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Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

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covering one in depths of his being the same emotion that is experienced before the<br />

revelation of the cosmic mystery, no ritual, just a profane act, with the usual<br />

consequences (reinforcing the karmic chain, etc.)..<br />

The second stage is the transformation of Women-prakrti in incarnation of Sakti: the<br />

companion of ritual becomes a goddess, as the yogi must incarnate God. Tantric<br />

iconography of divine couples (entibetano yab-yam, father-mother) of the infinite<br />

"forms" of Buddha embraced by his Sakti, is the model type maithuna. One will see the<br />

immobility of God: all activity comes from the Shakti. (In the context yogi, the static<br />

purusa provides creative activity of prakriti). Now, as we have seen, for Hathayoga in<br />

Tantrism, immobility made jointly in the three pianos in the "movement"-thought,<br />

respiration, seminal emission, is the supreme goal of sadhana. Also here is a question of<br />

imitating the divine model: the Buddha, or Shiva, pure spirit, still and calm amid the<br />

cosmic game.<br />

First, the maithuna serves to give the respiration rate and to facilitate concentration: is it a<br />

substitute for Pranayama and Dharana, or rather its "support". The yogini is a girl who<br />

has received instruction from the guru and whose body is consecrated (adhisthita) by<br />

Nyasa. The sexual union is transformed into a ritual through which the human couple is<br />

transformed into divine couple. "Pre-stands for the performance of the rite (maithuna)<br />

through meditation and ceremonies that make it possible and fruitful, he (the Yogi)<br />

considers yogini, her companion and lover, under the name of any Bhagavat, and the<br />

substitute and the essence of Tara, the only source of joy and rest. The nature lover<br />

synthesized entire female, she is the mother, sister, wife, daughter, in her voice, love<br />

que.pide, the officiating recognizes the voice of Bhagavati begging for the Vajradhara,<br />

the Vajra sattva. This is for tantric schools, Saiva and Buddhist, the path of salvation, the<br />

Bodhi "(La Vallee-Poussin, Etudes et MaUriaux, p. 135 ). Moreover, the woman elected<br />

to the maithuna women is not always common in orgies. The Pancakrama presents a<br />

traditional ritual, "The Mudra, wife of Yogi, selected in accordance with fixed rules,<br />

offered, and consecrated by the guru, should be young, beautiful and talented: with it, the<br />

disciple practiced the ceremony, scrupulous observance of the siksa, because while there<br />

is no salvation possible without love (strivyatire-kena) carnal union is not sufficient to<br />

achieve salvation. The practice of Paramitas purpose of kriya, not be separated from<br />

Aque-11a: it is necessary that the sadhaka love the mudra according to the rites: kamayet<br />

strigam nativist "(La Vallee-Poussin, cited, 141).<br />

Pranayama, the Dharana, are but the means by which, during the maithuna, one arrives at<br />

the "immobility" and the suppression of thought, "supreme happiness"<br />

(paramamahasukha) of the Do-hakosa: the Samaras ( Shahidullah translates as "self<br />

pleasure" is rather of a "unity of emotion" and more accurately. paradoxical experience,<br />

inexpressible, the discovery of the Unit). "Fisiol6gkamente", Samaras is obtained during<br />

the maithuna when sukra and the cracks are still (Shahidullah, p. 15). But, as stated<br />

Shahidullah, "in the mystical language of maithuna explain Dohakosa permitted, union<br />

lotus (padma) and beam (ca / 'ra) as the realization of the state of the va-city (vajra =<br />

Sunya) in the nerve plexus of the brain (pad-ma). You can also understand the expression<br />

"young woman" as "emptiness." In Cary (Buddha Ghana), nairatma, non-ego state, or<br />

Sunya ', " emptiness ", is described as a young woman of low caste or cortesana.3 * by<br />

Pancakrama studied by L. de la<br />

3S The role of low caste girls and courtesans play in tantric orgies (cakra, the wheel

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