Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net Mircea Eliade YOGA IMMORTALITY AND ... - Brihaspati.net

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guess what Buddhaghosa's ambition is justi-fying rather all these practices, made understandable, most "logical". The last chapter of his voluminous work entitled "benefits accruing to developing understanding," and one paragraph (pp. 703-709) is just to show that through intelligence we can get to ecstasy (Nirodha "detention of states of consciousness"). Furthermore, we Yogacara blooming after the fifth century and which reaffirms the need for experience yogi: to destroy the world of phenomena (ie, profane), and toward the unconditioned, is more faeil "retreat to the center one my-mo "through meditation and ecstasy, in lieu of analytical destruction of the world. Yogacara But that's why they did not resign 'to philosophy: in its role of "school of thought" should be ex-put their views with all the traditional scholastic frame. All Buddhist monks who were dedicated to yoga, used to fix certain objects atenci6n: kasina were, the kind of media meditaci6n known long before Buddhism. The Visuddhimaggahabla of them repeatedly (page 118: the earth, 170, 172, water, 173 colors, 174, light, etc..), 18 In the 18 Reference to fcastna Refer Dhammasangani (trans. C. Rhys Davids, Buddhists Psychological Ethics, p. 43, n. 4, p. 47, n. 2), Compendium of Philosophy (Abhidhammattha-Samgaha, tr. Shwe Zan Aung ) p. 54; La Vallee-Poussin, Etudes et Materiaux, p. 94 et seq. Tantrism, the xa kasi enjoyed great importance. Any object, any phenomenon, can be a kasina: light that slips through the crack of the door in a dark place, a pitcher, a pe-Dazo of land, and so on. Through meditation we obtain a perfect correspondence between thought and object, ie that uni-fies the mental flow suspending any other psychic activity. This technique will become popular in Ceylon as in Tibet. We have a very important text, although confused, refer - ent Buddhist yoga centered kasina: this is the book Cone - lished as Yogavacara's Manual of Indian Mysticism as practiced by Buddhists, edited by T. W. Rhys Davids under that title (London, 1896 Pali Texts Society) and translated by Woodward with the title of Manual of Mystic (London, 1916, Pali Texts Society). The state of text leaves much to be desired, which further complicate their impression tion. The manual, is anonymous, but we can put approximately mately the date of redaction between the sixteenth and seventeenth centuries. This written in Pali and Sinhala and assume that its appearance as late is related to the arrival of Buddhist monks in Siam, called by King Vimala Dharma Surya (1684-1706) to Ceylon, with the pro - posito revive the spiritual life of a Buddhist monastery island (see Manual of a Mystic, pag. 145 et seq.). As Is, Schematic and dark, resembling a list of recipes techniques that a proper manual. He who yogava - was receiving no doubt face the teachings orally, the text to the times pointer. It is true that most of the texts of medi - tacion Indians are presented under this aspect schematic summary and that the real initiation technique and kept transmitting orally, but the "manual" is very secretive. T. W. Rhys Davids and Caroline Rhys Davids tried to explain as far as pos -

le. The translator, Woodward mentions a bhikkhu, Doratiyaveye, that was still alive in Ceylon in 1900, and had received directamenie of its the coach refused to practice, fearing al - direct actions reach Nirvana because as was Boddhisattava, I-many still live many lives on earth. But home to one of his disciples yogavacara in practice, and this disciple went mad and died. Do so that, according to Woodward, no one knows already the practice in Ceylon, and confusion of the text remains unresolved. The structure of the technique yogavacara is understandable but a shame that the most interesting, or exact details of the income meditations, remain unaware. The essential feature of this technique is a complex meditation concerning the "elements". EI ascetic yogi sits in posture (asana) and pranayama begins, focusing on respiratory phases, ie, "comprising", "penetrating" every aspiration and each expiration. Then the ascetic said: "With the conscience of the eye is looking towards the tip of the nose, with the consciousness of the pen-cessing fixed on the fixed expiration and aspiration in the heart of thinking and how I prepare with the word Arahan, Ara-have ". The comment Sinhala adds: "When you have set your mind in that way, alert and kind, appear before the two ima-ments; first 'a mixed picture, then a clear picture. Once the image disappears confusing (... ) and when the picture is clean, purified of all impurities, has permeated his whole being, then, passing over the threshold of the spirit alia dia-Heat Element (tejodhatu). \ n this item, ecstasy has lucerd the color of sunrise, the Preamble is yellow, the in-trade is the color of the sun that rises in the east. By developing these three ways of thinking heat element, making-them down from the tip of the nose, the ascetic must put in coraz6n, then the navel "(Manual of a Mystic, pag. 8). Despite its relative obscurity, the text is understandable. The ini-nanced should meditate successively on the "elements", fire, water, earth, air. Each meditation includes, apart from the preliminaries, three stages: entry (access), the preamble and the ecstasy. Each of these stages corresponds to a "color", ie that the ascetic experiences a light sensaci6n specifies that while checks and drives her reverie. But he found these "thoughts coughforms" through concentration on the tip of the nose is then necessary to make them move from that "center" to the centers for the heart and the navel. After the meditation concerning the element "heat" the ascetic-repi-ing continues exactly the preliminary stages, meditation concerning the element "water", or more exactly meditation concerning the cohesion (apodhatu, as the essential virtue of the water is the cohesion). The "colors" experienced by meditation concerning the element "water" are the color of the moon vine for Ecstasy, the color of the Lotus for the preamble, the color of a yellow flower for the entry. In the following meditation, concerning the vayodhatu (the element "air" which reflects the mobility), the color of Ecstasy is the midday sun, the color of the Preamble is orange, the Entrada is indigo. And so on. In each meditation, the "colors" so obtained by concentrating on the tip of the nose, should be placed in the two centers mentioned above. Each meditation on the tejodhatu corresponds khanikapitti, ie "the arre-batamiento momentary" a meditation on the apodhatu corresponds okkantika-pitti, "the rapture invader"; a meditation on the vayodhatu corresponds ubbega-pitti The "Rapture transports-dor", etc.. After completion of the meditations on the elements, try the meditation concerning the four items at a time, after meditation in reverse, and so on. The "Manual" includes

guess what Buddhaghosa's ambition is justi-fying rather all these practices, made<br />

understandable, most "logical". The last chapter of his voluminous work entitled<br />

"benefits accruing to developing understanding," and one paragraph (pp. 703-709) is just<br />

to show that through intelligence we can get to ecstasy (Nirodha "detention of states of<br />

consciousness").<br />

Furthermore, we Yogacara blooming after the fifth century and which reaffirms the need<br />

for experience yogi: to destroy the world of phenomena (ie, profane), and toward the<br />

unconditioned, is more faeil "retreat to the center one my-mo "through meditation and<br />

ecstasy, in lieu of analytical destruction of the world. Yogacara But that's why they did<br />

not resign 'to philosophy: in its role of "school of thought" should be ex-put their views<br />

with all the traditional scholastic frame.<br />

All Buddhist monks who were dedicated to yoga, used to fix certain objects atenci6n:<br />

kasina were, the kind of media meditaci6n known long before Buddhism. The<br />

Visuddhimaggahabla of them repeatedly (page 118: the earth, 170, 172, water, 173<br />

colors, 174, light, etc..), 18 In the<br />

18 Reference to fcastna Refer Dhammasangani (trans. C. Rhys Davids, Buddhists<br />

Psychological Ethics, p. 43, n. 4, p. 47, n. 2), Compendium of Philosophy<br />

(Abhidhammattha-Samgaha, tr. Shwe Zan Aung ) p. 54; La Vallee-Poussin, Etudes et<br />

Materiaux, p. 94 et seq.<br />

Tantrism, the xa kasi enjoyed great importance. Any object, any phenomenon, can be a<br />

kasina: light that slips through the crack of the door in a dark place, a pitcher, a pe-Dazo<br />

of land, and so on. Through meditation we obtain a perfect correspondence between<br />

thought and object, ie that uni-fies the mental flow suspending any other psychic activity.<br />

This technique will become popular in Ceylon as in Tibet.<br />

We have a very important text, although confused, refer -<br />

ent Buddhist yoga centered kasina: this is the book Cone -<br />

lished as Yogavacara's Manual of Indian Mysticism as practiced by<br />

Buddhists, edited by T. W. Rhys Davids under that title (London,<br />

1896 Pali Texts Society) and translated by Woodward with the title of<br />

Manual of Mystic (London, 1916, Pali Texts Society). The state of<br />

text leaves much to be desired, which further complicate their impression<br />

tion. The manual, is anonymous, but we can put approximately<br />

mately the date of redaction between the sixteenth and seventeenth centuries. This<br />

written in Pali and Sinhala and assume that its appearance as late<br />

is related to the arrival of Buddhist monks in Siam, called<br />

by King Vimala Dharma Surya (1684-1706) to Ceylon, with the pro -<br />

posito revive the spiritual life of a Buddhist monastery<br />

island (see Manual of a Mystic, pag. 145 et seq.). As Is,<br />

Schematic and dark, resembling a list of recipes techniques<br />

that a proper manual. He who yogava -<br />

was receiving no doubt face the teachings orally, the text to the<br />

times pointer. It is true that most of the texts of medi -<br />

tacion Indians are presented under this aspect schematic summary<br />

and that the real initiation technique and kept transmitting<br />

orally, but the "manual" is very secretive. T. W. Rhys Davids and<br />

Caroline Rhys Davids tried to explain as far as pos -

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