Despina Mouzaki
Despina Mouzaki Despina Mouzaki
George Khleifi Producer’s filmography George Khleifi was born in Nazareth in 1947. He studied filmmaking and production in Brussels at the INSAS. He has worked as a Line and Executive Producer of several Palestinian features. He was the producer of the children’s programme Share’ Sumsum (the Palestinian Sesame Street) and the producer, writer and director of Abu Youssef’s House a 64 episode sitcom. He also directed several documentaries. He is the head of training and production for the Institute of Modern Media at Al Quds University, which he joined in 1999. He is the founder of Lilac Films. He is currently preparing the production of Dancing at the Checkpoint, a feature by Palestinian filmmaker Ismail Al Habbash and Rat, a short feature by the young Palestinian director Rokayya Sabbah Khoury. √ George Khleifi ÁÂÓÓ‹ıËΠÛÙË ¡·˙·Ú¤ı ÙÔ 1947. appleÔ‡‰·Û ÛÎËÓÔıÂÛ›· Î·È apple·Ú·ÁˆÁ‹ ÛÙȘ µÚ˘Í¤ÏϘ ÛÙÔ INSAS. Œ¯ÂÈ Î¿ÓÂÈ ÂÎÙ¤ÏÂÛË Î·È ÔÚÁ¿ÓˆÛË apple·Ú·ÁˆÁ‹˜ Û ‰È¿ÊÔÚ˜ apple·Ï·ÈÛÙÈÓȷΤ˜ Ù·Èӛ˜, ˆ˜ apple·Ú·ÁˆÁfi˜ ÙÔ˘ apple·È‰ÈÎÔ‡ appleÚÔÁÚ¿ÌÌ·ÙÔ˜ Share’ Sumsum (Ù˘ apple·Ï·ÈÛÙÈÓȷ΋˜ ÌÂÙ·ÊÔÚ¿˜ ÙÔ˘ Sesame Street) Î·È ˆ˜ apple·Ú·ÁˆÁfi˜, ÛÎËÓÔı¤Ù˘ Î·È ÛÂÓ·ÚÈÔÁÚ¿ÊÔ˜ ÙÔ˘ Abu Youssef’s House, Ì›·˜ Ê·ÚÛÔΈ̈‰›·˜ 64 ÂappleÂÈÛÔ‰›ˆÓ. ∂ÎÙfi˜ ·˘ÙÒÓ, ÛÎËÓÔı¤ÙËÛÂ Î·È ·ÚÎÂÙ¿ ÓÙÔÎÈÌ·ÓÙ¤Ú. ¢È·ÙÂÏ› ‰È¢ı˘ÓÙ‹˜ ÂÎapple·›‰Â˘Û˘ Î·È apple·Ú·ÁˆÁ‹˜ ÛÙÔ πÓÛÙÈÙÔ‡ÙÔ˘ ªÔÓÙ¤ÚÓˆÓ ª¤ÛˆÓ ÙÔ˘ ·ÓÂappleÈÛÙËÌ›Ô˘ Al Quds, Ì ÙÔ ÔappleÔ›Ô Û˘ÓÂÚÁ¿˙ÂÙ·È ·applefi ÙÔ 1999, ÂÓÒ Â›Ó·È Î·È Ô È‰Ú˘Ù‹˜ Ù˘ ÂÙ·ÈÚ›·˜ Lilac Films. ∞˘Ù‹ ÙËÓ appleÂÚ›Ô‰Ô appleÚÔÂÙÔÈÌ¿˙ÂÈ ÙËÓ apple·Ú·ÁˆÁ‹ Ù˘ Ù·ÈÓ›·˜ Dancing at the Checkpoint, Û ÛÎËÓÔıÂÛ›· ÙÔ˘ ·Ï·ÈÛÙ›ÓÈÔ˘ ÛÎËÓÔı¤ÙË Ismail Al Habbash Î·È ÙËÓ apple·Ú·Áˆ- Á‹ Ù˘ Ù·ÈÓ›·˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Rat, ÙÔ˘ Ó·ÚÔ‡ ·Ï·ÈÛÙ›ÓÈÔ˘ ÛÎËÓÔı¤ÙË Rokayya Sabbah Khoury. Company profile/ ∏ ÂÙ·ÈÚ›· Founded in 2004 by the well known Palestinian producer/filmmaker, George Khleifi, Lilac Films has produced a long documentary and is preparing the short feature Rat by the female director Rokayya Sabbah Khoury, and the feature Dancing at the Checkpoint written and to be directed by Palestinian filmmaker Ismail Al Habbash. ∏ ÂÙ·ÈÚ›· Lilac Films ȉڇıËΠÙÔ 2004 ·applefi ÙÔÓ ÁÓˆÛÙfi ·Ï·ÈÛÙ›ÓÈÔ apple·Ú·ÁˆÁfi / ÛÎËÓÔı¤ÙË George Khleifi. ∏ ÂÙ·ÈÚ›· ¤¯ÂÈ apple·Ú¿ÁÂÈ ¤Ó· ÓÙÔÎÈÌ·ÓÙ¤Ú ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ Î·È appleÚÔÂÙÔÈÌ¿˙ÂÈ ÌÈ· Ù·ÈÓ›· ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜, ÙÔ Rat, Ù˘ ÛÎËÓÔı¤Ùȉ·˜ Rokayya Sabbah Khoury, Î·È ÙËÓ Ù·ÈÓ›· Dancing at the Checkpoint, Û ÛÂÓ¿ÚÈÔ Î·È ÛÎËÓÔıÂÛ›· ÙÔ˘ ·Ï·ÈÛÙ›ÓÈÔ˘ ÛÎËÓÔı¤ÙË Ismail Al Habbash. ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡ Once Again a collection of 5 short documentaries by 5 Palestinian filmmakers, 2002 Journeys, a collection of 10 short features by 10 Palestinian filmmakers, 2004 Saving Children, feature length documentary, 2004 Once Again, ÌÈ· Û˘ÏÏÔÁ‹ ·applefi 5 ÓÙÔÎÈÌ·ÓÙ¤Ú ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Û ÛÎËÓÔıÂÛ›· 5 ·Ï·ÈÛÙ›ÓÈˆÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ, 2002 Journeys, ÌÈ· Û˘ÏÏÔÁ‹ 10 Ù·ÈÓÈÒÓ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Û ÛÎËÓÔıÂÛ›· 10 ·Ï·ÈÛÙ›ÓÈˆÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ, 2004 Saving Children, ¤Ó· ÓÙÔÎÈÌ·ÓÙ¤Ú ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜, 2004 21 Lilac Films
Eagle Producer Antigoni Gavriatopoulou ∞ÓÙÈÁfiÓË °·‚ÚÈ·ÙÔappleÔ‡ÏÔ˘ Contacts / ∂appleÈÎÔÈÓˆÓ›·: 13-15, Andrea Papandreou Av, 151-27 Melissia, Athens ∞Ó‰Ú¤· ·apple·Ó‰Ú¤Ô˘ 13-15, 151-27, ªÂÏ›ÛÛÈ·, ∞ı‹Ó· T. +30 210 8037610 jordanrandell@yahoo.com, lumiere@ath.forthnet.gr 22 Greece - Canada / Ελλάδα - Καναδάς 1986. Nicholas Junior travels to Greece to meet his father’s friend Stelios who recounts the story of the “other” Nicholas. After fleeing from an orphanage, Nicholas worked as a drug runner for Stelios. The two men became successful criminal partners with a side business: running bordellos. During the war, however, Nicholas changed again, becoming a celebrated resistance fighter. His eagle tattoo marked him as a ‘mangas’ or gangster, it also gave the hero his code name, Aetos. 1986. √ ÌÈÎÚfi˜ ¡ÈÎfiÏ·˜ Ù·Íȉ‡ÂÈ ÛÙËÓ ∂ÏÏ¿‰· ÁÈ· Ó· ÁÓˆÚ›ÛÂÈ ÙÔÓ Ù¤ÏÈÔ, Ê›ÏÔ ÙÔ˘ apple·Ù¤Ú· ÙÔ˘, Ô ÔappleÔ›Ô˜ ÙÔ˘ ‰ÈËÁÂ›Ù·È ÙËÓ ÈÛÙÔÚ›· ÙÔ˘ «¿ÏÏÔ˘» ¡ÈÎfiÏ·. ∞ÊÔ‡ ÙÔ ÛοÂÈ ·applefi ÙÔ ÔÚÊ·ÓÔÙÚÔÊ›Ô, Ô ¡ÈÎfiÏ·˜ ‰Ô˘Ï‡ÂÈ ˆ˜ ¤ÌappleÔÚÔ˜ Ó·Ú- ΈÙÈÎÒÓ ÁÈ· ÏÔÁ·ÚÈ·ÛÌfi ÙÔ˘ Ù¤ÏÈÔ˘. √È ‰‡Ô ¿Ó‰Ú˜ Á›ÓÔÓÙ·È ÂappleÈÙ˘¯Ë̤ÓÔÈ «Û˘ÓÂÚÁ¿Ù˜» ‰ÈÂı‡ÓÔÓÙ·˜ Ì›· Âappleȯ›ÚËÛË Ì ԛÎÔ˘˜ ·ÓÔ¯‹˜. ∫·Ù¿ ÙË ‰È¿ÚÎÂÈ· ÙÔ˘ appleÔϤÌÔ˘, fï˜, Ô ¡ÈÎfiÏ·˜ ÌÂÙ·ÌÔÚÊÒÓÂÙ·È Í·Ó¿ Î·È ÂÍÂÏ›ÛÛÂÙ·È Û ¤Ó·Ó ÔÓÔÌ·ÛÙfi ·ÓÙÈÛÙ·ÛÈ·Îfi. ∆Ô Ù·ÙÔ˘¿˙ Ì ÙÔÓ ·ÂÙfi ÙÔ˘ ¯·Ú›˙ÂÈ ÙËÓ Îˆ‰È΋ ÔÓÔ- Ì·Û›· «·ÂÙfi˜» Î·È ÙÔÓ ¯·Ú·ÎÙËÚ›˙ÂÈ ˆ˜ «Ì¿Áη» Ù˘ ÂappleÔ¯‹˜. Credits / ˘ÓÙÂÏÂÛÙ¤˜: Produced by / ·Ú·ÁˆÁ‹: Password Pictures Canada & Lumiere Productions, Co-producer / ˘Ìapple·Ú·ÁˆÁfi˜: Jordan Randell, Scriptwriter / ÂÓ¿ÚÈÔ: George Politis / °ÈÒÚÁÔ˜ ÔÏ›Ù˘ & Paul Antony Davis Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €10,000,000 Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
- Page 3 and 4: The Crossroads Co-production Forum
- Page 5 and 6: Thessaloniki is historically a Cros
- Page 7 and 8: 6 À√Àƒ°√
- Page 9 and 10: ∆Ô CROSSROADS appleÚ·ÁÌ·Ù
- Page 11 and 12: Akamas Producer Panikos Chrysanthou
- Page 13 and 14: America!!! Producer Pandora da Cunh
- Page 15 and 16: Balkan Blues Producer Nikolay Kirov
- Page 17 and 18: A Ballad for the Black Sea Producer
- Page 19 and 20: Clown Producer Ute Leonhardt Contac
- Page 21: Dancing at the Checkpoint Producer
- Page 25 and 26: Helen and the Seven Dwarfs Producer
- Page 27 and 28: Investigation Producer Rossitsa Val
- Page 29 and 30: The Journey Producer Artan Minaroll
- Page 31 and 32: Kino Lika Producer Ankica Tilic Con
- Page 33 and 34: The Magic Snowman Producer Pavlina
- Page 35 and 36: Mamarosh Momcilo Moma Mrdakovic Pro
- Page 37 and 38: McCarthy’s War Producer Paul Larg
- Page 39 and 40: Milo Producer Gudny Hummelvoll Cont
- Page 41 and 42: Night Bus Producer Alessandro Silve
- Page 43 and 44: Nowhere Producer Zoran Jovanovic Co
- Page 45 and 46: Pandora / ·Ó‰ÒÚ· Producer Ni
- Page 47 and 48: Pera Kassiros / ¤Ú· ∫¿ÛÛÈ
- Page 49 and 50: The Red Apple Tree Producer KÒÛÙ
- Page 51 and 52: The Rest is Silence Producer Cristi
- Page 53 and 54: Russoun Producer Mosh Danon Contact
- Page 55 and 56: Still Lives Producer Leonel Vieira
- Page 57 and 58: Stray Dog Producer Ada Solomon Cont
- Page 59 and 60: Tango Notturno Producer Elena Hatzi
- Page 61 and 62: The Watch House Producer Eleni Atsi
- Page 63 and 64: Zion and his Brother Producer Asaaf
- Page 65 and 66: 46Ô ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ
Eagle<br />
Producer<br />
Antigoni Gavriatopoulou<br />
∞ÓÙÈÁfiÓË °·‚ÚÈ·ÙÔappleÔ‡ÏÔ˘<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
13-15, Andrea Papandreou Av,<br />
151-27 Melissia, Athens<br />
∞Ó‰Ú¤· ·apple·Ó‰Ú¤Ô˘ 13-15,<br />
151-27, ªÂÏ›ÛÛÈ·, ∞ı‹Ó·<br />
T. +30 210 8037610<br />
jordanrandell@yahoo.com,<br />
lumiere@ath.forthnet.gr<br />
22<br />
Greece - Canada / Ελλάδα - Καναδάς<br />
1986. Nicholas Junior travels to Greece to meet his father’s friend Stelios who<br />
recounts the story of the “other” Nicholas. After fleeing from an orphanage,<br />
Nicholas worked as a drug runner for Stelios. The two men became successful<br />
criminal partners with a side business: running bordellos. During the war, however,<br />
Nicholas changed again, becoming a celebrated resistance fighter. His<br />
eagle tattoo marked him as a ‘mangas’ or gangster, it also gave the hero his<br />
code name, Aetos.<br />
1986. √ ÌÈÎÚfi˜ ¡ÈÎfiÏ·˜ Ù·Íȉ‡ÂÈ ÛÙËÓ ∂ÏÏ¿‰· ÁÈ· Ó· ÁÓˆÚ›ÛÂÈ ÙÔÓ Ù¤ÏÈÔ,<br />
Ê›ÏÔ ÙÔ˘ apple·Ù¤Ú· ÙÔ˘, Ô ÔappleÔ›Ô˜ ÙÔ˘ ‰ÈËÁÂ›Ù·È ÙËÓ ÈÛÙÔÚ›· ÙÔ˘ «¿ÏÏÔ˘» ¡ÈÎfiÏ·.<br />
∞ÊÔ‡ ÙÔ ÛοÂÈ ·applefi ÙÔ ÔÚÊ·ÓÔÙÚÔÊ›Ô, Ô ¡ÈÎfiÏ·˜ ‰Ô˘Ï‡ÂÈ ˆ˜ ¤ÌappleÔÚÔ˜ Ó·Ú-<br />
ΈÙÈÎÒÓ ÁÈ· ÏÔÁ·ÚÈ·ÛÌfi ÙÔ˘ Ù¤ÏÈÔ˘. √È ‰‡Ô ¿Ó‰Ú˜ Á›ÓÔÓÙ·È ÂappleÈÙ˘¯Ë̤ÓÔÈ<br />
«Û˘ÓÂÚÁ¿Ù˜» ‰ÈÂı‡ÓÔÓÙ·˜ Ì›· Âappleȯ›ÚËÛË Ì ԛÎÔ˘˜ ·ÓÔ¯‹˜. ∫·Ù¿ ÙË ‰È¿ÚÎÂÈ·<br />
ÙÔ˘ appleÔϤÌÔ˘, fï˜, Ô ¡ÈÎfiÏ·˜ ÌÂÙ·ÌÔÚÊÒÓÂÙ·È Í·Ó¿ Î·È ÂÍÂÏ›ÛÛÂÙ·È Û ¤Ó·Ó<br />
ÔÓÔÌ·ÛÙfi ·ÓÙÈÛÙ·ÛÈ·Îfi. ∆Ô Ù·ÙÔ˘¿˙ Ì ÙÔÓ ·ÂÙfi ÙÔ˘ ¯·Ú›˙ÂÈ ÙËÓ Îˆ‰È΋ ÔÓÔ-<br />
Ì·Û›· «·ÂÙfi˜» Î·È ÙÔÓ ¯·Ú·ÎÙËÚ›˙ÂÈ ˆ˜ «Ì¿Áη» Ù˘ ÂappleÔ¯‹˜.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Password Pictures Canada & Lumiere Productions,<br />
Co-producer / ˘Ìapple·Ú·ÁˆÁfi˜: Jordan Randell,<br />
Scriptwriter / ÂÓ¿ÚÈÔ: George Politis / °ÈÒÚÁÔ˜ ÔÏ›Ù˘ & Paul Antony Davis<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €10,000,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
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