Despina Mouzaki
Despina Mouzaki Despina Mouzaki
TÔ ºfiÚÔ˘Ì ˘Ìapple·Ú·ÁˆÁ‹˜ Crossroads Â›Ó·È ÌÈ· ·applefi ÙȘ ηÈÓÔÙƠ̂˜ Ù˘ ÊÂÙÈÓ‹˜ ‰ÈÔÚÁ¿ÓˆÛ˘ ÙÔ˘ ¢ÈÂıÓÔ‡˜ ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ £ÂÛÛ·ÏÔӛ΢. ¢ÂÓ ·appleÔÙÂÏ›, ‚‚·›ˆ˜, ηÈÓÔÙÔÌ›· ÛÙÔÓ ‰ÈÂıÓ‹ ¯ÒÚÔ ÙˆÓ ÊÂÛÙÈ‚¿Ï, fiappleÔ˘ Ù¤ÙÔȘ ‰Ú¿ÛÂȘ ¤¯Ô˘Ó ·applefi ¯ÚfiÓÈ· ·appleԉ›ÍÂÈ ÙËÓ ·Í›· Î·È ÙË ¯ÚËÛÈÌfiÙËÙ¿ ÙÔ˘˜, ÙfiÛÔ ÁÈ· ÙÔ˘˜ ‰ËÌÈÔ˘ÚÁÔ‡˜ ÙÔ˘ ÛÈÓÂÌ¿ fiÛÔ Î·È ÁÈ· ÙËÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ‚ÈÔÌ˯·Ó›· ÁÂÓÈÎfiÙÂÚ·. π‰È·›ÙÂÚ· ÛÙȘ ÛËÌÂÚÈÓ¤˜ Û˘Óı‹Î˜ ÙÔ˘ ¤ÓÙÔÓÔ˘ ·ÓÙ·ÁˆÓÈÛÌÔ‡, Ù˘ Ú¢ÛÙfiÙËÙ·˜ Î·È ÙˆÓ ·Ó·Î·Ù·Ù¿ÍÂˆÓ ÛÙÔÓ ¯ÒÚÔ ÙÔ˘ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘, Â›Ó·È appleÂappleÔ›ıËÛ‹ ÌÔ˘ fiÙÈ ¤Ó· ÊÂÛÙÈ‚¿Ï ÔÊ›ÏÂÈ Ó· ‰È¢ڇÓÂÈ ÙËÓ apple·ÚÔ˘Û›· Î·È ÙË ‰Ú·ÛÙËÚÈfiÙËÙ¿ ÙÔ˘ Î·È ÛÙ· appleÚÔÁÂÓ¤ÛÙÂÚ· ÛÙ¿‰È· Ù˘ ‰ËÌÈÔ˘ÚÁ›·˜ ÙÔ˘ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÔ‡ ¤ÚÁÔ˘. ¡· ‰È·ÌÔÚÊÒÛÂÈ ·ÍÈfiappleÈÛÙ· ÂΛӘ ÙȘ ‰È·‰Èηۛ˜, appleÔ˘ ı· ʤÚÓÔ˘Ó Û Âapple·Ê‹ ÙÔ Î·ÏÏÈÙ¯ÓÈÎfi Û¯¤‰ÈÔ Ì ÙÔ˘˜ Û˘ÓÙÂÏÂÛÙ¤˜ Ù˘ ˘ÏÔappleÔ›ËÛ‹˜ ÙÔ˘. ∞˘Ùfi ÈÛ¯‡ÂÈ ·ÎfiÌË appleÂÚÈÛÛfiÙÂÚÔ fiÙ·Ó ·Ó·ÊÂÚfiÌ·ÛÙ Û ÎÈÓËÌ·ÙÔÁڷʛ˜ Ì ÌÈÎÚfi ‰˘Ó·ÌÈÎfi, fiappleˆ˜ ·˘Ù¤˜ ÙˆÓ ¯ˆÚÒÓ Ù˘ ªÂÛÔÁ›Ԣ, ‹ appleÔ˘ ‚Ú›ÛÎÔÓÙ·È Û ʿÛË ÌÂÙ¿‚·Û˘, fiappleˆ˜ ÂΛӘ ÙˆÓ ¯ˆÚÒÓ Ù˘ µ·ÏηÓÈ΋˜ Î·È Ù˘ ÓÔÙÈÔ·Ó·ÙÔÏÈ΋˜ ∂˘ÚÒapple˘. ∏ ·ÓÙ·applefiÎÚÈÛË appleÔ˘ ÁÓÒÚÈÛÂ Ë appleÚˆÙÔ‚Ô˘Ï›· Ì·˜, ‹‰Ë ·applefi Ù· appleÚÒÙ· ‚‹Ì·Ù¿ Ù˘, ·appleÔ‰ÂÈÎÓ‡ÂÈ fiÙÈ ·apple·ÓÙ¿ Ô˘ÛÈ·ÛÙÈο Û ˘apple·ÚÎÙ¤˜ ·Ó¿ÁΘ ÙˆÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ Î·È ÙˆÓ apple·Ú·ÁˆÁÒÓ Ù˘ appleÂÚÈÔ¯‹˜, ·ÏÏ¿ Î·È Û’ ¤Ó· ÂÍ›ÛÔ˘ ¤ÓÙÔÓÔ ÂӉȷʤÚÔÓ ÙˆÓ Âapple·ÁÁÂÏÌ·ÙÈÒÓ Ù˘ ‰ÈÂıÓÔ‡˜ ·ÁÔÚ¿˜. ŒÙÛÈ, ÁÈ· ÙÚÂȘ Ë̤Ú˜, ›ÎÔÛÈ ÂappleÙ¿ apple·Ú·ÁˆÁÔ› ·applefi ÌÂÛÔÁÂȷΤ˜ Î·È ‚·ÏηÓÈΤ˜ ¯ÒÚ˜, ηıÒ˜ Î·È apple·Ú·ÁˆÁÔ› ·applefi ¿ÏϘ ¯ÒÚ˜ appleÔ˘ Û˘ÓÂÚÁ¿˙ÔÓÙ·È Û ٷÈӛ˜ ·applefi ÙËÓ appleÂÚÈÔ¯‹ Ì·˜ ‹ Û ٷÈӛ˜ appleÔ˘ appleÂÚȤ¯Ô˘Ó ÛÙÔȯ›· ÁÈ· ÙËÓ appleÂÚÈÔ¯‹ Ì·˜, ı· Û˘Ó·ÓÙËıÔ‡Ó Ì ¯ÚËÌ·ÙÔ‰fiÙ˜, Û˘Ìapple·Ú·ÁˆÁÔ‡˜ Î·È Âapple·ÁÁÂÏ̷ٛ˜ ·apple’ fiÏÔ ÙÔÓ ÎfiÛÌÔ. ¢ÂÓ ÂappleÈϤͷÌÂ Ù˘¯·›· ÙÔÓ Ù›ÙÏÔ Crossroads ÁÈ· Ó· appleÂÚÈÁÚ¿„Ô˘Ì ÙȘ Ӥ˜ ·˘Ù¤˜ ‰Ú·ÛÙËÚÈfiÙËÙ˜. ∆Ô ºÂÛÙÈ‚¿Ï Ì·˜, appleÔ˘ ‰È·ÙËÚ› ‹‰Ë ¤Ó· ‰Ú·ÛÙ‹ÚÈÔ ∆·ÌÂ›Ô ÛÙ‹ÚÈ͢ ÙÔ˘ ‚·ÏηÓÈÎÔ‡ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘, ‰ËÌÈÔ˘ÚÁ› ÙÒÚ· ÙȘ ‰È·‰Èηۛ˜ appleÚÔÒıËÛ˘ ‰ÈÂıÓÒÓ Û˘ÓÂÚÁ·ÛÈÒÓ Î·È Û˘Ìapple·Ú·ÁˆÁÒÓ, ı¤ÙÂÈ -Âapple›Û˘ ·applefi ʤÙÔ˜- ÙȘ ‚¿ÛÂȘ ÁÈ· ÙË ‰È·ÌfiÚʈÛË ÌÈ·˜ ÂÏ΢ÛÙÈ΋˜, apple·Ú¿ÏÏËÏ˘ appleÂÚÈÊÂÚÂȷ΋˜ ·ÁÔÚ¿˜. ÚfiÎÂÈÙ·È, Û˘ÓÔÏÈο, ÁÈ· ÙËÓ ·Ú¯‹ ÌÈ·˜ ηÈÓÔ‡ÚÁÈ·˜ Û¯¤Û˘ ÙˆÓ ¯ˆÚÒÓ Ù˘ appleÂÚÈÔ¯‹˜ Ì·˜ Ì ÙË ‰ÈÂıÓ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ÎÔÈÓfiÙËÙ·, Ì Âapple›ÎÂÓÙÚÔ ÙË £ÂÛÛ·ÏÔÓ›ÎË appleÔ˘ ˘apple‹ÚÍ apple¿ÓÙ· ¤Ó· «ÛÙ·˘ÚÔ‰ÚfiÌÈ» Ï·ÒÓ Î·È appleÔÏÈÙÈÛÌÒÓ. ª›· Û¯¤ÛË appleÔ˘ ʤÚÓÂÈ Û ÛÙÂÓ‹ Û˘Ó¿ÊÂÈ· ÙË £ÂÛÛ·ÏÔÓ›ÎË, ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ, ÙËÓ ÔÈÎÔÓÔÌÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ· Á‡Úˆ ·applefi ·˘ÙfiÓ, ÙÔ˘˜ Âapple›ÛËÌÔ˘˜ ÊÔÚ›˜ - ηٿ ·ÚÈÔ ÏfiÁÔ ÙÔ ÀappleÔ˘ÚÁÂ›Ô ÔÏÈÙÈÛÌÔ‡ appleÔ˘ ˘appleÔ‰¤¯ıËÎÂ Î·È appleÚÔˆı› ÙË Ó¤· ‰Ú¿ÛË ÙÔ˘ ºÂÛÙÈ‚¿Ï Î·È ÙÔ ÀappleÔ˘ÚÁÂ›Ô ª·Î‰ÔÓ›·˜-£Ú¿Î˘ appleÔ˘, Û˘ÏÏ·Ì‚¿ÓÔÓÙ·˜ ÙÔ appleÓ‡̷ ·˘Ù‹˜ Ù˘ appleÚÔÛapple¿ıÂÈ·˜, ·ÁοÏÈ·Û Ì ı¤ÚÌË ÙË ‰Ú¿ÛË Crossroads ̤۷ ÛÙÔ ÛÎÂappleÙÈÎfi Î·È ÙË ‰Ú·ÛÙËÚÈfiÙËÙ· ÙÔ˘ ‰ÈÎÔ‡ ÙÔ˘ appleÚˆÙÔappleÔÚÈ·ÎÔ‡ «Space to Think». ∏ appleÂÚÈÔ¯‹ ·˘Ù‹ ¤¯ÂÈ Û˘Ó·Úapple·ÛÙÈΤ˜ ÈÛÙÔڛ˜ Ó· appleÂÈ. ∂›Ó·È ÛËÌ·ÓÙÈÎfi ÁÈ· fiÏÔ˘˜ Ó· ‚ÔËı‹ÛÔ˘Ì ÙÔ˘˜ ‰ËÌÈÔ˘ÚÁÔ‡˜ Ù˘ Ó· ÙȘ ·ÊËÁËıÔ‡Ó Î·È ÙÔ ÎÔÈÓfi fiÏÔ˘ ÙÔ˘ ÎfiÛÌÔ˘ Ó· ÙȘ ·ÎÔ‡ÛÂÈ. 3 Despina Mouzaki
Thessaloniki is historically a Crossroads – military roads, trading routes; it is a place today where history meets a contemporary, even young city. Crossroads Co-Production Forum has its initial year this year at the 46th Thessaloniki International Film Festival to extend the tradition of the city being an essential meeting point, an epicentre, this time for cinema production and development. Mediterranean and Balkan producers have different needs and special industries when compared to the producers to the north and west. The other European Union producers need not just budget savings but talent and the collaboration of equals as their financing structures become less and less supportive while their budgets increase. Co-production offers producers a most attractive opportunity to make pleasing, challenging films together. The programme this year offers a wide variety of activities, perhaps too many choices, but they all have one clear goal: allowing the Crossroads Producers and the Crossroads Partners to learn more about each others’ films, film industries and to allow them all to find beneficial ways to make the movies all of us want to see. This year’s Crossroads is off to a wonderful start with an unexpectedly high number of applications from all ends of Europe which resulted in a group of 27 high quality, experienced producers participating; and a large industry contingent willing to meet them, hear their ideas and work out ways to make dreams happen. Welcome to Crossroads, Year One! Linda Beath 4
- Page 3: The Crossroads Co-production Forum
- Page 7 and 8: 6 À√Àƒ°√
- Page 9 and 10: ∆Ô CROSSROADS appleÚ·ÁÌ·Ù
- Page 11 and 12: Akamas Producer Panikos Chrysanthou
- Page 13 and 14: America!!! Producer Pandora da Cunh
- Page 15 and 16: Balkan Blues Producer Nikolay Kirov
- Page 17 and 18: A Ballad for the Black Sea Producer
- Page 19 and 20: Clown Producer Ute Leonhardt Contac
- Page 21 and 22: Dancing at the Checkpoint Producer
- Page 23 and 24: Eagle Producer Antigoni Gavriatopou
- Page 25 and 26: Helen and the Seven Dwarfs Producer
- Page 27 and 28: Investigation Producer Rossitsa Val
- Page 29 and 30: The Journey Producer Artan Minaroll
- Page 31 and 32: Kino Lika Producer Ankica Tilic Con
- Page 33 and 34: The Magic Snowman Producer Pavlina
- Page 35 and 36: Mamarosh Momcilo Moma Mrdakovic Pro
- Page 37 and 38: McCarthy’s War Producer Paul Larg
- Page 39 and 40: Milo Producer Gudny Hummelvoll Cont
- Page 41 and 42: Night Bus Producer Alessandro Silve
- Page 43 and 44: Nowhere Producer Zoran Jovanovic Co
- Page 45 and 46: Pandora / ·Ó‰ÒÚ· Producer Ni
- Page 47 and 48: Pera Kassiros / ¤Ú· ∫¿ÛÛÈ
- Page 49 and 50: The Red Apple Tree Producer KÒÛÙ
- Page 51 and 52: The Rest is Silence Producer Cristi
- Page 53 and 54: Russoun Producer Mosh Danon Contact
TÔ ºfiÚÔ˘Ì ˘Ìapple·Ú·ÁˆÁ‹˜ Crossroads Â›Ó·È ÌÈ· ·applefi ÙȘ ηÈÓÔÙƠ̂˜ Ù˘ ÊÂÙÈÓ‹˜ ‰ÈÔÚÁ¿ÓˆÛ˘ ÙÔ˘ ¢ÈÂıÓÔ‡˜ ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘<br />
£ÂÛÛ·ÏÔӛ΢. ¢ÂÓ ·appleÔÙÂÏ›, ‚‚·›ˆ˜, ηÈÓÔÙÔÌ›· ÛÙÔÓ ‰ÈÂıÓ‹ ¯ÒÚÔ ÙˆÓ ÊÂÛÙÈ‚¿Ï, fiappleÔ˘ Ù¤ÙÔȘ ‰Ú¿ÛÂȘ ¤¯Ô˘Ó ·applefi ¯ÚfiÓÈ· ·appleԉ›ÍÂÈ ÙËÓ ·Í›·<br />
Î·È ÙË ¯ÚËÛÈÌfiÙËÙ¿ ÙÔ˘˜, ÙfiÛÔ ÁÈ· ÙÔ˘˜ ‰ËÌÈÔ˘ÚÁÔ‡˜ ÙÔ˘ ÛÈÓÂÌ¿ fiÛÔ Î·È ÁÈ· ÙËÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ‚ÈÔÌ˯·Ó›· ÁÂÓÈÎfiÙÂÚ·.<br />
π‰È·›ÙÂÚ· ÛÙȘ ÛËÌÂÚÈÓ¤˜ Û˘Óı‹Î˜ ÙÔ˘ ¤ÓÙÔÓÔ˘ ·ÓÙ·ÁˆÓÈÛÌÔ‡, Ù˘ Ú¢ÛÙfiÙËÙ·˜ Î·È ÙˆÓ ·Ó·Î·Ù·Ù¿ÍÂˆÓ ÛÙÔÓ ¯ÒÚÔ ÙÔ˘ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘,<br />
Â›Ó·È appleÂappleÔ›ıËÛ‹ ÌÔ˘ fiÙÈ ¤Ó· ÊÂÛÙÈ‚¿Ï ÔÊ›ÏÂÈ Ó· ‰È¢ڇÓÂÈ ÙËÓ apple·ÚÔ˘Û›· Î·È ÙË ‰Ú·ÛÙËÚÈfiÙËÙ¿ ÙÔ˘ Î·È ÛÙ· appleÚÔÁÂÓ¤ÛÙÂÚ· ÛÙ¿‰È· Ù˘<br />
‰ËÌÈÔ˘ÚÁ›·˜ ÙÔ˘ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÔ‡ ¤ÚÁÔ˘. ¡· ‰È·ÌÔÚÊÒÛÂÈ ·ÍÈfiappleÈÛÙ· ÂΛӘ ÙȘ ‰È·‰Èηۛ˜, appleÔ˘ ı· ʤÚÓÔ˘Ó Û Âapple·Ê‹ ÙÔ Î·ÏÏÈÙ¯ÓÈÎfi Û¯¤‰ÈÔ<br />
Ì ÙÔ˘˜ Û˘ÓÙÂÏÂÛÙ¤˜ Ù˘ ˘ÏÔappleÔ›ËÛ‹˜ ÙÔ˘.<br />
∞˘Ùfi ÈÛ¯‡ÂÈ ·ÎfiÌË appleÂÚÈÛÛfiÙÂÚÔ fiÙ·Ó ·Ó·ÊÂÚfiÌ·ÛÙ Û ÎÈÓËÌ·ÙÔÁڷʛ˜ Ì ÌÈÎÚfi ‰˘Ó·ÌÈÎfi, fiappleˆ˜ ·˘Ù¤˜ ÙˆÓ ¯ˆÚÒÓ Ù˘ ªÂÛÔÁ›Ԣ, ‹ appleÔ˘<br />
‚Ú›ÛÎÔÓÙ·È Û ʿÛË ÌÂÙ¿‚·Û˘, fiappleˆ˜ ÂΛӘ ÙˆÓ ¯ˆÚÒÓ Ù˘ µ·ÏηÓÈ΋˜ Î·È Ù˘ ÓÔÙÈÔ·Ó·ÙÔÏÈ΋˜ ∂˘ÚÒapple˘. ∏ ·ÓÙ·applefiÎÚÈÛË appleÔ˘ ÁÓÒÚÈÛ Ë<br />
appleÚˆÙÔ‚Ô˘Ï›· Ì·˜, ‹‰Ë ·applefi Ù· appleÚÒÙ· ‚‹Ì·Ù¿ Ù˘, ·appleÔ‰ÂÈÎÓ‡ÂÈ fiÙÈ ·apple·ÓÙ¿ Ô˘ÛÈ·ÛÙÈο Û ˘apple·ÚÎÙ¤˜ ·Ó¿ÁΘ ÙˆÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ Î·È ÙˆÓ<br />
apple·Ú·ÁˆÁÒÓ Ù˘ appleÂÚÈÔ¯‹˜, ·ÏÏ¿ Î·È Û’ ¤Ó· ÂÍ›ÛÔ˘ ¤ÓÙÔÓÔ ÂӉȷʤÚÔÓ ÙˆÓ Âapple·ÁÁÂÏÌ·ÙÈÒÓ Ù˘ ‰ÈÂıÓÔ‡˜ ·ÁÔÚ¿˜. ŒÙÛÈ, ÁÈ· ÙÚÂȘ Ë̤Ú˜, ›ÎÔÛÈ<br />
ÂappleÙ¿ apple·Ú·ÁˆÁÔ› ·applefi ÌÂÛÔÁÂȷΤ˜ Î·È ‚·ÏηÓÈΤ˜ ¯ÒÚ˜, ηıÒ˜ Î·È apple·Ú·ÁˆÁÔ› ·applefi ¿ÏϘ ¯ÒÚ˜ appleÔ˘ Û˘ÓÂÚÁ¿˙ÔÓÙ·È Û ٷÈӛ˜ ·applefi ÙËÓ appleÂÚÈÔ¯‹<br />
Ì·˜ ‹ Û ٷÈӛ˜ appleÔ˘ appleÂÚȤ¯Ô˘Ó ÛÙÔȯ›· ÁÈ· ÙËÓ appleÂÚÈÔ¯‹ Ì·˜, ı· Û˘Ó·ÓÙËıÔ‡Ó Ì ¯ÚËÌ·ÙÔ‰fiÙ˜, Û˘Ìapple·Ú·ÁˆÁÔ‡˜ Î·È Âapple·ÁÁÂÏ̷ٛ˜ ·apple’ fiÏÔ<br />
ÙÔÓ ÎfiÛÌÔ.<br />
¢ÂÓ ÂappleÈϤͷÌÂ Ù˘¯·›· ÙÔÓ Ù›ÙÏÔ Crossroads ÁÈ· Ó· appleÂÚÈÁÚ¿„Ô˘Ì ÙȘ Ӥ˜ ·˘Ù¤˜ ‰Ú·ÛÙËÚÈfiÙËÙ˜. ∆Ô ºÂÛÙÈ‚¿Ï Ì·˜, appleÔ˘ ‰È·ÙËÚ› ‹‰Ë ¤Ó·<br />
‰Ú·ÛÙ‹ÚÈÔ ∆·ÌÂ›Ô ÛÙ‹ÚÈ͢ ÙÔ˘ ‚·ÏηÓÈÎÔ‡ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘, ‰ËÌÈÔ˘ÚÁ› ÙÒÚ· ÙȘ ‰È·‰Èηۛ˜ appleÚÔÒıËÛ˘ ‰ÈÂıÓÒÓ Û˘ÓÂÚÁ·ÛÈÒÓ Î·È<br />
Û˘Ìapple·Ú·ÁˆÁÒÓ, ı¤ÙÂÈ -Âapple›Û˘ ·applefi ʤÙÔ˜- ÙȘ ‚¿ÛÂȘ ÁÈ· ÙË ‰È·ÌfiÚʈÛË ÌÈ·˜ ÂÏ΢ÛÙÈ΋˜, apple·Ú¿ÏÏËÏ˘ appleÂÚÈÊÂÚÂȷ΋˜ ·ÁÔÚ¿˜. ÚfiÎÂÈÙ·È,<br />
Û˘ÓÔÏÈο, ÁÈ· ÙËÓ ·Ú¯‹ ÌÈ·˜ ηÈÓÔ‡ÚÁÈ·˜ Û¯¤Û˘ ÙˆÓ ¯ˆÚÒÓ Ù˘ appleÂÚÈÔ¯‹˜ Ì·˜ Ì ÙË ‰ÈÂıÓ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ÎÔÈÓfiÙËÙ·, Ì Âapple›ÎÂÓÙÚÔ ÙË<br />
£ÂÛÛ·ÏÔÓ›ÎË appleÔ˘ ˘apple‹ÚÍ apple¿ÓÙ· ¤Ó· «ÛÙ·˘ÚÔ‰ÚfiÌÈ» Ï·ÒÓ Î·È appleÔÏÈÙÈÛÌÒÓ. ª›· Û¯¤ÛË appleÔ˘ ʤÚÓÂÈ Û ÛÙÂÓ‹ Û˘Ó¿ÊÂÈ· ÙË £ÂÛÛ·ÏÔÓ›ÎË, ÙÔÓ<br />
ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ, ÙËÓ ÔÈÎÔÓÔÌÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ· Á‡Úˆ ·applefi ·˘ÙfiÓ, ÙÔ˘˜ Âapple›ÛËÌÔ˘˜ ÊÔÚ›˜ - ηٿ ·ÚÈÔ ÏfiÁÔ ÙÔ ÀappleÔ˘ÚÁÂ›Ô ÔÏÈÙÈÛÌÔ‡ appleÔ˘<br />
˘appleÔ‰¤¯ıËÎÂ Î·È appleÚÔˆı› ÙË Ó¤· ‰Ú¿ÛË ÙÔ˘ ºÂÛÙÈ‚¿Ï Î·È ÙÔ ÀappleÔ˘ÚÁÂ›Ô ª·Î‰ÔÓ›·˜-£Ú¿Î˘ appleÔ˘, Û˘ÏÏ·Ì‚¿ÓÔÓÙ·˜ ÙÔ appleÓ‡̷ ·˘Ù‹˜ Ù˘<br />
appleÚÔÛapple¿ıÂÈ·˜, ·ÁοÏÈ·Û Ì ı¤ÚÌË ÙË ‰Ú¿ÛË Crossroads ̤۷ ÛÙÔ ÛÎÂappleÙÈÎfi Î·È ÙË ‰Ú·ÛÙËÚÈfiÙËÙ· ÙÔ˘ ‰ÈÎÔ‡ ÙÔ˘ appleÚˆÙÔappleÔÚÈ·ÎÔ‡ «Space to Think».<br />
∏ appleÂÚÈÔ¯‹ ·˘Ù‹ ¤¯ÂÈ Û˘Ó·Úapple·ÛÙÈΤ˜ ÈÛÙÔڛ˜ Ó· appleÂÈ. ∂›Ó·È ÛËÌ·ÓÙÈÎfi ÁÈ· fiÏÔ˘˜ Ó· ‚ÔËı‹ÛÔ˘Ì ÙÔ˘˜ ‰ËÌÈÔ˘ÚÁÔ‡˜ Ù˘ Ó· ÙȘ ·ÊËÁËıÔ‡Ó Î·È ÙÔ<br />
ÎÔÈÓfi fiÏÔ˘ ÙÔ˘ ÎfiÛÌÔ˘ Ó· ÙȘ ·ÎÔ‡ÛÂÈ.<br />
3<br />
<strong>Despina</strong> <strong>Mouzaki</strong>