sources - Nottingham eTheses - The University of Nottingham

obvious opportunity for folk-music treatment, this appearance of duvaj figuration was
no doubt prompted by Števa’s reference to ‘the morning after the levy’ (‘po odvodě
ráno’, Ex. 3.27a). However, the double-stroke accompaniment then continues in the
same vein well beyond this fleeting reminiscence of the events of Act 1, almost to the
end of the scene (fig. 51): through the point at which Števa tells the Kostelnička how
frightful he finds her (Ex. 3.27b) and even beyond his exit as Jenůfa cries out in her
sleep, ‘Mother, a rock is falling on me’ (Ex. 3.27c).
Ex. 3.27a (voice and strings only: other instruments omitted)
Ex. 3.27b (voice and strings only: other instruments omitted)
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