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016 TRADE BARTERING 1996 At the ticket counter of Kunstnernes Hus in Oslo it was possible, along with <strong>catalogue</strong>s and posters, to buy salami, beer, ham, snaps, wine, sweets etc. The goods were purchased in Denmark and legally imported as art objects, thereby making it possible for visitors of the exhibition to shop 40% cheaper than in the Norwegian supermarkets. > BREKT BEIN - NY DANSK KUNST, Kunstnernes Hus, Oslo, Norway, 1996. (Catalogue) P.030 Courtesy: Galleri Nicolai Wallner, Copenhagen, Denmark / Johann König, Berlin, Germany. > JAB – P.108 HFB - P.126
017 TURKISH MERCEDES 1996 In Kreutzberg, an area in Berlin dominated by Turkish immigrants, a Mercedes Benz with Turkish license plates and loudspeakers on the roof, drove around, broadcasting a tape-recording of jokes, told by Turks in their native language. Courtesy: Galleri Nicolai Wallner, Copenhagen, Denmark / Johann König, Berlin, Germany. > HFB – P.125 P.031
Page 1 and 2: HELLO, MY NAME IS JENS HAANING IF Y
Page 3 and 4: CON- TENTS
Page 5 and 6: INTRO- DUCTION
Page 7 and 8: the immigrant communities, who are
Page 9 and 10: Each of these projects, by refusing
Page 11 and 12: marginality, madness, since it is a
Page 13: 1 Edward W. Said, Culture & Imperia
Page 17 and 18: 001 CANDY-BAG 1993 P.017 Edition of
Page 19 and 20: 004 WATCH OUT 1994 (in collaboratio
Page 21 and 22: P.021
Page 23: 008 UNTITLED 1995 Approximately 200
Page 26: 012 ARABIC JOKES 1996 In a multicul
Page 29: 015 UNTITLED 1996 The lamps in the
Page 33 and 34: 019 BERLIN - PARIS - BERLIN (TRAVEL
Page 35 and 36: 020 DANISH PASSPORT 1997 P.035 Pass
Page 37 and 38: 024 FOREIGNERS FREE 1997 - 2001 Fre
Page 39 and 40: P.039
Page 41 and 42: 027 DAS FASERSTOFF PROJEKT (ARCHITE
Page 43 and 44: P.043
Page 45 and 46: during the period of the German Dem
Page 47 and 48: now it must adjust itself to the ch
Page 50 and 51: P.050
Page 52 and 53: 035 100 AMERICAN DOLLARS 1999 Money
Page 54 and 55: 037 AISHA 1999 Banner portraying a
Page 56 and 57: P.056
Page 58 and 59: P.058 FAYSAL Army trousers by Jack
Page 60 and 61: P.060 DENNIS Track suit trousers by
Page 62 and 63: 043 DENIZ 2000 P.063 Photograph of
Page 64 and 65: 044 SHABEER 2000 P.065 Photograph o
Page 66 and 67: 048 HAKAN 2000 P.067 Photograph of
Page 68 and 69: 053 ERIK 2000 P.070 Photograph of a
Page 70 and 71: ERIK Jeans by Lee 600 DKK at Tøj E
Page 72 and 73: 055 NINA 2000 P.073 Photograph of a
Page 74 and 75: 059 KLAUS WERNER 2000 P.075 Photogr
Page 76 and 77: 063 UNTITLED (DE APPEL - DE GELDERS
Page 78 and 79: P.078
Page 80 and 81:
066 THE EMPLOYEES OF TAXA 4X35 2000
Page 82 and 83:
069 KLUB DIPLOMAT - GALLERI NICOLAI
Page 84 and 85:
071 THE REFUGEE CALENDAR 2002 +P.08
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072 GWANGJU - IMGINGAK (WATER EXCHA
Page 88:
074 REFUGEE PORTRAIT 1 2002 P.089 P
Page 94:
077 REFUGEE PORTRAIT 4 2002 P.092 P
Page 98 and 99:
082 COPENHAGEN - BANGKOK (LIGHT BUL
Page 101 and 102:
TEXTS
Page 103 and 104:
eal plane tickets; in his supermark
Page 105 and 106:
function like inverted readymades:
Page 107 and 108:
same time remains completely disint
Page 109 and 110:
other goods and thus could be sold
Page 111 and 112:
"agreeable" ones that reflect the t
Page 113 and 114:
"The art is to fall so fast that yo
Page 115 and 116:
overlooked the fact that an artist
Page 117 and 118:
Right before Christmas last year, I
Page 119 and 120:
tax-free prices foods such as salam
Page 121 and 122:
anyway. Due to these links, new spe
Page 123 and 124:
way can it surprise one and provide
Page 125 and 126:
approaches, which are precisely abo
Page 127 and 128:
picture of cultural import. At the
Page 129 and 130:
Lars Bang Larsen, Glasgow. MANIFEST
Page 131 and 132:
We have to remember that it was the
Page 133 and 134:
and thereby aspires to a concrete f
Page 135 and 136:
exhibition. But here a reversal too
Page 137 and 138:
emancipation): in the leftist persp
Page 139 and 140:
“The disappearance of utopia brin
Page 141 and 142:
Hou Hanru, Paris INTERVIEW WITH JEN
Page 143 and 144:
colours - seen from my point of vie
Page 145 and 146:
the public works, where I have used
Page 149 and 150:
TEXTS IN ORIGINAL LANGUA- GE
Page 151 and 152:
le Verbe, à bien des égards, et p
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Kunsthalle. Pendant toute la durée
Page 155 and 156:
l’attention des regardeurs vers s
Page 157 and 158:
Ne pas parler pour les autres, mais
Page 159 and 160:
Harald Fricke, Berlin EIN CAMP FÜR
Page 161 and 162:
Wer andere Arbeiten des dänischen
Page 164 and 165:
NBP P.164 Nicolas Bourriaud, Paris
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005, 010 066 065 064 NBP P.166 réa
Page 168 and 169:
NBP P.168 de la mienne, "en situati
Page 170 and 171:
NFA P.170 je nog even blijft zweven
Page 172 and 173:
003 NFA P.172 vervaarlijk tegen je
Page 174 and 175:
071 040-051 052-062 NFA P.174 Legol
Page 176:
065 031 NFA P.176 hier ter gelegenh
Page 179 and 180:
Verkettung dieser Felder werden kul
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USA oder Asien, Religionsstaat oder
Page 183 and 184:
Damit aber entgeht er auch der Fall
Page 185 and 186:
diese Überhöhung ist Haaning ange
Page 188 and 189:
024, 065 031 LBLG P.188 Lars Bang L
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LBLG P.190 modsætningsforhold til
Page 192 and 193:
023 LBLG P.192 that work. More spec
Page 194 and 195:
LBLG P.194 — udgrænset og indtr
Page 196 and 197:
LBLG P.196 Middelburg Summer 1996 v
Page 198 and 199:
LBLG P.198 Verden forstener, hvis d
Page 201 and 202:
ARTICLES/ REVIEWS/ CATALGUES (INCOM
Page 203 and 204:
2000 HANRU, Hou and SANS, Jérôme
Page 205 and 206:
CHOUAKRI, Medi (ed.), "Mehdi Chouak
Page 208 and 209:
P.208 PHOTO CREDITS: Andreas Johnse
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