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018 TRAVEL AGENCY 1997 By moving the gallerist from his office into the exhibition space and establishing collaboration with a travel agency, the gallery was transformed into a functioning travel agency with the gallerist working as a travel agent. The visitors of the exhibition had the possibility to buy flight tickets, train tickets, travel insurance etc. These services were sold cheaper than in other travel agencies, since they were sold as art objects, which in Germany are taxed lower than if the travels etc, were sold as normal services from a travel agency. > JENS HAANING: TRAVEL AGENCY, Gallery Mehdi Chouakri, Berlin, Germany, 1997. (Catalogue) P.032 Courtesy: Galleri Nicolai Wallner, Copenhagen, Denmark / Johann König, Berlin, Germany. > VPD – P.008 HFB - P.046 NBP – P.102 JAB – P.107
019 BERLIN – PARIS - BERLIN (TRAVEL AGENCY) 1997 In connection with the work Travel Agency at Gallery Mehdi Chouakri, the sale of travels as art objects (with lower tax than in normal travel agencies), was made possible by selling the travels together with certificates. On the certificate the following text is written: CERTIFICATE JENS HAANING BERLIN-PARIS-BERLIN Flight Ticket Approximately 8 x 20 cm THIS WORK HAS ORGINALLY BEEN PRODUCED DURING THE EXHIBITION AT THE GALLERY OF MEHDI CHOUAKRI IN BERLIN (7 MARCH. – 19 APRIL. 1997) THIS IS AN ARTWORK BY JENS HAANING VALID ONLY IF THE TICKET IS NOT USED IN THE CASE OF A FLIGHT TICKET, PLEASE CANCEL THE RESERVATION. JENS HAANING > JENS HAANING: TRAVEL AGENCY, Gallery Mehdi Chouakri, Berlin, Germany, 1997. (Catalogue) Private collection. > VPD – P.008 HFB - P. 046 NBP – P.102 JAB – P.107 P.033
Page 1 and 2: HELLO, MY NAME IS JENS HAANING IF Y
Page 3 and 4: CON- TENTS
Page 5 and 6: INTRO- DUCTION
Page 7 and 8: the immigrant communities, who are
Page 9 and 10: Each of these projects, by refusing
Page 11 and 12: marginality, madness, since it is a
Page 13: 1 Edward W. Said, Culture & Imperia
Page 17 and 18: 001 CANDY-BAG 1993 P.017 Edition of
Page 19 and 20: 004 WATCH OUT 1994 (in collaboratio
Page 21 and 22: P.021
Page 23: 008 UNTITLED 1995 Approximately 200
Page 26: 012 ARABIC JOKES 1996 In a multicul
Page 29 and 30: 015 UNTITLED 1996 The lamps in the
Page 31: 017 TURKISH MERCEDES 1996 In Kreutz
Page 35 and 36: 020 DANISH PASSPORT 1997 P.035 Pass
Page 37 and 38: 024 FOREIGNERS FREE 1997 - 2001 Fre
Page 39 and 40: P.039
Page 41 and 42: 027 DAS FASERSTOFF PROJEKT (ARCHITE
Page 43 and 44: P.043
Page 45 and 46: during the period of the German Dem
Page 47 and 48: now it must adjust itself to the ch
Page 50 and 51: P.050
Page 52 and 53: 035 100 AMERICAN DOLLARS 1999 Money
Page 54 and 55: 037 AISHA 1999 Banner portraying a
Page 56 and 57: P.056
Page 58 and 59: P.058 FAYSAL Army trousers by Jack
Page 60 and 61: P.060 DENNIS Track suit trousers by
Page 62 and 63: 043 DENIZ 2000 P.063 Photograph of
Page 64 and 65: 044 SHABEER 2000 P.065 Photograph o
Page 66 and 67: 048 HAKAN 2000 P.067 Photograph of
Page 68 and 69: 053 ERIK 2000 P.070 Photograph of a
Page 70 and 71: ERIK Jeans by Lee 600 DKK at Tøj E
Page 72 and 73: 055 NINA 2000 P.073 Photograph of a
Page 74 and 75: 059 KLAUS WERNER 2000 P.075 Photogr
Page 76 and 77: 063 UNTITLED (DE APPEL - DE GELDERS
Page 78 and 79: P.078
Page 80 and 81: 066 THE EMPLOYEES OF TAXA 4X35 2000
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069 KLUB DIPLOMAT - GALLERI NICOLAI
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071 THE REFUGEE CALENDAR 2002 +P.08
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072 GWANGJU - IMGINGAK (WATER EXCHA
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074 REFUGEE PORTRAIT 1 2002 P.089 P
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077 REFUGEE PORTRAIT 4 2002 P.092 P
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082 COPENHAGEN - BANGKOK (LIGHT BUL
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TEXTS
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eal plane tickets; in his supermark
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function like inverted readymades:
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same time remains completely disint
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other goods and thus could be sold
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"agreeable" ones that reflect the t
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"The art is to fall so fast that yo
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overlooked the fact that an artist
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Right before Christmas last year, I
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tax-free prices foods such as salam
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anyway. Due to these links, new spe
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way can it surprise one and provide
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approaches, which are precisely abo
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picture of cultural import. At the
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Lars Bang Larsen, Glasgow. MANIFEST
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We have to remember that it was the
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and thereby aspires to a concrete f
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exhibition. But here a reversal too
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emancipation): in the leftist persp
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“The disappearance of utopia brin
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Hou Hanru, Paris INTERVIEW WITH JEN
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colours - seen from my point of vie
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the public works, where I have used
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TEXTS IN ORIGINAL LANGUA- GE
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le Verbe, à bien des égards, et p
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Kunsthalle. Pendant toute la durée
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l’attention des regardeurs vers s
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Ne pas parler pour les autres, mais
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Harald Fricke, Berlin EIN CAMP FÜR
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Wer andere Arbeiten des dänischen
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NBP P.164 Nicolas Bourriaud, Paris
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005, 010 066 065 064 NBP P.166 réa
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NBP P.168 de la mienne, "en situati
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NFA P.170 je nog even blijft zweven
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003 NFA P.172 vervaarlijk tegen je
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071 040-051 052-062 NFA P.174 Legol
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065 031 NFA P.176 hier ter gelegenh
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Verkettung dieser Felder werden kul
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USA oder Asien, Religionsstaat oder
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Damit aber entgeht er auch der Fall
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diese Überhöhung ist Haaning ange
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024, 065 031 LBLG P.188 Lars Bang L
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LBLG P.190 modsætningsforhold til
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023 LBLG P.192 that work. More spec
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LBLG P.194 — udgrænset og indtr
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LBLG P.196 Middelburg Summer 1996 v
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LBLG P.198 Verden forstener, hvis d
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ARTICLES/ REVIEWS/ CATALGUES (INCOM
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2000 HANRU, Hou and SANS, Jérôme
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CHOUAKRI, Medi (ed.), "Mehdi Chouak
Page 208 and 209:
P.208 PHOTO CREDITS: Andreas Johnse
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