the excavation of the athenian agora twelfth season: 1947
the excavation of the athenian agora twelfth season: 1947
the excavation of the athenian agora twelfth season: 1947
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EXCAVATION OF ATHENIAN AGORA, <strong>1947</strong> 159<br />
repertory <strong>of</strong> decorative motives limited as it is to <strong>the</strong> maeander, zigzag; tooth pattern,<br />
and row <strong>of</strong> dots. A date in <strong>the</strong> ninth or early eighth century is implied.<br />
The newly found grave lay so close to two o<strong>the</strong>r graves <strong>of</strong> <strong>the</strong> same period found<br />
in 1932 as to suggest a family burial plot. Within a few paces <strong>of</strong> this spot <strong>the</strong> excava-<br />
tion <strong>of</strong> 1932 brought to light several o<strong>the</strong>r burials <strong>of</strong> <strong>the</strong> early Geometric and Proto-<br />
geometric periods, all <strong>the</strong>se burials forming part <strong>of</strong> <strong>the</strong> scattered cemetery that has<br />
now been traced along <strong>the</strong> whole length <strong>of</strong> <strong>the</strong> north slope <strong>of</strong> <strong>the</strong> Areopagus."3 Habita-<br />
tion in <strong>the</strong> area within <strong>the</strong> general period covered by <strong>the</strong> burials is indicated by wells<br />
<strong>of</strong> <strong>the</strong> Protogeometric period and by an oval house <strong>of</strong> <strong>the</strong> developed Geometric period."4<br />
The exploration <strong>of</strong> this apparently barren hillside has also afforded us a rarely<br />
p)ersonal glimpse into <strong>the</strong> household economy <strong>of</strong> an A<strong>the</strong>nian citizen, a contemporary<br />
<strong>of</strong> Peisistratos, one Thamneus by name. Of his house <strong>the</strong>re remains but a corner<br />
<strong>of</strong> <strong>the</strong> courtyard bordered by walls <strong>of</strong> rubble stonework and paved with rough cobble-<br />
stones. In <strong>the</strong> middle <strong>of</strong> <strong>the</strong> courtyard opened <strong>the</strong> mouth <strong>of</strong> a deep pit, flask-shaped,<br />
with a depth <strong>of</strong> 3.80 m. and a lower diameter <strong>of</strong> 3.50 m. It is possible that <strong>the</strong> pit<br />
was intended as a cistern, but as such it was never completed: rough masses <strong>of</strong> living<br />
rock were left on <strong>the</strong> floor, nor were <strong>the</strong> walls ever plastered. We may assume that<br />
having proceeded thus far Thamneus became alarmed by <strong>the</strong> s<strong>of</strong>t nature <strong>of</strong> <strong>the</strong> rock<br />
and abandoned <strong>the</strong> project.'" The pit was <strong>the</strong>n used as a dumping place for a great<br />
quantity <strong>of</strong> household refuse. The bulk <strong>of</strong> this material dates from <strong>the</strong> middle <strong>of</strong> <strong>the</strong><br />
sixth century; a certain amount <strong>of</strong> pottery <strong>of</strong> <strong>the</strong> early fifth century found at <strong>the</strong> top<br />
suggests ei<strong>the</strong>r that <strong>the</strong> pit was re-opened and used again as a dump or that it was<br />
disturbed at <strong>the</strong> later date. The vases from <strong>the</strong> pit will eventually be published as a<br />
group; <strong>the</strong> following note will merely indicate <strong>the</strong>ir range.<br />
Taken toge<strong>the</strong>r <strong>the</strong> material gives a good indication <strong>of</strong> both <strong>the</strong> variety and <strong>the</strong><br />
quality <strong>of</strong> <strong>the</strong> everyday pottery used in an A<strong>the</strong>nian household <strong>of</strong> <strong>the</strong> time. It contains<br />
several pieces <strong>of</strong> Attic black figure, including a small kotyle signed by Hermogenes<br />
and two cups likewise signed but with <strong>the</strong> names <strong>of</strong> <strong>the</strong> artists broken away. A pro-<br />
portion <strong>of</strong> <strong>the</strong> decorated vases are Corinthian, including a lebes and three skyphoi<br />
with animal friezes. The great majority <strong>of</strong> <strong>the</strong> vases, however, are Attic black glaze:<br />
cups, coasters, little pitchers, oil flasks, bowls, etc. From <strong>the</strong> kitchen come several<br />
large plain hydriae, a large unglazed amphora, a couple <strong>of</strong> cooking pots, and a frag-<br />
mientary brazier.<br />
Two <strong>of</strong> <strong>the</strong> vases from <strong>the</strong> pit, a black-glazed olpe and a plain oinochoe, are<br />
13 Hesperia, II, 1933, pp. 468 if., 552 if., 561; IX, 1940, pp. 270 if.; XVI, <strong>1947</strong>, p. 196.<br />
14 Hesperia, II, 1933, pp. 542 f.<br />
15 The flask-shaped cistern is thoroughly familiar in A<strong>the</strong>ns in <strong>the</strong> Hellenistic period, but is<br />
almost unknown in A<strong>the</strong>ns earlier. There is reason to believe, however, that Thamneus had foreign<br />
connections which might have prompted <strong>the</strong> idea <strong>of</strong> digging a cistern, in itself a very unusual pro-<br />
ceeding in A<strong>the</strong>ns <strong>of</strong> <strong>the</strong> sixth century.