Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

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(lotus of the head) and corresponds to the Hindu sahasrara . In the three lower cakra are located three kaya (body): Nirmana-cakra in the umbilical kaya, kaya dharma-cakra at the heart, kaya 8ambhoga-cakra in the chest. But with regard to the number and location of these anomalies can be checked cakra and contradictions (see Dasgupta, An Introduction to Tantric Buddhism, p. 163 et seq.). As in the Hindu tradition, are associated cakra mudra and goddesses Locaria, Mamaki, Panda and Tara (Sri-, Samputa, cited by Dasgupta, p. 165). Hevajra-Tantra offers a long list of "quaternity" in relation to the four cakras: four tattva, four anga, four "moments" four noble truths (Arya-sattva, etc.). (idem, ps. 166-167). Seen in projection, the cakra is a mandala whose center is marked by the Brahmarandhra. It is also in this "center" where was the breakdown of the level, where the act for transcendence Paradoxically, the overrun of samsara and the "sa-lida out of Time". The symbolism of the mandala is also establishing the tem-ples and the entire Indian sacred building: seen in projection, a temple is a mandala. We can therefore say that any ritual is equivalent to walking an approximation to the Center, and that entry into a temple initiatic repeated insertion into a mandala, or the passage of kundalini through the cakra. Moreover, the body is trans-formed, while, in microcosm (with Mount Meru per center) and Pantheon; each body part and every organ "subtle" has its tutelary deity, his mantra, his mystical lyrics etc.. Not only does the pupil is identified with the Cosmos, but comes to re-discover your body genesis and destruction of universes. As we shall see, the sadhana includes two stages: 1) the "cosmization" the human being and 2) the "importance" of the cosmos, ie its "destruction" through the unification of opposites ( "Sun" - "Luna ", etc.).. The classic serial of transcendence is constituted by the final act of the ascent of the kundalini: its union with Siva, at the height of the braincase, the sahasrara • 6 25 Do not forget that many schools do not use tantric kundalini symbolism to express the a: 6 No of opposites. See below. We evoked and certain aspects of Kundalini, is described in the form of a serpent, a goddess, and an "energy" at a time. The Hathayogapradipika, III, 9, presents us in these terms: "Kutilangi (which has the body twisting), Kundalini, Bhujangi (female serpent) Sakti, Isvari, Kundali, Arundhati, all these terms are important. As open a door with a Have, the Yogi opens the door to liberation (mukti) freeing the kundalini through Hathayoga (Gorahsasataka, 51). When the Goddess is awakened dormant gratia grant to the guru, all are rapidly traversed cakra (Sivasamhita, IV, 12-14; HY D, Ill, 1). Identified to Sabdabrahman, OM, Kundalini accumulates the attributes of all gods and all goddesses (Sarada-tilaka Tantra, I, 14, 55, XXV, 6). In the form of a snake (ibid., 54) lives in the middle of the body (dehamadyaya) of all creatures (I, 14). In the form of Parasakti, kundalini manifests itself in the trunk (adhara, I, 53), in the form of Paradevata dwells in the midst of the knot that is at the center of adhara. from which come the nadi (XXVI, 34). Kundalini moves inside the susumna strength through inner sense (manas) released by the prana, is "carried through the susumna like thread through the needle" (Goraksasataka, 49). Is awakened through asana and kumbhaka "OLPRAN then absorbed into the void" (SUNY, HY D, IV, 10).

The awakening of the kundalini causes an extremely in-tense heat and its passage through the cakra is manifested by the fact that the bottom of the body becomes inert and cold as a corpse, while the kundalini is crossed by the ar-tooth (Avalon, The Serpent Power, p. 242). The Buddhist Tantras are even more evident the igneous character of the kundalini. For Buddhists, the Sakti (also called Candali, Dombi, Yogini, Naira-mani, etc.). Dozes in Nirmana-kaya (regi6n cord): it arouses boddhicitta producing in this region and this awakening translates to the sensation of a "big fire". Hevajratantra states that "the Candali burns in the belly" and when everything is burned, the "Luna" (located in the front) drops of nectar drops. A song of Gunjaripada presents the phenomenon in veiled language: "The lotus and lightning are in the middle, and their union is in-Candali The fire comes home to take the Moon and water. There is no longer heavy fire, no smoke, and penetrates the Ciol by] the summit of Mount Meru "(text reproduced by S. Dasgupta, Obscure Religious Cults, p. 116 ff).. Return to review the mean-two This vocabulary simbdlico. At the moment, recall a fact from now: according to the Buddhist faith are secret forces at rest in the umbilical region, through yogic practices is lit, the fire reaches the two upper cakra (dhar -ma and sambhoga), penetrates, comes to plant-kamala (corresponds to sahasrara of Hindus) and, after burning everything in its path, returns to nirmanakaija (Sri samputika, reproduce lished by Dasgupta, work above, ps. 118-119). Other texts punctuality zan that this heat is obtained through "transmutation" of energy sexual.26 The relation between the kundalini (or Candali) and fire, the production of "internal heat" by the ascent of kundalini through the cakra, are facts that deserve to be put on evidence cia desde ya. Recall that, according to certain myths, the Goddess Shakti was created by the fiery energy of all the gods (view more arri-ba, p. 293). Moreover, we know that the production of "internal heat" is an ancient magical technique that flourished in the chamaorganism (see p. 315). Note that Tantrism also adopt this universal magical tradition, but the spiritual content of his experience more important, the "Fire" on the ascent of the kundalini-is located in a very different level of magic or shamanism. We will have occasion, in connection with the production of "internal heat", to examine the symbiosis Tantrism-chama-organism registered in certain practices Himalayas. It is impossible to proceed with the awakening of kundalini without the spiritual preparation that is part of all disciplines from which we have spoken. The very act of awakening and the passage through the cakra is set in motion by a technique whose essential element is to stop the respiration (kumbhaka) thanks to a special body position (asana, mudra). One of the most me-all used to stop respiration was proposed by the khecarimudra: the cavum obstruction at the tip of the tongue - "Kasi Lama Dawa Samdup and W. Y. Evans-Wentz, Le Yoga tib & ain secretes et les doctrines (trad. fr. Paris, 1938) p. 316, 322. brought to pledge, to garganca.27 The abundant salivary secretion that occurs in this form is regarded as the celestial ambrosia (amrta) and the very flesh of the tongue, like the beef we eat (/ / Y Pr , Ill, 47-49). This symbolic interpretation of a "physiological situation" is no less interesting question of expressing the fact that the yogi and part of the "transcendence" bankruptcy more severe the prohibition of the Hindu (eat beef,, ie not already conditioned, not already in the world, taste, therefore, the celestial ambrosia. This is only a concept of khecarimudra, we'll see the cavum obstruction by the tongue and the detention of the respiration that takes place accompanied with sexual practices.

(lotus of the head) and corresponds to the Hindu sahasrara . In the three lower cakra are<br />

located three kaya (body): Nirmana-cakra in the umbilical kaya, kaya dharma-cakra at the<br />

heart, kaya 8ambhoga-cakra in the chest. But with regard to the number and location of<br />

these anomalies can be checked cakra and contradictions (see Dasgupta, An Introduction<br />

to Tantric Buddhism, p. 163 et seq.). As in the Hindu tradition, are associated cakra<br />

mudra and goddesses Locaria, Mamaki, Panda and Tara (Sri-, Samputa, cited by<br />

Dasgupta, p. 165). Hevajra-Tantra offers a long list of "quaternity" in relation to the four<br />

cakras: four tattva, four anga, four "moments" four noble truths (Arya-sattva, etc.). (idem,<br />

ps. 166-167).<br />

Seen in projection, the cakra is a mandala whose center is marked by the Brahmarandhra.<br />

It is also in this "center" where was the breakdown of the level, where the act for<br />

transcendence Paradoxically, the overrun of samsara and the "sa-lida out of Time".<br />

The symbolism of the mandala is also establishing the tem-ples and the entire Indian<br />

sacred building: seen in projection, a temple is a mandala. We can therefore say that any<br />

ritual is equivalent to walking an approximation to the Center, and that entry into a<br />

temple initiatic repeated insertion into a mandala, or the passage of kundalini through the<br />

cakra. Moreover, the body is trans-formed, while, in microcosm (with Mount Meru per<br />

center) and Pantheon; each body part and every organ "subtle" has its tutelary deity, his<br />

mantra, his mystical lyrics etc.. Not only does the pupil is identified with the Cosmos, but<br />

comes to re-discover your body genesis and destruction of universes. As we shall see, the<br />

sadhana includes two stages: 1) the "cosmization" the human being and 2) the<br />

"importance" of the cosmos, ie its "destruction" through the unification of opposites (<br />

"Sun" - "Luna ", etc.).. The classic serial of transcendence is constituted by the final act<br />

of the ascent of the kundalini: its union with Siva, at the height of the braincase, the<br />

sahasrara • 6<br />

25 Do not forget that many schools do not use tantric kundalini symbolism to express the<br />

a: 6 No of opposites. See below.<br />

We evoked and certain aspects of Kundalini, is described in the form of a serpent, a<br />

goddess, and an "energy" at a time. The Hathayogapradipika, III, 9, presents us in these<br />

terms: "Kutilangi (which has the body twisting), Kundalini, Bhujangi (female serpent)<br />

Sakti, Isvari, Kundali, Arundhati, all these terms are important. As open a door with a<br />

Have, the Yogi opens the door to liberation (mukti) freeing the kundalini through<br />

Hathayoga (Gorahsasataka, 51). When the Goddess is awakened dormant gratia grant to<br />

the guru, all are rapidly traversed cakra (Sivasamhita, IV, 12-14; HY D, Ill, 1). Identified<br />

to Sabdabrahman, OM, Kundalini accumulates the attributes of all gods and all goddesses<br />

(Sarada-tilaka Tantra, I, 14, 55, XXV, 6). In the form of a snake (ibid., 54) lives in the<br />

middle of the body (dehamadyaya) of all creatures (I, 14). In the form of Parasakti,<br />

kundalini manifests itself in the trunk (adhara, I, 53), in the form of Paradevata dwells in<br />

the midst of the knot that is at the center of adhara. from which come the nadi (XXVI,<br />

34). Kundalini moves inside the susumna strength through inner sense (manas) released<br />

by the prana, is "carried through the susumna like thread through the needle"<br />

(Goraksasataka, 49). Is awakened through asana and kumbhaka "OLPRAN then absorbed<br />

into the void" (SUNY, HY D, IV, 10).

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