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Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

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VI, 8). But just read the texts carefully to realize that these are experiences that go<br />

beyond the physiological, that all these "centers" represent "states yogis", ie inaccessibleable<br />

without a spiritual asceticism: the mortification and disciplines psychophysiological<br />

merimente not enough to "wake up" the cakra or pe<strong>net</strong>rate: the essential, indispensable<br />

meditation is the "realization" spiritual. Thus, it is prudent to consider the "physio-logy<br />

mysticism" as the result and the formation of-concept experiments conducted since<br />

ancient times by ascetics and self-guis; now, do not forget that these last did their<br />

experiences in a "subtle body", ie using sensational tions, tensions, trans-conscious states<br />

inaccessible to the profane. and they controlled a vast area that infinitely more? ona<br />

psychic "normal" pe<strong>net</strong>rated deep into the subconscious-conscious and knew "wake up"<br />

the archaic layers of primordial awareness, fossilized in other human beings.<br />

The body gradually built by hathayoguis, the so-metric and alchemists somehow<br />

corresponded to the body of a "man-god" and know that this concept has long prehistory,<br />

Indo-Aryan and pre-Aryan. The tantric teandria is but a new variant of the Vedic<br />

macrantropia. The basis of these formulas was naturally the transformation of the human<br />

body in microcosm, theory and practice archaic registered throughout the world and in<br />

Aryan India were established from the Vedic times. The respiration, as we have seen was<br />

identified with the cosmic winds (Atharva Veda, XI, 4, 15) and points Cardinale<br />

(Chandogija Up Ill, 13, 1-5). The air, "spins" the Universe (Brhad. Up Ill, 7, 2) and<br />

respiration "weaves" the man (Ath. Veda, X, 2, 13)-and the symbolism of the tissue<br />

arrived in India to the great -goddess conception of the "thread of life" and the fate of<br />

certain goddesses spinning (our book, Images et symboles, p. 149 et seq.). When the<br />

Vedic sacrifice is "internalized" the body becomes a microcosm (Vaikhanasasmartasutra,<br />

II, 18). The backbone-br? L is identified with the mountain Meru, ie the cosmic axis. For<br />

this reason is that, according to Buddhist symbolism, the Buddha could not turn his head<br />

only, but should turn the entire body "after the manner of the elephants": her spine was<br />

fixed, inmo-vile, as the Axis of Universe. According to tradition, the Merudanda is<br />

formed by a single bone, which demonstrates their non-anatomical, deterrniriado. Such<br />

details that Sumeru tantric text is in the same body, the cave of Montana is treated as the<br />

supreme truth (Dohakosa, N? 14). It "makes" the anthro-ing through meditation yogi:<br />

"Imagine the central part (is-pina dorsal) of your body like Mount Meru, as if the four<br />

core members were the four continents, four children, the sub-continent, the head, like<br />

the deva worlds, the two eyes as the sun and moon, etc. ". (Evans-Wentz, The Yoga<br />

tibetine, trans, francaise, p. 327).<br />

The tantric sadhana cosmo-physiology uses this archaic. But all these pictures and all<br />

these symbols implied a mystical experimentation, the teandria, the sanctification of man<br />

through spiritual and ascetic discipline. Sensory activities were amplified in proportion<br />

hallucinatory there after Innu merables identifications organs and physiological functions<br />

cosmic regions, the stars, gods, etc.. The Hathayoga and Tantra transubstantiated body<br />

macro-dimensions tr6picas creating it and assimilated the various "Mystical Body"<br />

(sound, architectural, iconographic, etc.).. For example, a Tantric treatise Javanese Sang<br />

Hyang kamahayanikan on which Stutterheim and P. Attracted the attention Mus (Mus,<br />

Borobudur, I, p. 66 et seq.) Iden-tify each somatic element of the human body with a<br />

letter of the alphabet and a piece of architectural monument, stupapra Quesada (which in<br />

turn is assimilated to the Buddha and the Cosmos). Several "subtle bodies" are<br />

superimposed here: the body of sound, body po Architectural cosmological and mystical-

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