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Chapter VI.<br />

MYSTERY PLAYS IN YORKSHIRE.<br />

O better index to a certain phase and epoch of<br />

mediæval life can be obtained than from the<br />

ancient Mystery Plays. Prevalent on the<br />

continent, and performed there with great<br />

spirit from very early times, they were introduced<br />

into England by, it is said, an Englishman<br />

named Hilarius, soon after the Norman Conquest,<br />

and rapidly became popular. During the 12th century<br />

they werereceived with the greatest favour, but gradually<br />

declined towards the end of the 14th, though they were<br />

performed(on Sunday) so latelyas the middleof the 16th.<br />

The origin of the Mystery Plays, Corpus Christi Plays,<br />

or Moralities,is ascribable to the Church, monks being,<br />

as a rule, both the authors and actors of the pieces,and<br />

the object in presenting these strange performances to<br />

the people was the expounding of the Bible's lessons.<br />

As might be expected,the arrangements are, to a modern<br />

mind, extremely ludicrous. The stages on which the<br />

plays were shown usually consisted of three floors, the<br />

highest representing Heaven, the next Earth, and the<br />

lowermost Hell. On one occasion we read of " Hell "<br />

being accidentally set on fire, and great uneasiness was<br />

thereupon exhibited by its occupants! Such accidents,<br />

of course, rendered repairs necessary, and we hear of an<br />

item — payd for mending hell mought, ijd.; and payd for<br />

keeping of fyre at hellmought, iiijd. Hell was generally

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