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sources - Nottingham eTheses - The University of Nottingham

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performed in January 1904. In addition to the surviving orchestral parts (a now<br />

incomplete set; see CHAPTER 2, §2.1, OP), vocal material — probably in the form <strong>of</strong><br />

vocal parts — would have been prepared for use by the soloists and chorus, though<br />

any such material no longer survives. 37 Janáček was aware, from his activities as a<br />

music critic and his experiences with Počátek románu, <strong>of</strong> the shortcomings <strong>of</strong> the<br />

Brno theatre with its meagre forces, and some <strong>of</strong> his early, pre-première revisions may<br />

indeed have been partly motivated by these limitations. In a lost letter to the director<br />

<strong>of</strong> the Brno National <strong>The</strong>atre, Alois Staněk-Doubravský (who was to sing the role <strong>of</strong><br />

Laca in the first performances), Janáček had given details <strong>of</strong> the opera’s orchestral<br />

requirements. 38 In reply, Staněk-Doubravský wrote on 8 October 1903 (the day <strong>of</strong> the<br />

handover <strong>of</strong> scores):<br />

In answer to your kind letter allow me to inform you that I agree to your requirements<br />

regarding orchestral forces and it would be very pleasing for me if you were not only<br />

to hear the first act when we have finished rehearsing, but were also to be present at<br />

the preliminary rehearsals and be <strong>of</strong> assistance to us with advice and suggestions<br />

according to your intentions. I will let you know the rehearsal schedule in good time.<br />

[…]<br />

At the same time I ask you kindly to hand over the vocal score and the full score<br />

to the messenger [to give] to me. I will endeavour to devote the greatest care to your<br />

work, so that it receives the very greatest success, as it deserves. 39<br />

37 Any such vocal material would have been superseded by the published vocal score <strong>of</strong> 1908 (KPU),<br />

which must surely have been used in the preparation <strong>of</strong> subsequent revivals <strong>of</strong> the opera in Brno; see<br />

CHAPTER 2, §2.1.<br />

38 Staněk-Doubravský (1867–1924) was director <strong>of</strong> the Brno National <strong>The</strong>atre for the 1903–4 season<br />

and also sang the role <strong>of</strong> Laca in the early Brno performances <strong>of</strong> Jenůfa; see JODA, 360 and (for a more<br />

detailed account <strong>of</strong> his career) Petrželka 1996.<br />

39 JODA, JP19.<br />

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