sources - Nottingham eTheses - The University of Nottingham
sources - Nottingham eTheses - The University of Nottingham sources - Nottingham eTheses - The University of Nottingham
Straková 1958 ——: ‘Setkání Leoše Janáčka s Gabrielou Preissovou (Na okraj opery Počátek románu)’, ČMM, xliii (1958), 145–64 [incl. correspondence] Taruskin 2005 Richard Taruskin: The Oxford history of western music, iv: The early twentieth century (Oxford: OUP, 2005) Tausky 1982 Vilem and Margaret Tausky (ed. and trans.): Janacek: Leaves from his life (London: Kahn & Averill, 1982) Telcová 1960 Jiřina Telcová-Jurenková: ‘Divadlo na Veveří ulici a jeho budova’, ČMM, xlv (1960), 199–214 [incl. list of directors, conductors and producers] + 8pp of photographs Trkanová 1959 Marie Trkanová: U Janáčků: podle vyprávění Marie Stejskalové (Prague: Panton, 1959) Tyrrell 1967 John Tyrrell: ‘The musical prehistory of Janáček’s Počátek románu and its importance in shaping the composer’s dramatic style’, ČMM, lii (1967), 245–70 Tyrrell 1968 ——: Janáček’s stylistic development as an operatic composer as evidenced in his revisions to the first five operas (doctoral dissertation, University of Oxford, 1968) Tyrrell 1970 ——: ‘Janáček and the speech-melody myth’, The Musical Times, cxi (1970), 793–6 Tyrrell 1987 ——: ‘The cathartic slow waltz and other finale conventions in Janáček’s operas’, Music and Theatre: Essays in honour of Winton Dean, ed. Nigel Fortune (Cambridge: CUP, 1987), 333–52 Tyrrell 1995 ——: ‘Janáček’s concept of recitative’, in Beckerman and Bauer 1995, 2–19 Tyrrell 1996 ——: Preface to Leoš Janáček: Jenůfa/Její pastorkyňa: Brněnská verze (1908) [full score], ed. Charles Mackerras and John Tyrrell (Vienna: Universal Edition, Wien, 1996), i–xxi [revised reprint as Tyrrell 2000] Tyrrell 1998 ——: ‘Jenůfa abandoned and resumed’ [article in Welsh National Opera programme booklet], (Cardiff: Welsh National Opera, 1998), 13–17 Tyrrell 2000 ——: Preface to Leoš Janáček: Jenůfa/Její pastorkyňa: Brněnská verze (1908) [vocal score], ed. Charles Mackerras and John Tyrrell (Vienna: Universal Edition, Wien, 2000), i–xi [revised reprint of Tyrrell 1996] Tyrrell 2003 ——: ‘How Janáček composed operas’, in Beckerman 2003, 55–78 Vogel 1963 Jaroslav Vogel: Leoš Janáček: Život a dílo (Prague: Státní hudební vydavatelství, 1963) 199
Vogel 1981 ——: Leoš Janáček: A biography, Eng. trans. of Vogel 1963 by Geraldine Thomsen-Muchová (Prague: Artia, 2/1981; rev. 3/ Prague: Academia, 1997) Vysloužil 2003 Jiří Vysloužil: ‘Modernismus a Leoš Janáček’, A přece je i v hudbě jen jedna pravda … : Sborník referátu z konference ke 150. výročí narození Leoše Janáčka (Brno: JAMU, 2003), 9–18 Wingfield 1992a Paul Wingfield: Janáček: Glagolitic Mass (Cambridge: Cambridge University Press, 1992) Wingfield 1992b ——: ‘Janáček’s speech-melody theory in concept and practice’, Cambridge Opera Journal, iv/3 (November 1992), 281–301 Wingfield 1995 ——: ‘The performer as co-editor: Proposals for a new complete edition of Janáček’s works’, Beckerman-Bauer, 243–52 Zatloukal 2003 Příběhy z dlouhého století: Architektura let 1750–1918 na Moravě a ve Slezsku (Olomouc: Muzeum umění Olomouc, 2003) Závodský 1962 Artur Závodský: Gabriela Preissová (Prague: Státní pedagogické nakladatelství, 1962) Zemanová 1989 Mirka Zemanová: Janáček’s uncollected essays on music (London: Marion Boyars, 1989) 200
- Page 169 and 170: APPENDIX II Letter from Cyril Metod
- Page 171 and 172: On Saturday following your departur
- Page 173 and 174: APPENDIX IV 1906 cuts in ŠVS, ŠFS
- Page 175 and 176: Act/sc/bar No. of bars II/viii/187-
- Page 177 and 178: Reh. fig. ŠFS KPU UE 1917 10 21
- Page 179 and 180: Reh. fig. ŠFS KPU UE 1917 80 57 51
- Page 181 and 182: Reh. fig. ŠFS KPU UE 1917 14 17 14
- Page 183 and 184: Reh. fig. ŠFS KPU UE 1917 86 8 →
- Page 185 and 186: Reh. fig. ŠFS KPU UE 1917 24 20 20
- Page 187 and 188: APPENDIX VI Janáček, Jenůfa and
- Page 189 and 190: seem to be post-copying additions (
- Page 191 and 192: Janáček attempted to pursue the m
- Page 193 and 194: Fig. A6.1 Diagrammatic representati
- Page 195 and 196: to use the four-row instrument well
- Page 197 and 198: conducted a programme of choral and
- Page 199 and 200: its icy tone will be damped’ sugg
- Page 201 and 202: APPENDIX VII Bar counts for the dif
- Page 203 and 204: APPENDIX VIIIa ŠVS I 72v-73r: tran
- Page 205 and 206: APPENDIX VIIIb ŠVS I 72v-73r: tran
- Page 207 and 208: APPENDIX IX ŠFS I 197v-200v: trans
- Page 209 and 210: 188
- Page 211 and 212: 190
- Page 213 and 214: 192
- Page 215 and 216: JODA John Tyrrell: Janáček’s op
- Page 217 and 218: Dürr 1968 Joannes Martin Dürr:
- Page 219: Smaczny 1985 Jan Smaczny: ‘Janá
Vogel 1981 ——: Leoš Janáček: A biography, Eng. trans. <strong>of</strong> Vogel 1963 by<br />
Geraldine Thomsen-Muchová (Prague: Artia, 2/1981; rev. 3/ Prague:<br />
Academia, 1997)<br />
Vysloužil 2003 Jiří Vysloužil: ‘Modernismus a Leoš Janáček’, A přece je i v hudbě jen<br />
jedna pravda … : Sborník referátu z konference ke 150. výročí narození<br />
Leoše Janáčka (Brno: JAMU, 2003), 9–18<br />
Wingfield 1992a Paul Wingfield: Janáček: Glagolitic Mass (Cambridge: Cambridge<br />
<strong>University</strong> Press, 1992)<br />
Wingfield 1992b ——: ‘Janáček’s speech-melody theory in concept and practice’,<br />
Cambridge Opera Journal, iv/3 (November 1992), 281–301<br />
Wingfield 1995 ——: ‘<strong>The</strong> performer as co-editor: Proposals for a new complete edition<br />
<strong>of</strong> Janáček’s works’, Beckerman-Bauer, 243–52<br />
Zatloukal 2003 Příběhy z dlouhého století: Architektura let 1750–1918 na Moravě a ve<br />
Slezsku (Olomouc: Muzeum umění Olomouc, 2003)<br />
Závodský 1962 Artur Závodský: Gabriela Preissová (Prague: Státní pedagogické<br />
nakladatelství, 1962)<br />
Zemanová 1989 Mirka Zemanová: Janáček’s uncollected essays on music (London:<br />
Marion Boyars, 1989)<br />
200