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Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

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The number 84 does not correspond to any historical reality, is a mystical number,<br />

registered in all Indian traditions, both hin-dues as Buddhists ajivika, Jain (see examples<br />

in Dasgupta, Obscure Cults, p. 234). Probably expresses fullness, completeness. The 84<br />

Siddha thus represent the "totality of a<br />

* D. Wright, History of Nepal (Cambridge, 1877), p. 140; W. Crooke, The Tribes and<br />

Castes af North Western Provinces and Otulh, III (Calcutta, 1896), p. 158 (quoting<br />

Buchinam) Briggs, cited, p. 172.<br />

revelation. "As for the 9 natha, their numbers also symbolizes the integrity of a doctrine.<br />

Goraksa-siddhanta-Samgraha tantric cites two texts clearly illustrate this symbolism: the<br />

So-nitya-dasa-tantra says the nine natha spread Tantrism c6smicas at different times, and<br />

Tantra-maharnava natha eight points reside in the eight directions, and non-veno in the<br />

center (quoted in Dasgupta, p. 237). In other words, the doctrine disseminated by these<br />

nine teachers covers the "full" space-time. The natha-and first Matsyendranatha,<br />

Gorakhnath, Carpati, Kapala-are also lists of the 84 Siddha. We can thus see that sahajiya<br />

Tantrism, both Hindu and Buddhist, alchemy (Nagarjuna, Carpati), the Hathayoga<br />

(Goraknah) and Kapalika are united: its representatives are in-stances both lists Nathan as<br />

nine in the 84 Siddha. We may have the key to its symbolism in one time (probably in the<br />

seventh and eleventh centuries) was a new "re-disclosure" by teachers who, like his<br />

predecessors-res, they showed the slightest originality (^ were not identified with Siva or<br />

Vajrasattva? ) but again performed timeless doctrines according to the needs of his time.<br />

One of the key points of this new "revelation" was the termination of the synthesis<br />

between the elements of Tantric Vajrayana and sivaita, magic, alchemy 6 and Hathayoga<br />

In a way, the "revelation" prolonged tantric synthesis. But some of the Natha Siddha and<br />

insisted more than his predecessors on the value of magic and yoga as means to gain<br />

invaluable freedom and immortality. It is primarily this aspect of his message that<br />

impressed the popular imagination, even now find their echoes in folklore and vernacular<br />

literature, and for this very reason that these latter seem valuable to our investigaci6n.<br />

With regard to the proper order of yogis Kanphata been seen (p. 288), part of the tradition<br />

of militant sivaismo. The Kanphata serve as Pujari (officiating) in the temples of<br />

Bhairom, Sakti and Siva (Briggs, cited, p. 139). Many of them go on pilgrimage to the<br />

temple of Hinglaj Vamac,<br />

t<br />

5 GoraksasamhUa, work attributed to Gorakhnath, is among the alchemical treatise, P. C.<br />

Ray, A History of Hindu Chemistry, vol. II, p. JtCVI.<br />

in Baluchistan, and carry as a souvenir necklace white pebbles-cas (Sarquhar, Outline p.<br />

348). Moreover, the first Europeans who referred to Kanphata (eg Buchanam) Enconlock<br />

them with vacamari similarity. His relations with the Aghori are quite narrow, after<br />

his first initiation, called kanphata Augh, and sometimes it happens that a aughan-comes<br />

Aghori (Briggs, p. 71). Certain Aghori serve in the temple of Kamakhya (= Durga) in<br />

Essam. This temple enjoyed great fame for human sacrifice that were in force until the<br />

ni<strong>net</strong>eenth century (English fueronprohibidos by the Govemment in 1832). In 1585, one<br />

hundred and forty victims were beheaded in a single sacrifice. "® If we consider that the<br />

Assam (= Kamarupa) was the country both? Ico par excellence, that very important<br />

exalted Durga Tantra-Kamakhya and described the bloody and licentious worship ( for<br />

example Yoni Tantra, Tantra and Mahanirvana Kalika Purana) that Aghori were<br />

notorious for his cruelty and orgies, understand that the name came to designate yogi on

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