, though indirectly, on the cosmological conceptions and Altaic Siberian.<br />
But Buddhism also known cosmological scheme of nine heavens, deeply "internalizedzados"<br />
on the other hand, for the first eight heavens correspond to the different stages of<br />
meditation, symbolizes heaven and the last Nirvana. In each of these heavens is projected<br />
a god of the Pantheon. Buddhist, while representing a specified level of meditation<br />
yogui.1 * Now we know that among the seven or nine Altai heavens are inhabited by different<br />
shapes or semi-divine divine the shaman is over his ascension and with which<br />
departe: in the ninth heaven, is before the Supreme Being, Bai Ulgan. Obviously, in<br />
Buddhism it is no longer symbolic of ascension to heaven, but the stages of meditation,<br />
while the "steps" towards final liberation.<br />
The Brahmanic sacrificer ascends to heaven through the ritual of climbing a ladder; the<br />
Buddha transcends the Cosmos licamente symbolized through the seven heavens through<br />
meditation the Yogi makes a boo-far 'of a purely spiritual ascension. All en -<br />
18 W. Ruben, Schamanismus im alten Indien (Acta Orientalia, 17, 1939<br />
ps. 164-205), p. 169 <strong>Eliade</strong>, Le Chamanisme, P. 365.<br />
temple as well, naked and completely liberated from the flesh and blood perishable and<br />
ephemeral, embodied the same (using) the sacred language of the shamans, to his great<br />
task, through the body part that is designed to withstand longer the action of sun, wind<br />
and time "16<br />
The reduction to a skeleton and the ability to see himself co-mo a skeleton rising above