sources - Nottingham eTheses - The University of Nottingham
sources - Nottingham eTheses - The University of Nottingham sources - Nottingham eTheses - The University of Nottingham
with the surviving items of contemporary correspondence, the main providers of information that can be used to identify and reconstruct the early versions of Jenůfa, and the 1904 version in particular. They are described and explored in more detail in the following chapter. 19
CHAPTER 2: SOURCES AND RECONSTRUCTION The present chapter falls into four parts. The first (§2.1) consists of a description of the sources consulted in preparing the present reconstruction of the 1904 score of Jenůfa. This is followed by a consideration of how those sources can be used to identify (§2.2) and reconstruct (§2.3) the 1904 version of the opera. The final section (§2.4) outlines the principles and conventions of the reconstruction itself as presented in VOLUMES II/1, II/2 and II/3. 2.1 Sources A full list of the various manuscript and printed sources for Jenůfa is given in JaWo. 1 The following is a more selective list of those sources directly pertinent to the 1904 version of the opera or consulted during its reconstruction, given in what appears to be their chronological order. Those represented by an abbreviation in bold type indicate the principal sources for the present reconstruction. The location of sources is indicated by the following abbreviations: BmJA Janáčkův archiv Oddělení dějin hudby Moravského zemského muzea, Brno [Janáček archive of the Music history department of the Moravian regional museum, Brno] AWn Österreichische Nationalbibliothek, Musiksammlung, Vienna 1 JaWo, 15–17; see also Tyrrell 1996, xi–xv / Tyrrell 2000, vi–viii. 20
- Page 1 and 2: THE 1904 VERSION OF LEOŠ JANÁČEK
- Page 3 and 4: FOR MY FRIENDS, WITHOUT WHOSE NEVER
- Page 5 and 6: APPENDICES 145 APPENDIX I Programme
- Page 7 and 8: Jenůfa. Thanks in part to a certai
- Page 9 and 10: our knowledge of the work’s overa
- Page 11 and 12: Acknowledgements That the project o
- Page 13 and 14: using it. However long this project
- Page 15 and 16: people who have helped me through v
- Page 17 and 18: NOTES Copyright The reconstruction
- Page 19 and 20: UE 1996 Cz./Ger./Eng. full score, e
- Page 21 and 22: 1903 version (Urfassung/original ve
- Page 23 and 24: Of Janáček’s nine completed ope
- Page 25 and 26: manuscript sources. There are never
- Page 27 and 28: surviving sketch-leaf (SK) is anyth
- Page 29 and 30: and effort, both physical and emoti
- Page 31 and 32: performed in January 1904. In addit
- Page 33 and 34: most of the critics there were form
- Page 35 and 36: 1.5 Later revisions and publication
- Page 37 and 38: Jenůfa for Prague towards the end
- Page 39: That situation changed, however, wh
- Page 43 and 44: folio suggests that this brief sket
- Page 45 and 46: ŠFS into line with the Kovařovic
- Page 47 and 48: Fig. 2.2 ŠFS I 203v, detail, rotat
- Page 49 and 50: or other details (erased or otherwi
- Page 51 and 52: Fig. 2.5 ŠVS II 53r (II/vi/126-43)
- Page 53 and 54: list is amended by Janáček, with
- Page 55 and 56: Fig. 2.6 OP violin 1: detail from A
- Page 57 and 58: 1904 bn 2 [OP] OPx title page and
- Page 59 and 60: On the facing page (the recto of th
- Page 61 and 62: Fig. 2.9 LB, 55: end of Act 3, show
- Page 63 and 64: issues of practical, pre-revision u
- Page 65 and 66: Jenůfa in 1913, providing a ‘sna
- Page 67 and 68: 2.2 Determining the 1904 version fr
- Page 69 and 70: Štědroň 1968b Tyrrell 1996 / Tyr
- Page 71 and 72: two ensembles in Act 1, ‘A vy, mu
- Page 73 and 74: een cut before the première. 46 Th
- Page 75 and 76: and 2 in unison (in the context of
- Page 77 and 78: nature of the changes, which can th
- Page 79 and 80: anomalous status there. 50 A furthe
- Page 81 and 82: Ex. 2.4b However much more practica
- Page 83 and 84: score. Playing standards have impro
- Page 85 and 86: Such instances have been tacitly co
- Page 87 and 88: Ex. 2.7 Articulation and phrasing E
- Page 89 and 90: Instrumentation In line with Univer
with the surviving items <strong>of</strong> contemporary correspondence, the main providers <strong>of</strong><br />
information that can be used to identify and reconstruct the early versions <strong>of</strong> Jenůfa,<br />
and the 1904 version in particular. <strong>The</strong>y are described and explored in more detail in<br />
the following chapter.<br />
19
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