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P.022 007 WEAPON PRODUCTION 1995 At the exhibition site of the kunsthalle Portalen a production of street weapons such as slingshots, tube bo<strong>mb</strong>s, cable batons etc. took place. The production lasted for two weeks. In the following period the exhibition space was displayed as a working site without activity. > RAM, Portalen, Hundige (Copenhagen), Denmark, 1995. (Catalogue) Courtesy: Galleri Nicolai Wallner, Copenhagen, Denmark / Johann König, Berlin, Germany. > VPD – P.007 NBP – P.104 JAB – P.109 HFB – P.123
008 UNTITLED 1995 Approximately 200 invitations to ‘the private view’ of the exhibition, were handed out to foreigners living in Copenhagen. > 5+1 I NORDFLØJEN, Charlottenborg, Copenhagen, Denmark, 1995. (Catalogue) Courtesy: Galleri Nicolai Wallner, Copenhagen, Denmark / Johann König, Berlin, Germany. > HFB – P.123 009 UNTITLED 1996 (in collaboration with Peter Land, Copenhagen, Denmark.) A 4-hour video of partly empty rooms was shot in a closed down section of a mental hospital outside Copenhagen. The video was filmed with a camera in fixed position and projected in a specially built room in the exhibition - each clip has a duration of 10 minutes. The soundtrack consists of a looped piece of modern classical music played on the violin. > WHEN THE SHIT HITS THE FAN, Overgaden, Copenhagen, Denmark, 1996. (Catalogue). > CAN YOU HEAR ME ? - 2ND ARS BALTICA, Stadtgalerie Kiel, Kiel, Germany, 1999. (Catalogue) Courtesy: Galleri Nicolai Wallner, Copenhagen, Denmark. P.023
Page 1 and 2: HELLO, MY NAME IS JENS HAANING IF Y
Page 3 and 4: CON- TENTS
Page 5 and 6: INTRO- DUCTION
Page 7 and 8: the immigrant communities, who are
Page 9 and 10: Each of these projects, by refusing
Page 11 and 12: marginality, madness, since it is a
Page 13: 1 Edward W. Said, Culture & Imperia
Page 17 and 18: 001 CANDY-BAG 1993 P.017 Edition of
Page 19 and 20: 004 WATCH OUT 1994 (in collaboratio
Page 21: P.021
Page 26: 012 ARABIC JOKES 1996 In a multicul
Page 29 and 30: 015 UNTITLED 1996 The lamps in the
Page 31 and 32: 017 TURKISH MERCEDES 1996 In Kreutz
Page 33 and 34: 019 BERLIN - PARIS - BERLIN (TRAVEL
Page 35 and 36: 020 DANISH PASSPORT 1997 P.035 Pass
Page 37 and 38: 024 FOREIGNERS FREE 1997 - 2001 Fre
Page 39 and 40: P.039
Page 41 and 42: 027 DAS FASERSTOFF PROJEKT (ARCHITE
Page 43 and 44: P.043
Page 45 and 46: during the period of the German Dem
Page 47 and 48: now it must adjust itself to the ch
Page 50 and 51: P.050
Page 52 and 53: 035 100 AMERICAN DOLLARS 1999 Money
Page 54 and 55: 037 AISHA 1999 Banner portraying a
Page 56 and 57: P.056
Page 58 and 59: P.058 FAYSAL Army trousers by Jack
Page 60 and 61: P.060 DENNIS Track suit trousers by
Page 62 and 63: 043 DENIZ 2000 P.063 Photograph of
Page 64 and 65: 044 SHABEER 2000 P.065 Photograph o
Page 66 and 67: 048 HAKAN 2000 P.067 Photograph of
Page 68 and 69: 053 ERIK 2000 P.070 Photograph of a
Page 70 and 71: ERIK Jeans by Lee 600 DKK at Tøj E
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055 NINA 2000 P.073 Photograph of a
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059 KLAUS WERNER 2000 P.075 Photogr
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063 UNTITLED (DE APPEL - DE GELDERS
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P.078
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066 THE EMPLOYEES OF TAXA 4X35 2000
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069 KLUB DIPLOMAT - GALLERI NICOLAI
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071 THE REFUGEE CALENDAR 2002 +P.08
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072 GWANGJU - IMGINGAK (WATER EXCHA
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074 REFUGEE PORTRAIT 1 2002 P.089 P
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077 REFUGEE PORTRAIT 4 2002 P.092 P
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082 COPENHAGEN - BANGKOK (LIGHT BUL
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TEXTS
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eal plane tickets; in his supermark
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function like inverted readymades:
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same time remains completely disint
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other goods and thus could be sold
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"agreeable" ones that reflect the t
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"The art is to fall so fast that yo
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overlooked the fact that an artist
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Right before Christmas last year, I
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tax-free prices foods such as salam
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anyway. Due to these links, new spe
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way can it surprise one and provide
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approaches, which are precisely abo
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picture of cultural import. At the
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Lars Bang Larsen, Glasgow. MANIFEST
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We have to remember that it was the
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and thereby aspires to a concrete f
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exhibition. But here a reversal too
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emancipation): in the leftist persp
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“The disappearance of utopia brin
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Hou Hanru, Paris INTERVIEW WITH JEN
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colours - seen from my point of vie
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the public works, where I have used
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TEXTS IN ORIGINAL LANGUA- GE
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le Verbe, à bien des égards, et p
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Kunsthalle. Pendant toute la durée
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l’attention des regardeurs vers s
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Ne pas parler pour les autres, mais
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Harald Fricke, Berlin EIN CAMP FÜR
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Wer andere Arbeiten des dänischen
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NBP P.164 Nicolas Bourriaud, Paris
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005, 010 066 065 064 NBP P.166 réa
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NBP P.168 de la mienne, "en situati
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NFA P.170 je nog even blijft zweven
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003 NFA P.172 vervaarlijk tegen je
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071 040-051 052-062 NFA P.174 Legol
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065 031 NFA P.176 hier ter gelegenh
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Verkettung dieser Felder werden kul
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USA oder Asien, Religionsstaat oder
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Damit aber entgeht er auch der Fall
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diese Überhöhung ist Haaning ange
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024, 065 031 LBLG P.188 Lars Bang L
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LBLG P.190 modsætningsforhold til
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023 LBLG P.192 that work. More spec
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LBLG P.194 — udgrænset og indtr
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LBLG P.196 Middelburg Summer 1996 v
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LBLG P.198 Verden forstener, hvis d
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ARTICLES/ REVIEWS/ CATALGUES (INCOM
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2000 HANRU, Hou and SANS, Jérôme
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CHOUAKRI, Medi (ed.), "Mehdi Chouak
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P.208 PHOTO CREDITS: Andreas Johnse
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