sources - Nottingham eTheses - The University of Nottingham
sources - Nottingham eTheses - The University of Nottingham sources - Nottingham eTheses - The University of Nottingham
Fig. 2.3 ŠFS II 66v: replacement paste-over copied by Václav Sedláček (?1915/16). This passage corresponds to II/iii/200–9 in the present edition; the horn parts above the second system (in red ink) are additions made to correspond to Kovařovic’s revisions. Reproduced by courtesy of the Österreichische Nationalbibliothek, Musiksammlung, Vienna. Act 3 Fol. 1r: Jednání III.; fol. 1v contains a description of the setting, and descriptions of the situations of the characters onstage (Kostelnička, Jenůfa, Laca, Stařenka, Pastuchyňa). The music occupies folios 2r–121v. The absence of any date 27
or other details (erased or otherwise) on 121v is explained by the fact that this was originally the penultimate folio; fol. 122r, which contained the last three bars of the opera in the present reconstruction, was probably removed when the ending was revised in 1907 (see CHAPTER 1, §1.5). Fig. 2.4 ŠFS III 89r (III/x/34–6): woodwind and string paste-overs (top four and bottom five staves) lifted to reveal the original notes in varying states of legibility. (Cf. CHAPTER 3, Exx. 3.21a and b.) Reproduced by courtesy of the Österreichische Nationalbibliothek, Musiksammlung, Vienna. 28
- Page 1 and 2: THE 1904 VERSION OF LEOŠ JANÁČEK
- Page 3 and 4: FOR MY FRIENDS, WITHOUT WHOSE NEVER
- Page 5 and 6: APPENDICES 145 APPENDIX I Programme
- Page 7 and 8: Jenůfa. Thanks in part to a certai
- Page 9 and 10: our knowledge of the work’s overa
- Page 11 and 12: Acknowledgements That the project o
- Page 13 and 14: using it. However long this project
- Page 15 and 16: people who have helped me through v
- Page 17 and 18: NOTES Copyright The reconstruction
- Page 19 and 20: UE 1996 Cz./Ger./Eng. full score, e
- Page 21 and 22: 1903 version (Urfassung/original ve
- Page 23 and 24: Of Janáček’s nine completed ope
- Page 25 and 26: manuscript sources. There are never
- Page 27 and 28: surviving sketch-leaf (SK) is anyth
- Page 29 and 30: and effort, both physical and emoti
- Page 31 and 32: performed in January 1904. In addit
- Page 33 and 34: most of the critics there were form
- Page 35 and 36: 1.5 Later revisions and publication
- Page 37 and 38: Jenůfa for Prague towards the end
- Page 39 and 40: That situation changed, however, wh
- Page 41 and 42: CHAPTER 2: SOURCES AND RECONSTRUCTI
- Page 43 and 44: folio suggests that this brief sket
- Page 45 and 46: ŠFS into line with the Kovařovic
- Page 47: Fig. 2.2 ŠFS I 203v, detail, rotat
- Page 51 and 52: Fig. 2.5 ŠVS II 53r (II/vi/126-43)
- Page 53 and 54: list is amended by Janáček, with
- Page 55 and 56: Fig. 2.6 OP violin 1: detail from A
- Page 57 and 58: 1904 bn 2 [OP] OPx title page and
- Page 59 and 60: On the facing page (the recto of th
- Page 61 and 62: Fig. 2.9 LB, 55: end of Act 3, show
- Page 63 and 64: issues of practical, pre-revision u
- Page 65 and 66: Jenůfa in 1913, providing a ‘sna
- Page 67 and 68: 2.2 Determining the 1904 version fr
- Page 69 and 70: Štědroň 1968b Tyrrell 1996 / Tyr
- Page 71 and 72: two ensembles in Act 1, ‘A vy, mu
- Page 73 and 74: een cut before the première. 46 Th
- Page 75 and 76: and 2 in unison (in the context of
- Page 77 and 78: nature of the changes, which can th
- Page 79 and 80: anomalous status there. 50 A furthe
- Page 81 and 82: Ex. 2.4b However much more practica
- Page 83 and 84: score. Playing standards have impro
- Page 85 and 86: Such instances have been tacitly co
- Page 87 and 88: Ex. 2.7 Articulation and phrasing E
- Page 89 and 90: Instrumentation In line with Univer
- Page 91 and 92: trombone 3 part, and in both ŠFS a
- Page 93 and 94: Act 1. On the basis of all availabl
- Page 95 and 96: development of twentieth-century op
- Page 97 and 98: 3.1 The Urfassung and the pre-premi
Fig. 2.3 ŠFS II 66v: replacement paste-over copied by Václav Sedláček (?1915/16). This<br />
passage corresponds to II/iii/200–9 in the present edition; the horn parts above the second<br />
system (in red ink) are additions made to correspond to Kovařovic’s revisions. Reproduced<br />
by courtesy <strong>of</strong> the Österreichische Nationalbibliothek, Musiksammlung, Vienna.<br />
Act 3 Fol. 1r: Jednání III.; fol. 1v contains a description <strong>of</strong> the setting, and<br />
descriptions <strong>of</strong> the situations <strong>of</strong> the characters onstage (Kostelnička, Jenůfa, Laca,<br />
Stařenka, Pastuchyňa). <strong>The</strong> music occupies folios 2r–121v. <strong>The</strong> absence <strong>of</strong> any date<br />
27
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