sources - Nottingham eTheses - The University of Nottingham
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most <strong>of</strong> the critics there were former pupils <strong>of</strong> his. 44 Reaction from the Prague critics<br />
was much less positive, with reviewers picking on the work’s Naturalism and folk-<br />
inspired music (aspects that had been emphasised in the anonymous programme note;<br />
see APPENDIX I) 45 to find fault by making damning comparisons with Smetana. A<br />
positive three-part review article in the periodical Jeviště by Josef Charvát (one <strong>of</strong><br />
Janáček’s former students) provoked controversy when the editorial board sought to<br />
distance itself from Charvát’s praise <strong>of</strong> the Act 1 ensemble ‘Každý párek si musí’.<br />
This editorial intervention in turn prompted a spirited defence by Janáček himself. 46<br />
Despite these difficulties, a series <strong>of</strong> repeat performances followed, as well as<br />
one-<strong>of</strong>f ‘touring’ performances in České Budějovice (11 May 1904) and Písek (30<br />
May 1904). However, the standard <strong>of</strong> performances, rather than improving, soon<br />
deteriorated. 47 A review <strong>of</strong> the Brno performance given on 15 April 1904 in Lidové<br />
noviny said that the music had become ‘an unbearable racket, a chaos <strong>of</strong> notes, the<br />
singing was all over the place and the choruses were unarticulated shrieks.’ 48 Two<br />
further isolated performances in Brno, on 7 December 1904 (attended by Kovařovic,<br />
as noted by some <strong>of</strong> the players in their parts) and the following 7 February, were the<br />
last until a significant three-performance revival in September and October 1906.<br />
44 Janáček to Artuš Rektorys, 21 March 1908 (JA i, 52).<br />
45 Czech original (‘O významu Její pastorkyně’) in Němcová 1974, 140; Engl. trans. (‘On the<br />
significance <strong>of</strong> Jenůfa’) in JODA, JP 28. This programme note, the Czech original and translation <strong>of</strong><br />
which are given here in APPENDIX I, is thought to be either by Janáček or, at the very least, based on<br />
information supplied by him (JODA, 54). Its wider importance is that it introduced several <strong>of</strong> the topics<br />
which were to feature repeatedly in the critical history <strong>of</strong> Jenůfa.<br />
46 See Němcová 1974, 144–5 and JODA, 57–8. Charvát’s three-part article, ‘Její pastorkyňa’, appeared<br />
in Jeviště, i (1904), 15-17, 76–9, 103–10; a concluding fourth part seems to have been dropped as a<br />
result <strong>of</strong> the controversy. Janáček’s response is reproduced in Němcová 1974, 145; Eng. trans. in<br />
JODA, 57–8.<br />
47 See above, fn. 42.<br />
48 Lidové noviny, 17 April 1904, quoted in Němcová 1984, 27.<br />
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