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P.128
6 Roberto Ohrt in Die Beute (neue Folgen) (Hamburg, 1998), p. 197.
7 In his book The Idea of Culture, the British philosopher Terry Eagleton insists on separating "civilisation"
from "culture" for the simple reason that, historically, their conceptual meaning underwent completely different
developments in most countries; agrarian societies think of culture as something that, in industrial nations, is
traded under the name of civilisation. See Terry Eagleton, The Idea of Culture (Oxford, 2000), p. 16ff.
8 Hou Hanru: "Zu einer neuen Lokalität", in Heinz Peter Schwerfel (ed.), Kunst nach Ground Zero,
(Cologne: Du Mont Verlag, 2002), p. 197 ff.
9 Niklas Luhmann, Die Kunst der Gesellschaft (Frankfurt/Main, 1995), p. 71.
10 Dorothea von Hantelmann: "Just do it — Performative Ästhetiken in der zeitgenössischen Kunst" in ONTOM TWC ,
exhibition catalogue, Leipzig 1998.
11 Several limited series, in which Haaning, in analogy to the net value, had real banknotes framed and sold in the
art market, belong to this work group. His Travelling Agency, a project in which the Berlin gallery Chouakri Brahms
offered airplane tickets as works of art that continued to be valid as travel documents, similarly emphasized
the commodity form.