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sources - Nottingham eTheses - The University of Nottingham

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<strong>of</strong> role in Jenůfa, yet one which goes beyond what Mahler could reasonably have<br />

intended for his sleigh bells — chiefly in that the scenic and dramatic dimension <strong>of</strong><br />

the operatic work serves to endow it with an expressive power and a tension out <strong>of</strong> all<br />

proportion to its timbre as such. Indeed, in its combination <strong>of</strong> naturalistic<br />

representation, regional association and symbolism, together with the more ominous<br />

underlying layers <strong>of</strong> reference, the instrument can in many ways be taken as a<br />

metaphor for the opera as a whole. Moreover, its wider resonances include a twenty-<br />

first-century one that Janáček himself could not possibly have foreseen: a marimba cb'<br />

is the sound used by Windows XP as its ‘Default Beep’ (filename: Windows XP<br />

Ding.wav).<br />

179

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