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50<br />

BOLTON ABBEY.<br />

Nor did she fear in thestill moonshine<br />

To look upon Saint Mary's shrine;<br />

Nor on thelonely turf that showed<br />

Where Francis slept in his last abode.<br />

The poet then deals with the solitary wandering of<br />

doe and her continued visits to the grave.<br />

. . bears amemory and amind<br />

Raised far above thelaw ofkind;<br />

Haunting the spots withlonely cheer<br />

Which her dear mistress once held dear;<br />

Loves most whatEmily loved most—<br />

The enclosure ofthis churchyard ground ;<br />

Here wanders like a glidingghost;<br />

And every Sabbathhere is found;<br />

Comes with the peoplewhen the bells<br />

Are heard among themoorland dells,<br />

Finds entrance through yon archwhere way<br />

Lies open on the Sabbath day;<br />

Here walks amid themournful waste<br />

Of prostrate altars, shrines defaced,<br />

And floors encumbered with rich show<br />

Of fretwork imagerylaid low;<br />

Paces softly, or makes halt,<br />

By fractured cell, or tomb, or vault,<br />

By plateofmonumental brass<br />

Dim-gleaming among weeds and grass,<br />

Andsculptured forms of warriors brave;<br />

But chiefly by that single grave,<br />

That one sequesteredhillock green,<br />

The pensive visitant is seen.<br />

the<br />

Besides the fictitious and legendaryassociationsofBolton,<br />

there are in the detailsof its interesting architecture and<br />

in the grandeffect of the church and landscape a hundred<br />

clinging reminders of times long past, giving an air of<br />

reality that seems to snatch us from our own day intothat<br />

of centuries ago, and makeus feel a momentary surprise<br />

at seeing no cowled inhabitant passing to and fro, or<br />

hearing no echo of chants long since diedaway never to<br />

be renewed. One who has vividlyrealisedthe appearance<br />

of the Abbeyin old days thus writes: " When this fine old<br />

Abbey wasin the zenithof its powerand splendour; when

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