A L U M N I M A G A Z I N E - Colby-Sawyer College

A L U M N I M A G A Z I N E - Colby-Sawyer College A L U M N I M A G A Z I N E - Colby-Sawyer College

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PHOTO: Anthony Marrone ’10 Jaycee’s favorite and most challenging role was that of Pozzo in “Waiting for Godot,” which was performed in February 2010, the final production directed by Professor Jerry Bliss. Jaycee as Pozzo stands at the far left, tugging on a rope, with the two main characters, Vladimir and Estragon, played by Nic Richard ’10 and Noah Richard ’10, at center, and Megan Ruggiero ’10 as Lucky. Have you had opportunities to teach in these leadership positions? Yes. At last night’s meeting of the CSC Players the leadership positions were filled for next year. At the beginning of the semester I was worried about where the club would stand after this year. My friend Suzie (Suzanna Brown ’11) and I are the last of the founding group and now we’re leaving. But yesterday I looked around and I was like…they really have this under control. Suzie and I gave a little speech about how we feel we can let the club go and it will proceed with the same momentum and spirit. One of the students stood up and said, “We look at you like an uncle or a dad.” And then someone else said, “Or a grandfather.” He laughs. You studied in Poland your junior year. Did you always want to study abroad? From the beginning I planned all my classes so that I could graduate in four years, double minor and study abroad. My grandmother was Polish; she passed away when I was 16 and I never got to ask her about a lot of things. So that’s when it clicked that I should go to Poland to study. I lived 16 COLBY-SAWYER ALUMNI MAGAZINE For the stage adaptation of Jane Austen’s classic novel, “Pride and Prejudice,” Jaycee took on the role of Mr. Fitzwilliam Darcy opposite Suzanna Brown ’11 as Miss Elizabeth Bennet. Directed by Deborah Barton and performed in fall 2009, it was a collaborative performance between the college and Sunapee-Kearsarge Intercommunity Theatre (S.K.I.T.). in Krakow, just outside the city center. Krakow is big enough to feel like a city in a fast-paced environment. Only people in the city center speak English, so if you’re struggling you can find someone, but if you want to get into the culture, just go five seconds out and you’re there. What did you take away from your study abroad experience? That I really like to travel and I like being in a city. I liked learning about the culture, meeting new people and living on my own. You go out on your own to college, but there I was thousands of miles from anyone I knew. There were only five Americans in the program, and I lived in the same flat as two Americans and a guy from Germany. I took four classes: two film courses related directly to my major, a Holocaust course and a Polish language course. The language course helped a lot, and we got to do a lot of outside work for the Holocaust class. We met with Jewish groups that go to Krakow to visit the ‘hell’ the prisoners went through, then they go to Israel, which is like ‘heaven.’ We went to Auschwitz with them and got to have lunch and ask questions. PHOTO: Amanda Rossi ’11 Did that experience inform your decision to direct the play “Our Class? (The play, written by Polish playwright Tadeusz Slobodzianek, is based on the slaughter of 1,600 Jews in Jedwabne, Poland, in 1941.) Before I went I knew almost nothing about my Polish heritage; I knew we had Polish Easter and Polish Christmas. I had a few Polish sayings from my grandmother stuck in my head, and so when I went there I realized this means this, and oh, that’s why she would say that. I was able to pull together pieces of my grandmother’s personality, what we still do as a family, and appreciate what it means to be Polish. I came across the Polish play “Our Class” while I was taking a directing

class and wanted to jump right into it. My professor told me to go for it. The original assignment was to do one scene, but we ended up doing a full staged reading, in costume, with blocking. It is one of my favorite achievements as a student. Was part of your motivation to do “Our Class” to provide a theater experience for Colby-Sawyer students that was darker? It was a chance for actors to dive into their characters, to work on their voice and make their character come alive to achieve a catharsis for the audience. Some of my other stage roles were in “Pride and Prejudice,” “The Enchanted Pig,” “You’re a Good Man, Charlie Brown” and some “SNAFUS,” which are studentwritten plays. I directed a play my sophomore year and then this year wrote one and directed another. You’ve been able to combine what you learned in your experience abroad, your love of theater, and your enjoyment of teaching. What’s next? I’m exploring the idea of traveling, doing some scholarly work abroad, perhaps something like a Fulbright Scholarship. I know I’d like to be in a fast-paced city environment with cultural diversity. Did you come to Colby-Sawyer knowing you wanted to major in Communication Studies? I was interested in going to law school at that point, so I picked English with the pre-law track because in researching law schools, I found they like to see English and history majors. And then I took Media Criticism with Melissa Meade (associate professor of Humanities), and I immediately thought, “This is definitely for me, what am I doing in English?” I switched my advisor and went right for it. What do you love about communications? I like communications because it’s so broad. I like learning and asking questions, and that’s what communication theory classes are all about. It’s not necessarily about getting questions answered; it’s about leaving with more questions than you started with. In all my classes I enjoyed relating what I was learning to pop culture. I like analyzing the culture that we live in and what it means to our society. What do you love about theater, and what was your most challenging role as an actor at Colby-Sawyer? I like acting a lot, but I also like directing. My most challenging role was in Professor Jerry Bliss’s last show, “Waiting for In November 2010, Assistant Professor of Fine and Performing Arts Julie Vogt directed the American premiere of James Shirley’s 1635 play, “The Lady of Pleasure,” adapting the Jacobean era play for “The Real Housewives of London” and the Mod Era of 1960s England. Jaycee played the role of Kickshaw and is shown here with Juliette Longvall ’14, who played Isabella. Godot,” written by Samuel Beckett. Beckett is hard to do anyway, so being a sophomore and not necessarily knowing the world of Beckett…I probably didn’t ask as many questions as I should have. I still get the most recognition for that role. What big changes do you see in yourself from your time here? I did theater in middle school and took a break and didn’t get back to it until later in high school, and I was afraid to commit myself to it. During college I realized this is what I really want to do. Now I’m okay saying that theater is a huge part of my life and will continue to be. I’ve also become better at communicating, both through my major and through my leadership experiences. Looking back on my experience abroad…there’s so much you don’t even think is important, but in hindsight you go, wow, I ordered my own meal in Polish? I spent a day sitting by the river, reading a book, living my life in a whole other part of the world? I learned so much more about myself than I did even about academics. It’s as much about the culture as it is about anything else. Everything you do changes what you are on the inside – every argument, every congratulations, every moment. ■ Michael Clark is an admissions counselor at Colby-Sawyer College as well as a writer and actor. SUMMER 2011 17 PHOTO: Amanda Rossi ’11

PHOTO: Anthony Marrone ’10<br />

Jaycee’s favorite and most challenging role was that of Pozzo in “Waiting for Godot,” which was performed<br />

in February 2010, the final production directed by Professor Jerry Bliss. Jaycee as Pozzo stands at the far left,<br />

tugging on a rope, with the two main characters, Vladimir and Estragon, played by Nic Richard ’10 and<br />

Noah Richard ’10, at center, and Megan Ruggiero ’10 as Lucky.<br />

Have you had opportunities to teach in<br />

these leadership positions?<br />

Yes. At last night’s meeting of the CSC Players the leadership<br />

positions were filled for next year. At<br />

the beginning of the semester I was<br />

worried about where the club would<br />

stand after this year. My friend Suzie<br />

(Suzanna Brown ’11) and I are the last<br />

of the founding group and now we’re<br />

leaving. But yesterday I looked around<br />

and I was like…they really have this<br />

under control. Suzie and I gave a little<br />

speech about how we feel we can let<br />

the club go and it will proceed with<br />

the same momentum and spirit. One<br />

of the students stood up and said, “We<br />

look at you like an uncle or a dad.”<br />

And then someone else said, “Or a<br />

grandfather.” He laughs.<br />

You studied in Poland<br />

your junior year. Did you<br />

always want to study<br />

abroad?<br />

From the beginning I planned all my<br />

classes so that I could graduate in<br />

four years, double minor and study<br />

abroad. My grandmother was Polish;<br />

she passed away when I was 16 and<br />

I never got to ask her about a lot of<br />

things. So that’s when it clicked that<br />

I should go to Poland to study. I lived<br />

16 COLBY-SAWYER ALUMNI MAGAZINE<br />

For the stage adaptation of Jane Austen’s classic novel,<br />

“Pride and Prejudice,” Jaycee took on the role of Mr.<br />

Fitzwilliam Darcy opposite Suzanna Brown ’11 as Miss<br />

Elizabeth Bennet. Directed by Deborah Barton and performed<br />

in fall 2009, it was a collaborative performance<br />

between the college and Sunapee-Kearsarge Intercommunity<br />

Theatre (S.K.I.T.).<br />

in Krakow, just outside the city center.<br />

Krakow is big enough to feel like a city in<br />

a fast-paced environment. Only people in<br />

the city center speak English, so if you’re<br />

struggling you can find someone, but if<br />

you want to get into the culture, just go<br />

five seconds out and you’re there.<br />

What did you take away<br />

from your study abroad<br />

experience?<br />

That I really like to travel and I like being<br />

in a city. I liked learning about the culture,<br />

meeting new people and living on my own.<br />

You go out on your own to college, but<br />

there I was thousands of miles from anyone<br />

I knew. There were only five Americans in<br />

the program, and I lived in the same flat as<br />

two Americans and a guy from Germany.<br />

I took four classes: two film courses related directly to my<br />

major, a Holocaust course and a Polish language course. The<br />

language course helped a lot, and we got to do a lot of outside<br />

work for the Holocaust class. We met<br />

with Jewish groups that go to Krakow<br />

to visit the ‘hell’ the prisoners went<br />

through, then they go to Israel, which<br />

is like ‘heaven.’ We went to Auschwitz<br />

with them and got to have lunch and<br />

ask questions.<br />

PHOTO: Amanda Rossi ’11<br />

Did that experience<br />

inform your decision to<br />

direct the play “Our Class?<br />

(The play, written by Polish playwright<br />

Tadeusz Slobodzianek, is based on the<br />

slaughter of 1,600 Jews in Jedwabne,<br />

Poland, in 1941.)<br />

Before I went I knew almost nothing<br />

about my Polish heritage; I knew<br />

we had Polish Easter and Polish<br />

Christmas. I had a few Polish sayings<br />

from my grandmother stuck in my<br />

head, and so when I went there I realized<br />

this means this, and oh, that’s<br />

why she would say that. I was able to<br />

pull together pieces of my grandmother’s<br />

personality, what we still do as a<br />

family, and appreciate what it means<br />

to be Polish.<br />

I came across the Polish play “Our<br />

Class” while I was taking a directing

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