sources - Nottingham eTheses - The University of Nottingham

UE 1996 Cz./Ger./Eng. full score, ed. Charles Mackerras and John Tyrrell (Vienna:
Universal Edition, 1996)
UE 2000 Cz./Ger./Eng. vocal score, ed. Charles Mackerras and John Tyrrell
(Vienna: Universal Edition, 2000) [vocal score version of UE 1996]
Illustrations and rehearsal figures
References to illustrations in VOLUME I (usually facsimiles) are to ‘Fig.’ with an
uppercase ‘F’ (e.g. ‘Fig. 2.1’); rehearsal figures in the various manuscript and printed
scores of Jenůfa are referred to as ‘fig.’ with a lowercase ‘f’ (e.g. ‘fig. 63a’).
Music examples and bar references
I have tried to be as generous as is reasonably possible with the provision of music
examples, for two reasons. Firstly, the practicalities of layout in the reconstruction
(VOLUMES II/1, II/2 and II/3) mean that it is likely to be less easily accessible through
the usual thesis channels. Secondly, the direct comparison of different versions of the
opera — something that is fundamental to the motivation behind this study — is
ultimately far more instructive in illustrating the details of Janáček’s revision process
than reams of prose could ever be.
Music examples incorporating two staves joined by a curved brace are taken or
adapted from vocal score reductions, even when details of instrumentation are
included. Other music examples where two staves are bound by a square bracket are
forms of short score reduction.
References to specific places in the score, whether at the start of music
examples or elsewhere, are made by a sequence of Roman and Arabic numbers, and
details of rehearsal figures where appropriate. Thus, for example:
xix