download catalogue high resolution pdf (22.3 mb) - Jens Haaning
download catalogue high resolution pdf (22.3 mb) - Jens Haaning
download catalogue high resolution pdf (22.3 mb) - Jens Haaning
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
HHP<br />
P.142<br />
HHP: then why have you chosen art to convey this kind of message and express<br />
your cultural and social concerns? How do you think about art's particular<br />
position in the society?<br />
JHC: My choice to work in the art field is not a choice in which I have been looking<br />
for the right place to express my cultural and social concerns. In my life, I have<br />
been occupied with 3 different main interests: 1. existential questions 2. cultural,<br />
political and social issues and 3. the pleasure by creating and making things. Before<br />
I started making art, I was shifting fields quite often. I was a brick layer apprentice,<br />
involved in political activities, working in a kindergarten and reading psychology,<br />
philosophy and history. My awareness of art started in a period when I was very<br />
occupied with personal existential questions. My father died in 1987 and short after,<br />
I started making art and studying at the art academy in Copenhagen. The art field<br />
was the first area where I was able to co<strong>mb</strong>ine and work with my three interests at<br />
the same time. My artistic practices are mainly perceived and seen as dealing with<br />
cultural, social and political implications, because these topics are presently very<br />
debated in the media, society and art field, but I also think it can be seen as an<br />
existential practice with a big interest in psychology.<br />
There are quite a few things about the art's position in the society that I have the<br />
need to take distance from. I have a problem with the fact that the art field in<br />
Western Europe - where I live and do most of my projects - is dominated by a white<br />
upper class culture for rich people which among other things confirm the belief that<br />
the white western culture is in charge of the world. One of the qualities of the art<br />
world that makes me stay in, is the fact that I am welcome to "speak" even though I<br />
do not come with solutions but mainly am posing questions to the topics I am<br />
interested in. The art field is one of the cultural structures where questioning and<br />
criticisms are welcome. Even questions and critic towards the field itself.<br />
HHP: Your projects have essentially been dealing with the question of immigration<br />
in the Western society. While their presence provoke some controversial reactions<br />
in the society, how do you expect the society can adapt to a new reality which<br />
is increasingly multicultural?<br />
JHC: Some days I believe that the Western society will be able to adapt to the<br />
increasing multicultural situation and some days I don't. The increasing multicultural<br />
situation is often limited to a question of different cultures, religions and skin