08.03.2013 Views

A L U M N I M A G A Z I N E - Colby-Sawyer College

A L U M N I M A G A Z I N E - Colby-Sawyer College

A L U M N I M A G A Z I N E - Colby-Sawyer College

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

A Life Shaped in Clay<br />

“Gerry Williams Retrospective: A Life<br />

in Clay,” an exhibition of 75 works from<br />

the span of his career, will celebrate the<br />

life and work of one of New Hampshire’s<br />

most revered and respected artists.<br />

The exhibition, curated by Jon Keenan,<br />

chair and Joyce J. Kolligian Distinguished<br />

Professor of the Fine and Performing<br />

Arts, opens on Thursday, Sept. 15, with<br />

an artist’s reception from 5 to 7 p.m. in<br />

the Marian Graves Mugar Art Gallery at<br />

the <strong>Sawyer</strong> Fine Arts Center. A film about<br />

Williams, “An American Potter,” will be<br />

featured at 7 p.m. in Gordon Hall. The<br />

exhibition, free and open to the public,<br />

will continue until Saturday, Oct. 22.<br />

Named in 1990 as New Hampshire’s<br />

first artist laureate, Williams has been a<br />

model and source of inspiration for potters<br />

for nearly 50 years. His life and work<br />

have drawn on a diverse set of roots: the<br />

American Arts and Crafts Movement, the<br />

post-World War II rebirth of craft-based<br />

studio art, and his early years in India,<br />

where his parents were educational missionaries.<br />

The experience of living his<br />

most formative years in another culture<br />

shaped Williams’ response to modern life<br />

in America and his chosen work. Gandhi’s<br />

example, especially his emphasis on the<br />

practical and symbolic role of basic craft<br />

practice, made an indelible impression.<br />

“There is a lot of the spirit of India in<br />

my work, though not necessarily in the<br />

form of pottery. The political effigies that<br />

I do certainly come from my India experience<br />

because I look after them not as<br />

sculpture, but as folk art,” Williams says.<br />

“The ambiance, the dignity of crafts, the<br />

importance of manual labor, and the<br />

spiritual necessity of the humanistic core<br />

of crafts all come from my background<br />

in India.”<br />

Professor Keenan describes Williams<br />

as a longtime friend and mentor and<br />

expresses appreciation to the artist and<br />

his family. “Gerry has supported and<br />

inspired the Ceramics Program at <strong>Colby</strong>-<br />

<strong>Sawyer</strong> <strong>College</strong> for many years,” he says.<br />

“We are grateful for the opportunity to<br />

host this exhibition as a tribute to Gerry’s<br />

important and venerable career.”<br />

Exploring River Communities<br />

In their field study course on River Communities in May, Biology and Environmental Studies students and faculty<br />

members rafted down the Colorado and Green rivers to study the geology, biology and historical artifacts.<br />

(Above, l to r): Ashley Reynolds ’08, Jeff Marc-Aurele ’11 and Ryan Bernstein ’13<br />

pass through Grey Canyon while rafting down the Green River in Utah. (At right, l<br />

to r) Associate Professor of Environmental Studies Laura Alexander, students and<br />

two river guides relax after paddling through Class IV rapids in Desolation Canyon<br />

on the Green River.<br />

This stoneware vessel with incised lines is called<br />

“Mythopetic Form” and was created by Gerry<br />

Williams in 1999. The 25 x 12 inch piece resides in<br />

the Currier Museum of Art in Manchester, N.H.<br />

SUMMER 2011 11<br />

COURTESY OF CURRIER MUSEUM OF ART<br />

PHOTOS: Nick Baer

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!