A L U M N I M A G A Z I N E - Colby-Sawyer College
A L U M N I M A G A Z I N E - Colby-Sawyer College
A L U M N I M A G A Z I N E - Colby-Sawyer College
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A Life Shaped in Clay<br />
“Gerry Williams Retrospective: A Life<br />
in Clay,” an exhibition of 75 works from<br />
the span of his career, will celebrate the<br />
life and work of one of New Hampshire’s<br />
most revered and respected artists.<br />
The exhibition, curated by Jon Keenan,<br />
chair and Joyce J. Kolligian Distinguished<br />
Professor of the Fine and Performing<br />
Arts, opens on Thursday, Sept. 15, with<br />
an artist’s reception from 5 to 7 p.m. in<br />
the Marian Graves Mugar Art Gallery at<br />
the <strong>Sawyer</strong> Fine Arts Center. A film about<br />
Williams, “An American Potter,” will be<br />
featured at 7 p.m. in Gordon Hall. The<br />
exhibition, free and open to the public,<br />
will continue until Saturday, Oct. 22.<br />
Named in 1990 as New Hampshire’s<br />
first artist laureate, Williams has been a<br />
model and source of inspiration for potters<br />
for nearly 50 years. His life and work<br />
have drawn on a diverse set of roots: the<br />
American Arts and Crafts Movement, the<br />
post-World War II rebirth of craft-based<br />
studio art, and his early years in India,<br />
where his parents were educational missionaries.<br />
The experience of living his<br />
most formative years in another culture<br />
shaped Williams’ response to modern life<br />
in America and his chosen work. Gandhi’s<br />
example, especially his emphasis on the<br />
practical and symbolic role of basic craft<br />
practice, made an indelible impression.<br />
“There is a lot of the spirit of India in<br />
my work, though not necessarily in the<br />
form of pottery. The political effigies that<br />
I do certainly come from my India experience<br />
because I look after them not as<br />
sculpture, but as folk art,” Williams says.<br />
“The ambiance, the dignity of crafts, the<br />
importance of manual labor, and the<br />
spiritual necessity of the humanistic core<br />
of crafts all come from my background<br />
in India.”<br />
Professor Keenan describes Williams<br />
as a longtime friend and mentor and<br />
expresses appreciation to the artist and<br />
his family. “Gerry has supported and<br />
inspired the Ceramics Program at <strong>Colby</strong>-<br />
<strong>Sawyer</strong> <strong>College</strong> for many years,” he says.<br />
“We are grateful for the opportunity to<br />
host this exhibition as a tribute to Gerry’s<br />
important and venerable career.”<br />
Exploring River Communities<br />
In their field study course on River Communities in May, Biology and Environmental Studies students and faculty<br />
members rafted down the Colorado and Green rivers to study the geology, biology and historical artifacts.<br />
(Above, l to r): Ashley Reynolds ’08, Jeff Marc-Aurele ’11 and Ryan Bernstein ’13<br />
pass through Grey Canyon while rafting down the Green River in Utah. (At right, l<br />
to r) Associate Professor of Environmental Studies Laura Alexander, students and<br />
two river guides relax after paddling through Class IV rapids in Desolation Canyon<br />
on the Green River.<br />
This stoneware vessel with incised lines is called<br />
“Mythopetic Form” and was created by Gerry<br />
Williams in 1999. The 25 x 12 inch piece resides in<br />
the Currier Museum of Art in Manchester, N.H.<br />
SUMMER 2011 11<br />
COURTESY OF CURRIER MUSEUM OF ART<br />
PHOTOS: Nick Baer