sources - Nottingham eTheses - The University of Nottingham
sources - Nottingham eTheses - The University of Nottingham sources - Nottingham eTheses - The University of Nottingham
I/ii/78 = Act 1 Scene 2, bar 78 I/vi/348–51 = Act 1 Scene 6, bars 348 to 351 inclusive Act 3, figs 57–58 = the passage between rehearsal figures 57 and 58 References to passages in ŠFS and ŠVS are indicated by Act, folio, system (in the case of ŠVS), and bar number on the relevant folio/system. Thus, for example: ŠFS I 133v/3–134r/2 = ŠFS Act 1, fol. 133v bar 3 to fol. 134r bar 2 inclusive ŠVS II 37r/iii/3 = ŠVS Act 2, fol. 37r, system 3, bar 3 ŠVS I 9r/i–ii = ŠVS Act 2, fol. 9r, systems 1 to 2 inclusive References to KPU are indicated by page number. Instrument names In music examples, as in the score of the reconstruction, instrument names are abbreviated in the Italianate form (e.g. Viol., Fg., Cor.); elsewhere, the Anglicised abbreviations used in NG2 are employed (e.g. vn, bn, hn). Pitch notation Where written reference to specific pitches is necessary, Helmholtz notation is used (c' = middle C). Versions As will become evident during the course of this study, Jenůfa went through a complex series of revisions during the course of its early performance history. However, for the sake of clarity, five versions in particular will be referred to, each of which in turn contains one or more layers of revision, often made over the course of several years. They are identified as follows: xx
1903 version (Urfassung/original version) Composed by Janáček between 1894 and 1903, this is the original version of the opera, as submitted (with corrections) to the Prague National Theatre in March 1903. 1904 version (première version) The result of Janáček’s first substantial revision, completed by October 1903 and premièred in Brno in January 1904. 1906 version Essentially a cut form of the 1904 version, made in the summer of 1906 and performed that autumn. 1908 version The result of revisions made by Janáček over the Christmas/New Year holiday of 1906/7 and published in vocal score by the Klub přátel umění [Club of the friends of art] in 1908 (KPU). First performed in Brno in 1911, with further revisions by Janáček up until 1915: it is this ‘definitive’ revised version of the ‘1908’ score (effectively a Fassung letzter Hand) that was published as UE 1996 and UE 2000. 1916 version (Kovařovic version) Revised by the Prague conductor Karel Kovařovic (and sanctioned by Janáček), first performed in Prague in 1916 and subsequently published as UE 1917 and UE 1918. Later amendments by conductors including Václav Talich and Erich Kleiber were incorporated into UE 1969. For notes to the score of the reconstruction itself, the reader is referred to CHAPTER 2, §2.4 (pp. 57–71). xxi
- Page 1 and 2: THE 1904 VERSION OF LEOŠ JANÁČEK
- Page 3 and 4: FOR MY FRIENDS, WITHOUT WHOSE NEVER
- Page 5 and 6: APPENDICES 145 APPENDIX I Programme
- Page 7 and 8: Jenůfa. Thanks in part to a certai
- Page 9 and 10: our knowledge of the work’s overa
- Page 11 and 12: Acknowledgements That the project o
- Page 13 and 14: using it. However long this project
- Page 15 and 16: people who have helped me through v
- Page 17 and 18: NOTES Copyright The reconstruction
- Page 19: UE 1996 Cz./Ger./Eng. full score, e
- Page 23 and 24: Of Janáček’s nine completed ope
- Page 25 and 26: manuscript sources. There are never
- Page 27 and 28: surviving sketch-leaf (SK) is anyth
- Page 29 and 30: and effort, both physical and emoti
- Page 31 and 32: performed in January 1904. In addit
- Page 33 and 34: most of the critics there were form
- Page 35 and 36: 1.5 Later revisions and publication
- Page 37 and 38: Jenůfa for Prague towards the end
- Page 39 and 40: That situation changed, however, wh
- Page 41 and 42: CHAPTER 2: SOURCES AND RECONSTRUCTI
- Page 43 and 44: folio suggests that this brief sket
- Page 45 and 46: ŠFS into line with the Kovařovic
- Page 47 and 48: Fig. 2.2 ŠFS I 203v, detail, rotat
- Page 49 and 50: or other details (erased or otherwi
- Page 51 and 52: Fig. 2.5 ŠVS II 53r (II/vi/126-43)
- Page 53 and 54: list is amended by Janáček, with
- Page 55 and 56: Fig. 2.6 OP violin 1: detail from A
- Page 57 and 58: 1904 bn 2 [OP] OPx title page and
- Page 59 and 60: On the facing page (the recto of th
- Page 61 and 62: Fig. 2.9 LB, 55: end of Act 3, show
- Page 63 and 64: issues of practical, pre-revision u
- Page 65 and 66: Jenůfa in 1913, providing a ‘sna
- Page 67 and 68: 2.2 Determining the 1904 version fr
- Page 69 and 70: Štědroň 1968b Tyrrell 1996 / Tyr
1903 version (Urfassung/original version) Composed by Janáček between<br />
1894 and 1903, this is the original version <strong>of</strong> the opera, as submitted (with<br />
corrections) to the Prague National <strong>The</strong>atre in March 1903.<br />
1904 version (première version) <strong>The</strong> result <strong>of</strong> Janáček’s first substantial<br />
revision, completed by October 1903 and premièred in Brno in January 1904.<br />
1906 version Essentially a cut form <strong>of</strong> the 1904 version, made in the summer<br />
<strong>of</strong> 1906 and performed that autumn.<br />
1908 version <strong>The</strong> result <strong>of</strong> revisions made by Janáček over the Christmas/New<br />
Year holiday <strong>of</strong> 1906/7 and published in vocal score by the Klub přátel<br />
umění [Club <strong>of</strong> the friends <strong>of</strong> art] in 1908 (KPU). First performed in Brno<br />
in 1911, with further revisions by Janáček up until 1915: it is this<br />
‘definitive’ revised version <strong>of</strong> the ‘1908’ score (effectively a Fassung<br />
letzter Hand) that was published as UE 1996 and UE 2000.<br />
1916 version (Kovařovic version) Revised by the Prague conductor Karel<br />
Kovařovic (and sanctioned by Janáček), first performed in Prague in 1916<br />
and subsequently published as UE 1917 and UE 1918. Later amendments<br />
by conductors including Václav Talich and Erich Kleiber were incorporated<br />
into UE 1969.<br />
For notes to the score <strong>of</strong> the reconstruction itself, the reader is referred to CHAPTER 2,<br />
§2.4 (pp. 57–71).<br />
xxi
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