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071 THE REFUGEE CALENDAR 2002 +P.085 Wall calendar for the year 2002 with photographs of asylum seekers living in Tampere while waiting for the outcome of their application for asylum in Finland. P.084 Courtesy: Nifca, Helsinki, Finland / <strong>Jens</strong> <strong>Haaning</strong>. > VPD – P.006 NBP – P.105 JAB – P.109 NFA – P.117
P.085
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HELLO, MY NAME IS JENS HAANING IF Y
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CON- TENTS
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INTRO- DUCTION
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the immigrant communities, who are
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Each of these projects, by refusing
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marginality, madness, since it is a
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1 Edward W. Said, Culture & Imperia
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001 CANDY-BAG 1993 P.017 Edition of
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004 WATCH OUT 1994 (in collaboratio
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P.021
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008 UNTITLED 1995 Approximately 200
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012 ARABIC JOKES 1996 In a multicul
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015 UNTITLED 1996 The lamps in the
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017 TURKISH MERCEDES 1996 In Kreutz
Page 33 and 34: 019 BERLIN - PARIS - BERLIN (TRAVEL
Page 35 and 36: 020 DANISH PASSPORT 1997 P.035 Pass
Page 37 and 38: 024 FOREIGNERS FREE 1997 - 2001 Fre
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Page 41 and 42: 027 DAS FASERSTOFF PROJEKT (ARCHITE
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Page 45 and 46: during the period of the German Dem
Page 47 and 48: now it must adjust itself to the ch
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Page 52 and 53: 035 100 AMERICAN DOLLARS 1999 Money
Page 54 and 55: 037 AISHA 1999 Banner portraying a
Page 56 and 57: P.056
Page 58 and 59: P.058 FAYSAL Army trousers by Jack
Page 60 and 61: P.060 DENNIS Track suit trousers by
Page 62 and 63: 043 DENIZ 2000 P.063 Photograph of
Page 64 and 65: 044 SHABEER 2000 P.065 Photograph o
Page 66 and 67: 048 HAKAN 2000 P.067 Photograph of
Page 68 and 69: 053 ERIK 2000 P.070 Photograph of a
Page 70 and 71: ERIK Jeans by Lee 600 DKK at Tøj E
Page 72 and 73: 055 NINA 2000 P.073 Photograph of a
Page 74 and 75: 059 KLAUS WERNER 2000 P.075 Photogr
Page 76 and 77: 063 UNTITLED (DE APPEL - DE GELDERS
Page 78 and 79: P.078
Page 80 and 81: 066 THE EMPLOYEES OF TAXA 4X35 2000
Page 82 and 83: 069 KLUB DIPLOMAT - GALLERI NICOLAI
Page 86 and 87: 072 GWANGJU - IMGINGAK (WATER EXCHA
Page 88: 074 REFUGEE PORTRAIT 1 2002 P.089 P
Page 94: 077 REFUGEE PORTRAIT 4 2002 P.092 P
Page 98 and 99: 082 COPENHAGEN - BANGKOK (LIGHT BUL
Page 101 and 102: TEXTS
Page 103 and 104: eal plane tickets; in his supermark
Page 105 and 106: function like inverted readymades:
Page 107 and 108: same time remains completely disint
Page 109 and 110: other goods and thus could be sold
Page 111 and 112: "agreeable" ones that reflect the t
Page 113 and 114: "The art is to fall so fast that yo
Page 115 and 116: overlooked the fact that an artist
Page 117 and 118: Right before Christmas last year, I
Page 119 and 120: tax-free prices foods such as salam
Page 121 and 122: anyway. Due to these links, new spe
Page 123 and 124: way can it surprise one and provide
Page 125 and 126: approaches, which are precisely abo
Page 127 and 128: picture of cultural import. At the
Page 129 and 130: Lars Bang Larsen, Glasgow. MANIFEST
Page 131 and 132: We have to remember that it was the
Page 133 and 134: and thereby aspires to a concrete f
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exhibition. But here a reversal too
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emancipation): in the leftist persp
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“The disappearance of utopia brin
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Hou Hanru, Paris INTERVIEW WITH JEN
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colours - seen from my point of vie
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the public works, where I have used
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TEXTS IN ORIGINAL LANGUA- GE
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le Verbe, à bien des égards, et p
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Kunsthalle. Pendant toute la durée
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l’attention des regardeurs vers s
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Ne pas parler pour les autres, mais
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Harald Fricke, Berlin EIN CAMP FÜR
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Wer andere Arbeiten des dänischen
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NBP P.164 Nicolas Bourriaud, Paris
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005, 010 066 065 064 NBP P.166 réa
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NBP P.168 de la mienne, "en situati
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NFA P.170 je nog even blijft zweven
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003 NFA P.172 vervaarlijk tegen je
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071 040-051 052-062 NFA P.174 Legol
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065 031 NFA P.176 hier ter gelegenh
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Verkettung dieser Felder werden kul
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USA oder Asien, Religionsstaat oder
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Damit aber entgeht er auch der Fall
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diese Überhöhung ist Haaning ange
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024, 065 031 LBLG P.188 Lars Bang L
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LBLG P.190 modsætningsforhold til
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023 LBLG P.192 that work. More spec
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LBLG P.194 — udgrænset og indtr
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LBLG P.196 Middelburg Summer 1996 v
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LBLG P.198 Verden forstener, hvis d
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ARTICLES/ REVIEWS/ CATALGUES (INCOM
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2000 HANRU, Hou and SANS, Jérôme
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CHOUAKRI, Medi (ed.), "Mehdi Chouak
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P.208 PHOTO CREDITS: Andreas Johnse
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