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MYSTERY PLAYS IN YORKSHIRE. 37<br />

represented by the type of whale's open jaws, behind<br />

which a fire waslighted in such a manner as not to injure<br />

thedamned whohad to pass through this gaping mouth,<br />

or the persons sustaining the character of the demons<br />

inside. It is said that these latter actors sometimes gave<br />

offence by walking among the spectators who were<br />

witnessing the performance. So much for the general<br />

stage management. We now propose to deal with the<br />

subject so far as it relates to Yorkshire from the earliest<br />

introduction of the plays into this county, which was<br />

probably during the 13th century. This we learn from<br />

the formation of a guild at York, to organise such performances,<br />

which was done in the year 1250, under the<br />

title of the Corpus Christi Guild. Under its auspices as<br />

many as fifty-six plays were there enacted at different<br />

times, opening with a play entitled the "Creation," and<br />

closing with that called " Doomsday," betweenwhichtwo<br />

events all the chief occurrences narratedinthe Bible were<br />

included. The plays were exhibited in the principal<br />

streets, and were so performed as to follow in proper<br />

succession. After the Creation had been performed in<br />

one street it was reproduced in another, and so on,until<br />

the wholefifty-six had been shown in each of the streets.<br />

We read that the Mayor, WilliamBowes, on the 7th of<br />

June, 1417, ordered that the plays should be shown in the<br />

following order: — First, in Micklegate, at the gates of<br />

the Holy Trinity Prior)*; then at the door of Robert<br />

Harpham; after this at the door of the late John Gyseburn;<br />

next at " Skelder-gate-hend" and " North-stretehend;"<br />

then at the end of " Conyng-strete," towards<br />

" Castel-gate;" afterwards at the end of " Jubir-gate;"<br />

then at the door of " Henry Wyman, deceased, in<br />

Conyng-strete;" next at the Common-hall at the end of<br />

Conyng-strete; next at the door of Abraham del Brig,<br />

deceased,in " Stayne-gate;" next at the end of Staynegate,<br />

at the Minster-gates; next at the end of " Girdlergate,"<br />

in Peter-gate; and,last of all, upon thePavement,<br />

making in all twelve representations. The object of this

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