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10 - Viva Lewes

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PETER HENNESSY<br />

Steve Ramsey meets a fairly secret statesman<br />

Clangclangclangclang! I really hope that’s not<br />

a �re alarm. I’m interviewing Professor Lord<br />

Peter Hennessy in �ve minutes. A building<br />

evacuation is the last thing I need, particularly<br />

as the building in question is the Houses of<br />

Parliament, and it would take quite a while.<br />

Fortunately, it’s just the division bell. Lord<br />

Hennessy arrives, and explains that he hasn’t<br />

ever heard the �re alarm. He imagines it must<br />

sound ‘like a banshee’s wail’, to distinguish it<br />

from the horrible tone of the division bell.<br />

We head to his of�ce in the Lords, where I<br />

get out my two dictaphones. One jams almost<br />

instantly. I press the wrong button on the other,<br />

playing Lord Hennessy an excerpt from the<br />

Beatles song Little Piggies, which I’d recorded<br />

earlier to test the machine.<br />

I quickly sort it out, and press on. We have loads<br />

to get through; Hennessy has had his phone<br />

hacked, and spoken to someone who may well<br />

have saved the world. He’s an academic, Orwell<br />

Prize-winning writer, and peer. And he only has<br />

�fteen minutes to spare.<br />

Hennessy hands me a thick book; Anthony<br />

Sampson’s Anatomy of Britain Today. He<br />

received a copy as a sixth form prize in 1965,<br />

and fondly recalls how it, along with Samuel<br />

Brittan’s Treasury Under the Tories, “aroused<br />

an interest which has never been dampened” in<br />

the secret workings of government.<br />

“[Sampson] was an eye opener into a world<br />

that intrigued me, about what really goes on,<br />

in terms of how the country’s run. Not just<br />

government but industry, city, all that...Because<br />

even if you read the newspapers every day, as<br />

I did and have done since 1956 ... you don’t<br />

normally get a sense of what I later called ‘the<br />

hidden wiring’ beneath all this stuff, keeping it<br />

going.”<br />

Before he studied the hidden wiring as an<br />

academic, he wrote about it as a journalist.<br />

Sometimes his stories were based on classi�ed<br />

information leaked by government insiders.<br />

This didn’t please the Home Of�ce, which<br />

would occasionally tap his phone, legally. Hennessy<br />

didn’t mind though: “Quite often I was<br />

warned about this by the people who’d helped<br />

me...and so I wouldn’t use the home phone; I’d<br />

have to �nd a non-vandalised telephone box<br />

somewhere in the vicinity of where I lived. But I<br />

wasn’t bothered; it was all done properly under<br />

Home Of�ce warrants, and as long as I knew, I<br />

never got resentful about it ... It was only when<br />

there was a special leak inquiry going on after<br />

something I’d written.”<br />

This hasn’t happened recently, though. For<br />

his book The Secret State, he waited for the<br />

relevant documents to be made public. Some<br />

“were so sensitive they were kept back longer<br />

than [the standard] 30 years”. This makes the<br />

book “an example of what I call ‘catch-up’ history,<br />

or, more sensationally perhaps, ‘now it can<br />

be told’ history”.<br />

The Secret State describes Whitehall’s preparations<br />

for nuclear war, which were incredibly<br />

detailed. There was even a plan to save Britain’s<br />

most important artworks by moving them to<br />

quarries in North Wales and Wiltshire.<br />

Whitehall may have been worried about nuclear<br />

war, but how much danger were we really in?<br />

“Oh it was very considerable. We were much<br />

more perilously placed at the time of the Cuban<br />

Missile Crisis than we realised at the time. It<br />

came very close indeed. Kennedy ... didn’t know<br />

that on the island of Cuba already were the<br />

warheads for the tactical nuclear missiles, which<br />

would have been used on the American forces if<br />

they’d invaded from the sea, as they landed on

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