Cover - Viva Lewes
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i s s u e 5
V I VA ...<br />
the visual arts open house festival<br />
for lewes district<br />
august 25 to<br />
september 23<br />
www.artwavefestival.org<br />
info 01273 483448<br />
SAY CHEESE<br />
2007
E d i t o r i a l<br />
a r t w a v e 2 0 0 7<br />
viva<br />
LEWES<br />
In Roman times they used to take the whole of<br />
August off – the feriae agosti – and celebrate wildly.<br />
Affairs are less Bacchanalian nowadays, but the<br />
spirit still applies in Latin Europe, where cities are<br />
deemed too hot to work in, so the locals head off to<br />
the mountains or the seaside to cool off and relax.<br />
For the whole month. You’ve got to envy them.<br />
Here, of course, unless you’re a child, or a student,<br />
or a teacher, or a politician, you have to make do<br />
with what time you can scrounge off your company,<br />
and most of us spend much of the month still<br />
working, with the windows open, to let a bit of air<br />
in. Our holiday patterns have changed over the last<br />
twenty years – instead of taking long single breaks in<br />
one place in England, we are tending to take more<br />
numerous shorter breaks abroad – typically ten<br />
days in August, a week at Christmas and a couple<br />
of long city breaks during the year, to ‘recharge the<br />
batteries’.<br />
This is good for employers, and it’s good for the<br />
tourist industry, but it isn’t very good for the<br />
environment (think of all those carbon-burning air<br />
miles). And, importantly, it isn’t very good for us<br />
either, as we tend to reproduce the same frenetic<br />
pace we have become accustomed to in our daily<br />
lives, on holiday too. When in Rome, in short, we<br />
don’t do as the Romans do. So much to pack in, you<br />
see, and such little time to do it.<br />
Still, after the rainiest early summer in recorded<br />
memory, you can forgive anybody for heading off<br />
to a blue-sky holiday. For those who are sticking<br />
around, the good news is that there’s plenty going<br />
on in and around town, and we’ve cherry-picked<br />
some of the best local events in this magazine.<br />
August is the balmiest month: enjoy it, wherever<br />
you end up.<br />
The <strong>Viva</strong> <strong>Lewes</strong> Handbook is now printed on<br />
100% sustainable, 55% recycled paper.<br />
CONTENTS<br />
Artwave Festival: Peter Cheek (4)<br />
Art: Gallery round-up (7-9)<br />
Art: Roger Dean (10)<br />
Art: Peter Messer (13)<br />
Gigs: Tongue and Groove (15)<br />
Theatre: Open air Shakespeare (17)<br />
Cinema: The Simpsons Movie (19)<br />
Commemoration: Dieppe (21)<br />
Crafts: Michelham Priory (23)<br />
sport: Football (27)<br />
Food: Jeremy’s (29)<br />
Bill’s (30)<br />
We Try Out: Sea Fishing (33)<br />
Day Out: Pallant House (34)<br />
Bricks and Mortar: The Roundhouse (37)<br />
Kids (39)<br />
<strong>Lewes</strong> Districts: Castle Banks (40)<br />
Columns (43)<br />
Literary <strong>Lewes</strong> (47)<br />
Trade secrets: Hugh Rae (49)<br />
My <strong>Lewes</strong>: Raphaella Sapir (62)<br />
<strong>Cover</strong> image by Peter Cheek<br />
Graphics by Neil Gower, to whom we are, as<br />
ever, enormously grateful<br />
Editor: Alex Leith alex@vivalewes.com Deputy Editor: Emma Robertson emma@vivalewes.com Sub-editor: David Jarman<br />
Designer: Katie Moorman katie@vivalewes.com Food Editor: Emma Chaplin emmachaplin@vivalewes.com Marketing: Scott Chowen<br />
scott@vivalewes.com Publisher: Nick Williams nick@vivalewes.com.<br />
<strong>Viva</strong> <strong>Lewes</strong> is based at Pipe Passage, 151b High Street, <strong>Lewes</strong>, BN7 1XU<br />
For advertising information or information about events you would like to see publicised, call 01273 488882 or e-mail<br />
info@vivalewes.com Every care has been taken to ensure the accuracy of our content. The <strong>Viva</strong> <strong>Lewes</strong> Handbook cannot be held responsible<br />
for any omissions, errors or alterations.
a r t W a V E<br />
Open art surgery<br />
<strong>Cover</strong> artist Peter Cheek lets in a nosey public as Artwave hits town<br />
From left to right: Iraq Boy by Peter Cheek, Untitled by Raymond Brownell and Surf by Carole Skinner<br />
W W W. V i V a l E W E S . C o M<br />
The first time I saw Peter Cheek’s work it<br />
struck me that there was something of the<br />
saucy picture postcard about it. The sort of<br />
thing that would make a great summer cover.<br />
So this month, to coincide with the launch<br />
of the annual Artwave Festival, (for which<br />
he is exhibiting) we asked Peter to produce<br />
an original piece especially for the August<br />
issue. Of course, the weather we’ve been<br />
having recently hasn’t exactly been typical<br />
of summer, but then, appropriately, neither<br />
is Peter’s work actually so straightforwardly<br />
picture-postcard. Whilst there is a<br />
playfulness about his work, and many of his<br />
figures have a sort of Beryl Cook-ish charm,<br />
there is also something ambiguous about it<br />
all, so that when you look again you’re not<br />
sure what’s really going on.<br />
And some of his recent work deals with<br />
unequivocally darker themes. Such as Iraq<br />
Boy (pictured left) inspired by the story of<br />
Ali Ismaeel Abbas who lost both his arms and<br />
suffered 100% burns after his house was hit<br />
in the US bombing of Baghdad (see webmag<br />
issue 72). As the style which we requested<br />
Peter emulate for the cover belongs to an<br />
older collection entitled ‘Whimsy’, I asked<br />
him (slightly concerned for his well-being)<br />
whether this lighter work is something he<br />
has left behind and if so why. “No, I wouldn’t<br />
say that. I’ve always been interested in social<br />
comment”, he tells me. “It’s not a new<br />
thing. And I’ve always made topical pieces<br />
inspired by things I’ve read in the papers, so<br />
it depends what’s happening in the news at<br />
the time.”<br />
Peter’s main inspiration is a love of people,<br />
he tells me. “I like the way that relationships<br />
can be suggested in subtle ways like the way<br />
that people stand or appear to interact with<br />
each other.” Several of his paintings include<br />
strategically placed mirrors and reflections
(including the cover image). I ask him why. “It<br />
allows you to represent something ambiguously,”<br />
I am told. “It’s not always obvious that it is there,<br />
so it gives a kind of double image once you know<br />
it is, which can change the meaning.” Looking<br />
again I see what he means. At one glance the man<br />
appears to look away from the woman, at another<br />
they are looking at each other.<br />
Peter’s work hangs full-time on almost every wall<br />
of his house so later this month when he throws<br />
open his doors for the Artwave festival, I suggest<br />
that he won’t need to do much to prepare. Peter<br />
agrees. “Yes, I’m lucky in that I have the space<br />
to have a lot of my work on display all the time.<br />
Apart from moving about a couple of bits of<br />
furniture, it’s ready to go.” Peter is passionate<br />
about the festival and his gallery-in-waiting-setup<br />
seems proof of that. He also thinks of novel<br />
ways to direct art lovers into the house during<br />
the festival, such as boards with cartoonish faces<br />
on them with speech bubbles urging people to<br />
‘come in’. “I’ve noticed that there are some<br />
punters who seem a bit reticent to go into<br />
people’s houses”, he tells me, “so I want to give<br />
them a bit of reassurance. And hopefully they<br />
will be interesting for people to look at during<br />
the festival.” Though there are others who come<br />
in purely to look round the house, apparently. “I<br />
had a woman one year who said straight away<br />
that she hadn’t come to look at the art at all, she<br />
just wanted to see the house. It turns out she used<br />
to live here.” Did you mind? “I’m delighted to<br />
welcome people in”, he says. “And if they end up<br />
liking one of my pictures then all the better.” V<br />
emma Robertson<br />
W W W. V i V a l E W E S . C o M<br />
The Artwave festival runs until the rd of september<br />
in various venues throughout the <strong>Lewes</strong> district<br />
including open houses, galleries, shops and cafés.<br />
see the official brochure for more information<br />
www.artwavefestival.org<br />
a r t W a V E<br />
5
Painting classes every Tue, Wed & Thurs<br />
morning £80 for 6 wk course.<br />
Untutored Life drawing Thursday evening<br />
WALK’N CHALK: AUG 11<br />
MND WALL OF ART 2007 SEPTEMBER 1 st<br />
Young (11+) & Little Artists (8+)<br />
meet alternate Sunday am,<br />
Summer Schools throughout August.<br />
Dairy Studio, Old Malling Farm, <strong>Lewes</strong>,<br />
Tel: Susie on 01273 858438<br />
www.dairystudio-artcourses.co.uk<br />
Arti-Parties for arti kids! Etch printing,<br />
felt making, mosaics….<br />
DAIRY<br />
STUDIO<br />
WALL OF ART 2007<br />
IN AID OF MOTOR NEURONE DISEASE<br />
This disease is devastating for all those<br />
involved; MND is a progressive, fatal condition<br />
that causes muscle wastage: It is fairly rare<br />
and unfortunately there is currently no cure,<br />
and most people with MND die from it within a<br />
few years.<br />
If you didn’t make it to Dairy Studio’s WALL of<br />
ART post card size art sale last September,<br />
then make sure you donate a card and come<br />
to the event this September 1 st<br />
Its fun, lively and all proceeds go to MND<br />
families in <strong>Lewes</strong>.<br />
Please start thinking about donating a post<br />
card size piece of art again this year: Contact<br />
Susie Monnington on<br />
01273 858438 or 07790556420.<br />
Details are on the newsletter page at:<br />
www.dairystudio-artcourses.co.uk
art & ABOUT<br />
Clashing patterns and semi-abstract landscapes at HQ Gallery<br />
Kate Montgomery’s colourful paintings (see right) have something<br />
of a Medieval look about them. Within her frames are<br />
slightly stylised narrative slices, often containing young girls,<br />
hanging screens, and animals. They are very colourful, and<br />
rather beautiful, and make you want to look and wonder at<br />
them. The Medieval look is achieved by the contrasting patterns<br />
in them, on the curtains, on the floors, on the characters’<br />
clothes. “They are carefully pitched so they resonate rather<br />
than clash,” she says. “The paintings field quite a complicated<br />
relationship in colour and tone.” Kate is one of three artists<br />
in HQ Gallery’s Artwave Festival exhibition. Beth Wintgens<br />
is a landscape artist who describes, in her own words, ‘the<br />
elements and the physical encounters they create, the tug of<br />
the brushstrokes becoming currents and waves, the fall of the<br />
paint reflecting the weight and history of the land beneath<br />
us.’ There is a Rothko-esque nature to her recent work; the<br />
predominant colours are shades of grey. Chris McHugh<br />
completes the triangle. His richly coloured landscapes and<br />
still-lifes defy perspective; there is a primitive look to them.<br />
Often they verge on the abstract. (Aug 18-Sept 9).<br />
W W W. V i V a l E W E S . C o M<br />
a r t
art & ABOUT<br />
Dark woods, blurry dogs and a trip into the unknown<br />
Dawn Stacey, who used to run the rather wonderful Art Room<br />
Gallery in the Old Needlemakers, is again using the Thebes Gallery<br />
(25th – Sept 9th) as a showcase for the work of her group of<br />
associates. Dawn herself, who paints still-lifes and landscapes, has<br />
a unique style which bends perspective, playing with our notions<br />
of foreground and background, recalling a childseye view of the<br />
world. Among the artists on display is Irene Marot, who in a<br />
former life played Deedee in Brookside. Her preferred subject is<br />
animals, particularly dogs, which inhabit unexpected areas of her<br />
colourful, blurry canvases.<br />
Meanwhile the featured artist for much of the month at the Chalk<br />
Gallery (6th-24th) is Sue Barnes, who we have regularly featured<br />
in our weekly website. Sue paints landscapes of local areas. There<br />
is nothing twee or chocolate-boxy about her work: quite the<br />
opposite. She paints dark woods, and empty quarries, and has us<br />
looking over our shoulders at who might be standing behind us.<br />
Finally a mention for Andrew Fitchett, who designed our popular<br />
April cover (a cartoon of a man falling down a cliff-face). As part<br />
of Artwave, he is exhibiting in his house his picture book ‘What<br />
if’, a mixture of oil paintings and cartoons; a dark tale of a man<br />
following a raven into the wilderness and an uncertain destiny.<br />
W W W. V i V a l E W E S . C o M<br />
a r t<br />
Tangled up in black and white: A scene from Andrew Fitchett’s ‘What If’
a r t a n d a r C h i t E C t u r E<br />
Photograph: Alex Leith<br />
surreality<br />
Bites<br />
Roger Dean turns his endlessly inventive imagination towards th<br />
The phantasmagorical album cover designs for Yes<br />
albums such as Close to the Edge and Tales from<br />
Topographic Oceans were among the most iconic<br />
symbols of the 1970s. Their creator, Roger Dean,<br />
lives in <strong>Lewes</strong>, where he continues to work as an<br />
artist, designer, and, more recently, architect. There<br />
will be an exhibition of his remarkable designs in<br />
the Old Market Lane Garage this month, which will<br />
show that his fertile, otherworldly imagination has<br />
remained productive in the intervening years.<br />
I visit Roger, and his enormous German Shepherd,<br />
Calvin, one warm July morning, to find out more<br />
about his idiosyncratic work. He makes me a cup of<br />
tea, settles down, and starts from the beginning. “I<br />
entered art college at the age of 17, and was thrown<br />
straight into a life drawing class,” he says. “We had<br />
to paint a naked woman. It was rather an unsettling<br />
experience for me, even more so when the principal<br />
walked into the class, asked ‘which one’s Dean?’ and<br />
hauled me out, telling me I shouldn’t be in there.<br />
‘You studied Maths and Physics, you shouldn’t be<br />
doing this course’. I was assigned to an industrial<br />
design course, and ended up designing furniture.”<br />
This was a lucky break, he soon found out, because<br />
the fine art students soon stopped being taught<br />
draftsmanship skills, which had become deeply<br />
unfashionable. “Fortunately for me, designers<br />
continued to be taught how to draw and paint. This<br />
destructive trend has continued to this day, where the<br />
crafts of art have largely disappeared. Art, as taught<br />
in this country, is now based more on ideas and<br />
the execution is increasingly irrelevant. I find this<br />
disappointing, because conceptual art was invented<br />
90 years ago. It was a limited but interesting idea,<br />
then. Now, despite being such old hat, it has become<br />
the dominant force in the art world, so much so that<br />
there are very few Art Colleges which teach you to<br />
draw any more.”<br />
This might sound strange coming from a man whose<br />
work looks so surreal, but he insists that his work is<br />
based on reality more than one might think. “Most of<br />
my images are ‘portraits’ of natural phenomena such<br />
as rocks and trees, I might distort them a little, of<br />
course, but they are based on real things I have seen.”
e living spaces of the future<br />
He draws his inspiration, he says, from landscapes he<br />
has visited, both near and far: the Scottish Highlands,<br />
the Lake District and amazing rock formations in<br />
Utah. “As a child I lived for a while in Hong Kong,<br />
and I was deeply influenced by Chinese landscape<br />
art, which was everywhere you looked: on prints,<br />
scrolls, screens, postage stamps and books.”<br />
From the beginning he was interested in architecture.<br />
As a boy he ‘wanted to design the cities of the future’.<br />
For the last three decades he has been designing<br />
curvilinear buildings, psychologically comforting<br />
spaces, satisfying the ‘real needs’ of their inhabitants.<br />
The exhibition, that is part of the Art Wave Festival,<br />
will be focusing mostly on this aspect of his work.<br />
“I interviewed hundreds of people, trying to find<br />
out what would make their perfect living space<br />
as tranquil as possible. Children’s answers were<br />
particularly useful.” From this research he designed<br />
a ‘house for the new millennium’ that was built, first<br />
exhibited in the International Ideal Home Exhibition<br />
in Birmingham in 1982, and over several exhibitions,<br />
W W W. V i V a l E W E S . C o M<br />
including the first International Green Show, visited<br />
by over 250,000 people.<br />
Throughout the nineties he continued painting<br />
landscapes and designing and he has recently helped<br />
form a company that is attempting to turn some of<br />
his organic architectural designs into built reality.<br />
There are plans afoot to build holiday villages, hotels<br />
and university campuses. “People say my designs<br />
resemble those of Gaudi, an architect I admire.<br />
There are though, fundamental differences. I expect<br />
that in his day Gaudi had problems with his work<br />
being considered a fantasy. To some degree, all design<br />
and all works of the imagination are predictions and<br />
dreams of possible futures. For the more fantastic<br />
and radical of these to exist, to be built, they not only<br />
have to be in tune with other people’s dreams and<br />
aspirations but they also need a lot of patience, focus<br />
and hard work. After all today’s fantasy often turn<br />
out to be tomorrow’s reality.” V<br />
Alex Leith<br />
Old Market Lane Garage, Aug 5 - sept 16.<br />
a r t<br />
1 1
Photograph: Katie Moorman<br />
Peter Messer<br />
Painting’s alive and well at the leafier end of Paddock Road<br />
“Painting has been proclaimed dead more<br />
times than I can remember, even in my lifetime,”<br />
says Peter Messer, who makes his living<br />
from crafting eery, slightly offbeat representational<br />
canvases, virtually always set in <strong>Lewes</strong>,<br />
from a studio at the leafier end of Paddock<br />
Road. “But it never has died. It’s funny, I’ve<br />
realised that nothing ever replaces anything:<br />
TV didn’t replace radio, digital photography<br />
hasn’t replaced film photography. Once a medium<br />
exists, it carries on existing, alongside all<br />
the others.” Peter is looking forward to a third<br />
- and, he says final - annual exhibition of his<br />
year’s work in the Star Gallery.<br />
His stuff is pretty popular among the art-buying<br />
public in <strong>Lewes</strong>, and well beyond, too.<br />
And rightly so. There’s nothing twee about<br />
his tempera representations of town, usually<br />
set in a small triangle of territory between<br />
his studio, his allotment in the Paddock, and<br />
the <strong>Lewes</strong> Arms, where until recently he used<br />
to be a regular. In fact, strangely for an artist<br />
who is getting better every year at capturing<br />
the nuances of light, there is always something<br />
rather dark lurking in his pictures.<br />
A look round his studio, a tidy and suitably<br />
quirky space full of the idiosyncratic tools of<br />
his trade, at his body of work since last summer<br />
reveals this. A ghostly Edwardian figure<br />
skips down Castle Lane. An angel with brightly-coloured<br />
wings, dressed in a work suit,<br />
eats a sandwich from a plastic container on<br />
the bench at the top of the path. A primitivelooking<br />
mask of a face, formed of mud, rises<br />
out of the soil of an allotment patch. “In my<br />
troublesome teenage years, I was diagnosed as<br />
being ‘eidetic’. They said that I had difficulty<br />
distinguishing between what I thought I saw,<br />
and what I actually saw. Sometimes, I realise,<br />
there’s still a bit of that about me, and I use it<br />
in my work.”<br />
Peter has pretty much sold all the paintings<br />
he has exhibited at the Star Gallery, and hopes<br />
that this body of work will be as popular.<br />
“Sometimes it feels like you’re Tarzan doing<br />
this job,” he says. “You swing on one vine,<br />
and you have to assume that there’s another<br />
one waiting for you afterwards.” He should<br />
be pretty confident that that vine is waiting,<br />
because in his paintings he continues to capture<br />
the indefinable mystique that lurks in the<br />
mortar of this historic town. And his paintings<br />
look nice on the wall, too. V Alex Leith<br />
Aug 15th - 18th at star Gallery<br />
W W W. V i V a l E W E S . C o M<br />
a r t<br />
1
Photograph: Alex Leith<br />
Making a splash<br />
Tongue and Groove headline the long awaited Pells pool party<br />
Shortly before the magazine goes to press, we get the<br />
call, ‘the Pells party’s back on’. It’s news worth holding<br />
the pages for – not least because it’s headline act<br />
Tongue and Grooves long anticipated ‘only public performance<br />
of the year’ (last month’s original date was<br />
spectacularly rained off). I’ve heard them described as<br />
a 60s, 70s, 80s psychedelic pop band but speaking to<br />
lead-singer I find Phil that description doesn’t quite do<br />
them justice. “We’re more than just a band, we’re an<br />
experience” he tells me live from the back of an AA<br />
truck, as it turns out. He’s on his way to Womad but<br />
things have gone a bit awry. He’s spent the night on<br />
the forecourt of a petrol station ‘somewhere on the<br />
interchange between the M27 and the M3’ (though<br />
thankfully not on the tarmac). He’s surprisingly chirpy<br />
though, presumably buoyed up by all this talk of the<br />
Pells party. He’s still on his description. “We dance,<br />
sing and do silly things”, he continues. “We’ve got<br />
good looks, bad clothes and a hypnotising riffology”.<br />
Riffology? “It’s a word we’ve made up” Oh? ‘As in guitar<br />
riffs’. They sound extraordinary. They’ve got a huge<br />
repertoire which runs from the sixties to the present<br />
day and costumes to match. The exact line-up of which<br />
is determined by ‘how far the audience want to take<br />
us”. Last year Phil finished the show by diving into<br />
the pool and swimming a length whilst singing the<br />
final song (wearing only a pair of Superman underpants)<br />
before rejoining the band at the other end. He<br />
wasn’t wearing a mic, though, so there was no danger<br />
of electrocution. “I’m planning another water and<br />
music based finale’ he tells me, although he won’t tell<br />
me what. Just that it involves a ‘radio mic’ which is<br />
wireless and thus less of a health hazard. I’m curious<br />
as to what stroke he’ll be swimming whilst singing.<br />
Backstroke would seem to be the most practical. “All<br />
strokes’, he assures me. The fundraiser promises to be<br />
a very ‘family friendly’ occasion with a BBQ, a bar and<br />
support acts from a choice of Starfish bands (of which<br />
Phil is co-founder). Tongue and Groove are even auctioning<br />
the chance for a lucky someone to get up and<br />
sing with them (a song of their choice from the ‘ninetystrong<br />
arsenal’) and they will even dress them in suitable<br />
retro attire. Whatever happens, ‘prepare to get<br />
wet’ says Phil, although hopefully not from the rain.<br />
V emma Robertson<br />
The Pells party runs from . 0pm to 10. 0pm on Friday<br />
Aug 10th. Tickets available from The swan, the King’s<br />
Head or on the door. (£5/£ /£1)<br />
W W W. V i V a l E W E S . C o M<br />
M u S i C<br />
1 5
ConTeMPorAry<br />
CrAfT Show<br />
Michelham Priory<br />
Thursday, 9th–Sunday 12th August, 10:30-5:30<br />
Four days of displays from professional crafts people selling their work,<br />
with demonstrations and activities for the family<br />
in the beautiful grounds of the Priory.<br />
Work of the highest quality will be on display<br />
and for sale. This includes blown and kilnformed<br />
glass, woven fabrics, knitwear, quilts,<br />
embroidered pictures, leather bags and belts,<br />
felt garments and accessories, together with<br />
ceramics for the home and garden. There will<br />
also be gold and silver jewellery, pewter ware<br />
and a working blacksmith.<br />
The exciting aspect of Crafts in Action is<br />
seeing crafts people at work while learning a<br />
little of the skills involved. During the event visitors<br />
can buy or commission an individual piece<br />
from one of the designer-makers present.<br />
Children’s workshops includes; claywork,<br />
“sheep making” with real wool, weaving, beadwork<br />
and painting. In between artistic activities<br />
the entertaining Dave Arthur will be telling<br />
stories on the lawn.<br />
Adult £6, Child £3.00, Senior/Student £5.00, family (2+2) £15.20 & Disabled £3.00<br />
Michelham Priory, Upper Dicker, hailsham Bn27 3QS<br />
www.thesussexguild.co.uk www.sussexpast.co.uk<br />
01323 833239 01323 844224
The Simpsons TV series has been on our<br />
screens for 18 years now, making it the longest-running<br />
sitcom in the history of TV. It<br />
has won a total of 23 Emmies, and made its<br />
makers over a billion quid. It has cross-generational,<br />
cross-class, cross-Atlantic appeal,<br />
and has been the subject of countless university<br />
theses. Virtually everybody I know<br />
who has ever watched it, thinks it’s brilliant:<br />
I suspect the taste of anyone who doesn’t.<br />
And yet, as the Simpsons team prepare to<br />
release their first feature-length version of<br />
the cartoon, four years in the making, everybody’s<br />
holding their breath. What, they<br />
are thinking, with an element of dread, if<br />
it’s crap?<br />
The worldwide release date of The<br />
Simpsons movie was on July 27th, after I<br />
write this article, and before you read it.<br />
The plot of the movie has been a well-kept<br />
secret since the outset, despite a number<br />
of rumours spread by Matt Groening and<br />
his team, to keep everybody guessing. All<br />
we know, based on a number of trailers<br />
and a ten-minute preview shown to the<br />
British press on July 5th, is that the movie<br />
confronts two of the big themes of modern<br />
life – religion and environmentalism; that<br />
Homer Simpson has to save the world from<br />
imminent destruction; and that Bart, for a<br />
bet, skateboards naked through the streets<br />
of his town.<br />
Not much to go on, but there again, as executive<br />
producer Al Jean says, ‘when you’re<br />
looking at your TV listings and see the<br />
Simpsons is on, you don’t check out the plot<br />
of that episode to see if you want to watch<br />
it.’ He has a point. You watch the Simpsons<br />
because it’s funny, because it’s clever, because<br />
it tells you a few home truths about<br />
yourself. You watch it because you know<br />
that a family of losers will win out in the<br />
end. You watch it because it’s just about the<br />
best social satire on TV. You watch it because<br />
you trust that the makers have bust a<br />
gut to make it work. And you watch it because,<br />
deep down, there’s a moral in there.<br />
With Homer the undoubted star of the<br />
show, that moral is pretty much the same<br />
every episode. And it looks as if, as far as<br />
the feature film goes, things aren’t going to<br />
change too much. “The message of The<br />
Simpsons Movie is simple,” says Al Jean. “A<br />
man should listen to his wife.”<br />
Dexter Lee<br />
www.lewescinema.co.uk<br />
W W W. V i V a l E W E S . C o M<br />
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C i n E M a<br />
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SHELLEYS OF LEWES<br />
The county town’s Country House<br />
Hotel and Restaurant<br />
Perfect for Summer Dining<br />
whatever the occasion<br />
The High Street, <strong>Lewes</strong>, East Sussex<br />
Tel 01273 472361<br />
info@shelleys-hotel-lewes.com
Dieppe Raid<br />
Why did the Allied commanders organise this deadly military debacle?<br />
August 19th marks the 65th anniversary of one of the<br />
most spectacular Allied debacles of the Second World<br />
War, the raid on Dieppe, code-named ‘Jubilee’. On that<br />
date in 1942, 6,086 soldiers, predominantly Canadian,<br />
landed on the beaches in and around the resort town: by<br />
the end of the day 3,623 of them had either been killed,<br />
wounded or taken prisoner. In addition the Royal Navy<br />
lost a destroyer and 29 landing craft, suffering 555 casualties,<br />
and the RAF lost 119 planes. And for what?<br />
In 1942 Russia was fighting the German army on the<br />
Eastern Front, and Stalin was keen for the Allied forces<br />
to open up a Western Front in order to divert German<br />
soldiers from the conflict against his troops. It is likely<br />
that the pressure he put on Churchill and Roosevelt was<br />
the prime motive for the timing of the attack, whose aim<br />
was never more than to raid the coastal town in a ‘hit and<br />
run’ mission to test the water for a future invasion, and<br />
gain intelligence about the German defence system on<br />
the Channel coast.<br />
The attack was planned on three flanks. The initial raid on<br />
W W W. V i V a l E W E S . C o M<br />
C o M M E M o r a t i o n<br />
the right, in which a commando unit<br />
disabled a gun emplacement to stop<br />
it firing on the main invasion force,<br />
was an unqualified success. Sadly this<br />
was the only thing in the whole raid,<br />
apart from a few isolated incidents of<br />
heroism, that went right. Bad luck<br />
with the weather, bad planning and<br />
intelligence and a number of misguided<br />
decisions (including sending<br />
the reserves in when the battle was<br />
already lost) meant that many of the<br />
invading forces were mown down by<br />
the Germans as they landed; most of<br />
the raiders were unable even to get<br />
off the beach. Those who did manage<br />
to get any further were held, isolated,<br />
and, if they were lucky, captured.<br />
Estimates as to the number of dead<br />
vary, but at least 1,000 Allied soldiers<br />
lost their lives that day. Apologists<br />
for the attack claim that valuable lessons<br />
were learnt which were vital in<br />
ensuring the success of the D-Day<br />
Landings nearly two years later.<br />
Detractors point out that any lessons<br />
that were learnt did not have to<br />
come at such a terrible cost in lives.<br />
Whatever the case, there is no doubting<br />
the heroism of the men who took<br />
part in the mission.<br />
Newhaven Town Council are holding<br />
a commemoration for those who<br />
lost their lives in Dieppe, at 3pm on<br />
August 12th at the War Memorial<br />
Gardens on South Way. There will<br />
be events in conjunction with the<br />
service (a number of French dignitaries<br />
will be present) at Newhaven Fort<br />
(01273 517622) throughout the day.<br />
V<br />
Alex Leith<br />
1
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Sussex Guild contemporary craft show<br />
Amongst its many other charms, Michelham Priory at Upper Dicker<br />
near Hailsham, boasts England’s longest medieval water-filled<br />
moat and a working watermill. It is one of the properties superbly<br />
maintained and managed by Sussex Past, who also look after <strong>Lewes</strong><br />
Castle and Anne of Cleve’s House amongst others. The historic<br />
house hosts several exhibitions throughout the year, and from August<br />
9-12, the Sussex Guild will be holding their Crafts in Action<br />
exhibition at the venue. The Sussex Guild are a collection of highly<br />
skilled local craftspeople, and over the four days over fifty of their<br />
members will be showing their work and demonstrating their skills.<br />
Amongst them will be Sam Fanaroff, an 80 year old ex South African<br />
farmer, who was one of the founder members of the guild when<br />
it was set up back in 1969. The aim then, as indeed it is now, was to<br />
bring together, under one roof, the best craftspeople - artisans able<br />
to showcase excellence of design, innovation, originality and craftsmanship.<br />
So if you’re a fan of high quality hand made products, or<br />
are simply interested in learning more about the skills involved in<br />
spinning, ceramics, jewellery, leather, wood and textiles, then head<br />
along to the Priory. Nick Williams<br />
Thursday th -sunday 1 August 10: 0am – 1 : 0pm daily<br />
More info via www.thesussexguild.co.uk or 01 8<br />
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C r a f t
Classical/Fireworks<br />
Sat 4th - Proms in the Park<br />
Head to the Paddock from<br />
5pm, to experience the <strong>Lewes</strong>,<br />
Glynde and Beddingham Brass<br />
Band’s annual proms show.<br />
The finale, as always, will be<br />
accompanied by a magnificent<br />
firework display from the CSBC<br />
bonfire team. £7/£3<br />
Food<br />
Sat 4th - Farmers’ Market<br />
If you’d rather buy meat,<br />
cheese, honey, jams, wine,<br />
cider etc direct from the producer<br />
then head down to the<br />
precinct between 10am - 1pm<br />
Gig<br />
Fri 24th - Starfish<br />
The highly talented Starfish<br />
Youth Music take over the All<br />
Saints Centre again today,<br />
enabling the rest of us to find<br />
out if their multitude of bands<br />
have been using their session<br />
time wisely.<br />
www.starfishlewes.co.uk<br />
W W W. V i V a l E W E S . C o M<br />
B E S t o f t h E r E S t<br />
Health & Fitness<br />
Mon 27th - <strong>Lewes</strong> Leisure<br />
Centre Open Day<br />
It’s fun for all the family at<br />
the leisure centre this Bank<br />
Holiday. From 9am until 9pm<br />
they will be demonstrating the<br />
wide range of sports available<br />
to you. Head down with the<br />
family to try them out, as well<br />
as having a go on the bouncy<br />
castle and the go-karts.<br />
www.waveleisure.co.uk<br />
for more details of these events<br />
and many others look at<br />
www.vivalewes.com, live every<br />
Wednesday night.<br />
5
Photographs: Nick Williams<br />
King of the Pan<br />
<strong>Lewes</strong> manager Steve King looks forward to the new season<br />
Although we didn’t get into the play-offs we finished<br />
last term on a good run of form, and it was<br />
my aim over the summer to strengthen what, in the<br />
second half of the season, had moulded into a very<br />
good team. The Conference South, or the Blue<br />
Square South as it’s now called, is a very competitive<br />
league, and the quality gets better every season,<br />
so I needed to work hard to get the sort of players<br />
who would fit in and improve the squad.<br />
I was very pleased to re-sign Kirk Watts from<br />
Bromley. He played for us the season before last<br />
and became a firm favourite with the fans for his<br />
ability to operate down both wings. He’s an urgent,<br />
skilful player, and I was pleased, when it didn’t work<br />
out for him at his home club, that he wanted to<br />
come back here.<br />
We’re going to play fast, attacking football this<br />
season, with two wingers. We’ve already got Andy<br />
Drury on the right, and Juke Box proved last season<br />
that he’s a skilful individual who can, on a good day,<br />
make the difference between the two sides. I’ve also<br />
signed Dale Binns, who plays down the left. He’s<br />
played against us in the past, and he’s been a right<br />
handful. He’s skilful and fast, and he proved in the<br />
friendly against Fulham, when he had the better of<br />
a full-back who’d had first team experience last season,<br />
that he’ll be a valuable attacking option.<br />
We also paid out a four-figure sum for <strong>Lewes</strong>’ biggest-ever<br />
signing, Tom Davis. Tom is a non league<br />
international who can do a bit of everything in<br />
midfield. He can put his foot in, and he can see<br />
a pass; he’s got a lot of energy, and he can either<br />
sit or bomb on. He’s another valuable asset to the<br />
side, and I was impressed with him in the Fulham<br />
game. Then there’s Jay Conroy, a right-back I know<br />
from his days at Crystal Palace. He reminds me of<br />
a young Dean Hooper, with a bit more control: he’s<br />
good in the air, he’s got a lovely touch and he can<br />
tackle anything.<br />
The door’s not shut yet: I’m looking at a few trialists<br />
who are very, very interesting. But we’re just<br />
about there: I feel that I’ve created a squad that can<br />
challenge for promotion. Our first target is to reach<br />
the play-offs. Any title talk is clearly premature, but<br />
I do believe that we are one of seven or eight clubs<br />
who are capable of winning it. V<br />
W W W. V i V a l E W E S . C o M<br />
S p o r t
Food, wine, tastings, talks and treasure.<br />
All against the backdrop of the glorious Sussex Downs.<br />
www.glynde.co.uk<br />
Saturday and Sunday 22–23rd September<br />
10.30am – 5.00pm (last entrance 4.00pm)<br />
Purchase one or more advance tickets online and save<br />
£2 per ticket.* On the gate prices: £8 adult or £10 with<br />
Festival wine glass. £5 students and over 65s.<br />
Children 12 and under go free.<br />
*Subject to a £1.50 booking fee<br />
• Amanda Grant’s Kids’<br />
Kitchen<br />
• Butchery demonstrations<br />
• Fish demonstrations<br />
• Picnics in the park<br />
• Access to the house<br />
and gardens
Photograph: Rob Read<br />
Jeremy’s<br />
Emma Chaplin discovers a culinary gem near Haywards Heath<br />
One drawback of going to Jeremy’s restaurant<br />
at Borde Hill is that, although technically possible<br />
to get a taxi from Haywards Heath, you really<br />
need to drive. Unfortunately our car broke<br />
down, so I went to the car rental place near<br />
Tesco, under instructions to hire the cheapest<br />
car they had. I intended to, really I did. But a<br />
fog descended and strangely I ended up driving<br />
home in an open-top sports car. Well, I’d never<br />
driven one, the weather was glorious and it was<br />
a lovely way to get to the restaurant. Borde Hill<br />
benefits from having a beautiful setting, so we<br />
ate on the terrace overlooking the lawns, gardens<br />
and fountain. As we looked through the<br />
menu, sipping gin and tonics and nibbling habas<br />
fritas (Spanish fried broad beans), a chef was<br />
picking nasturtiums and other edible flowers<br />
from the herb and flowerbed next to us. We both<br />
opted for the three-course table d’hôte menu at<br />
£22.50 (à la carte main courses are around the<br />
£20 mark). It’s worth knowing that if you sign<br />
up for the mailing list, they send you a postcard<br />
voucher on your birthday for a bottle of house<br />
wine, the value of which can be deducted from<br />
whatever wine you order. We went for a flinty<br />
Italian white, Falanghina, at £19, which we<br />
sipped as the amuse-gueule arrived; shot glasses<br />
of chilled cucumber and lemon grass soup. A<br />
waiter proffered a basket of warm home-made<br />
walnut or herb bread. ‘Which would we like?’<br />
‘Both’ we replied. My first course was a melting<br />
plate of beef carpaccio with capers and Parmesan.<br />
Rob had grilled mackerel with what he described<br />
as ‘the best potato salad’ he’d ever had.<br />
We both had pan-fried fillet of breaded plaice,<br />
spring onion mash, buttered spinach and zesty<br />
sauce verte for a main course. Each part lovely,<br />
and even better as a whole. Rob finished with<br />
a perfect wobbly panacotta with gooseberry<br />
compote. My apple and raspberry crumble was<br />
an ok, but less exciting, choice. We shared an<br />
espresso and a glass of Calvados as the sun set,<br />
the evening air getting a little cooler. The coffee<br />
came with a plate of home-made fudge and tiny<br />
macaroons. We drove home with the roof still<br />
off but our jackets on. V<br />
01 110<br />
www.homeofgoodfood.co.uk<br />
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f o o d
Butter Fingers<br />
Whatever has happened to our summer - come rain,<br />
come shine, come more rain - and however cheated<br />
we might feel, it’s wonderful growing weather. Rain<br />
does the worst damage in the spring when the blossom<br />
is setting, but this spring was sunny and dry and<br />
all this summer rain is doing is plumping everything<br />
up nicely and delivering all the right nutrients. Some<br />
crops have suffered, like strawberries and cherries,<br />
though those we have had have been delicious, but<br />
most crops are lying back in their moist beds, enjoying<br />
the sun when it comes out and growing into fine<br />
specimens.<br />
Beans are coming into the stores now, all sorts, and<br />
they love all the rain. So, too, are the first of the<br />
English apples and plums, both supplied by Graham<br />
Love out at Herstmonceux, who managed to keep us<br />
topped up with apples for 44 weeks last year. But top<br />
of the crops for August is sweetcorn - here for only<br />
a short season - but, again, happier for not having to<br />
try to flourish through drought conditions.<br />
So it’s time to get those buttery fingers out. Children<br />
may turn their noses up at many vegetables but one<br />
thing most of them will get stuck into is a fat, sweet,<br />
juicy corn cob. I expect it’s the combination of the<br />
high sugar content, the sensation of the kernels tumbling<br />
into their mouths and of course the fact that<br />
they can just pick the whole thing up and get in there<br />
with nobody shouting ‘Manners!’ across the table.<br />
You can do all sorts with sweetcorn: turn it into fritters,<br />
slice the kernels off before or after cooking and<br />
add to soups, sprinkle cooked kernels into salads and<br />
sandwiches. But the best way to eat it, surely, and<br />
the simplest, is to cook it whole and eat straight off<br />
the cob.<br />
Mark Stroud, who farms sweetcorn in Barcombe,<br />
near <strong>Lewes</strong>, and who supplies Bill’s with barrel loads<br />
of the stuff while it’s in season, says: “I boil it for<br />
four minutes and then add butter, salt and pepper.<br />
The other good way to cook it is to throw it on the<br />
barbecue with the husk on, then strip the husk off for<br />
the last bit to colour it up.”<br />
A few kernels…<br />
After picking, the sugars in sweetcorn rapidly begin<br />
turning to starch. Most varieties can lose half their<br />
sugar in 10-12 hours. It should be kept cool and<br />
eaten as soon as possible after picking. If keeping for<br />
more than a day, blanch for a minute in boiling water<br />
before refrigerating or freezing.<br />
Choose cobs that are full and plump, husk intact.<br />
The husk should be green and fresh and conceal<br />
fine, silky threads. Kernels should be pale in colour,<br />
tightly packed, plump and smaller at the tips than in<br />
the middle (indicating young cobs).<br />
If you want to break the cobs in two, snap them before<br />
cooking as it’s much easier. V<br />
Picture by Laurie Griffiths<br />
Bill’s Fruit and Veg boxes delivered to your door.<br />
Order in store or call us on 01 6 18<br />
W W W. V i V a l E W E S . C o M<br />
B i l l C o l l i S o n<br />
The wet summer isn’t all bad news, says Bill Collison. The rain/sunshine<br />
combo is great for growing, and lots of flavoursome produce is<br />
pouring into the stores as a result. Get stuck in, especially to yellow,<br />
buttery sweetcorn as its season is short and, well, sweet.<br />
1
Photographs: Katie Moorman<br />
Mackerel fishing<br />
Emma Robertson falls hook, line and sinker...<br />
I’m not one to indulge in gender stereotyping<br />
but I’ve always considered angling to be an almost<br />
exclusively male activity. Something to do<br />
with the language I suppose. There’s the phallic<br />
‘rods’ of course, the unfortunate double entendre<br />
of the word ‘tackle’ and then the rather unhealthy<br />
obsession with size. So it is with some<br />
anxiety that I agree to dip my toes<br />
into the waters of this mysterious<br />
pastime. I’m reassured though by<br />
the healthy gender balance of our<br />
party (three men and three women).<br />
The weather is glorious on the<br />
evening of our initiation at Newhaven<br />
- blue skies, sunshine and a<br />
tranquil sea. Our guides, Frank and<br />
Guy, take us out about ten minutes<br />
offshore to the mackerel-filled waters.<br />
Within our two hour taster we<br />
are unlikely to catch more exotic varieties<br />
- usual tour lengths are 8-12<br />
hours. Eventually Frank switches off<br />
the engines and brings the rods out. I’m mildly<br />
disappointed to discover that out weighted lines<br />
are to be simply dropped in and not dramatically<br />
swung out to sea as I’d imagined (probably<br />
best though as the six or so hooks look rather<br />
W W W. V i V a l E W E S . C o M<br />
W E t r y o u t . . .<br />
lethal). Next you<br />
press a button on top<br />
of the handle which<br />
releases the line until<br />
it hits the seabed,<br />
then you reel it in<br />
about ten turns and<br />
wait - gently moving<br />
the rod up and down<br />
to reach the different<br />
depths. The first<br />
catch of our party is<br />
almost instantaneous,<br />
another to my right<br />
and then I feel a tug<br />
on my line. I start to<br />
reel it in when, waiting<br />
for it to emerge,<br />
I suddenly have a<br />
flash of what it would<br />
be to chalk up a new<br />
record. My mind<br />
turns to the boat’s slogan. ‘You should have been<br />
here yesterday’. Well, what about today? I think.<br />
But… it’s just a middle sized mackerel - or two<br />
to be precise. I throw them in the bucket and set<br />
to work again, somewhat chastened. When, later,<br />
Frank regales us with stories of catches-old,<br />
the best being<br />
a bream seven<br />
ounces off the<br />
British record<br />
(“And I ate it”), I<br />
look at him with<br />
new understanding.<br />
When the bucket<br />
is full we return<br />
to shore<br />
and on for supper<br />
in Frank’s<br />
new locally<br />
sourced restaurant,<br />
The Bridge. Over our mariner’s pie and<br />
pollack we discover that we’re all surprisingly<br />
hooked, males and females alike. So much for<br />
preconceptions then.<br />
www.carricklee.co.uk<br />
V
Photograph: Katie Moorman<br />
Pallant House<br />
Emma Robertson finds an effortless blending of the old and the new<br />
At just over an hour from<br />
<strong>Lewes</strong>, the train journey<br />
to Chichester is a comparable<br />
distance to London<br />
and significantly cheaper.<br />
A short walk from the station<br />
takes you to the grand<br />
Queen Anne building<br />
which now sits adjoined<br />
to the new contemporary<br />
gallery extension. It<br />
opened in this incarnation<br />
last year – transforming<br />
the place from a rather<br />
small regional gallery to<br />
a Gulbenkian award-winning<br />
space of considerable<br />
size and significance.<br />
The judges awarding the<br />
£100,000 prize called it<br />
‘spirit-lifting’ and ‘a jewel<br />
of a gallery’ although,<br />
sadly, the man who<br />
brought it these qualities,<br />
Sir Colin ‘Sandy’ St<br />
John Wilson didn’t live to<br />
hear the praise. He died<br />
two weeks before the announcement.<br />
The new design also<br />
makes it more accessible.<br />
The new street level entrance<br />
is wheelchair and<br />
buggie friendly whilst<br />
the directors are planning<br />
to spend the prize<br />
money on scrapping the<br />
admission charges and<br />
increasing the museum’s<br />
outreach programme,<br />
(which ranges from working<br />
with asylum seekers<br />
in Portsmouth to prisoners<br />
in Ford open prison).<br />
The layout shows this to<br />
be a priority. As you come<br />
in you find yourself at the<br />
resource and education<br />
rooms before you reach<br />
the main gallery. It gives<br />
it all a decidedly unstuffy<br />
feel. It’s a museum to be<br />
actively engaged with, to<br />
be used – and by everyone<br />
not just the usual art<br />
gallery demographic. And<br />
the sheer size of the building<br />
now means that almost<br />
all of their extensive<br />
holdings can be viewed<br />
in the various rooms so<br />
there’s no longer a feeling<br />
of works gathering dust<br />
in the vaults nor the need<br />
for sporadic rehangs.<br />
The main temporary exhibition<br />
is called ‘Eye<br />
Music: Kandinsky, Klee<br />
and all that Jazz’ and focuses<br />
on the (sometimes<br />
tenuous) link between<br />
various pieces of art and<br />
their corresponding music.<br />
On the day that we<br />
visited they were roadtesting<br />
an audio-guide<br />
- an absolute must with<br />
this exhibition otherwise<br />
you only really get half<br />
of the picture. You arrive<br />
at the new gallery, which<br />
flows seamlessly out of<br />
the old, almost without<br />
you realising it. Or you<br />
can travel up in the lift<br />
– something that will be<br />
made more of when the<br />
installation they’ve set<br />
up in there, an interactive<br />
sound sculpture, is up and<br />
running. Sadly it wasn’t<br />
on the day of our visit but<br />
W W W. V i V a l E W E S . C o M<br />
there were some excitinglooking<br />
paraphernalia in<br />
evidence in there - floor<br />
pads and flashing lights.<br />
The wonderful collections<br />
of Peter Blakes and<br />
Patrick Caulfields which<br />
come courtesy of the late<br />
Sandy Wilson’s legacy are<br />
a marvellous addition to<br />
the existing holdings of<br />
twentieth century art – almost<br />
certainly the finest<br />
outside the capital. The<br />
highlight for me, though,<br />
was one of the more adventurous<br />
mixing of old<br />
and new: Hundreds of<br />
mussel shells stuffed with<br />
red velvet lining the walls<br />
of the old hall – inspired<br />
by shells found by builders<br />
during the digging of<br />
the foundations for the<br />
new wing.<br />
The gallery beat several<br />
bigger and better-funded<br />
museums to win the Gulbenkian<br />
prize and after<br />
a visit there you can see<br />
why. Sipping my coffee<br />
in the newly landscaped<br />
gardens afterwards, I was<br />
struck by the fact that,<br />
apart from anything else,<br />
it’s such a tranquil place<br />
to be, with none of the<br />
crowds and restricted<br />
views of Tate Modern.<br />
With the rest of the cultural<br />
map of England permanently<br />
skewed towards<br />
London, Pallant House is<br />
a refreshing triumph for<br />
regional resources. V<br />
www.pallant.org.uk<br />
d ay o u t<br />
5
MESSRS<br />
Property professionals in<br />
<strong>Lewes</strong> for over 150 years<br />
IVOR C.A. WYCHERLEY FRICS IRRV<br />
ANNE E. WYCHERLEY B.Sc (Est Man) FRICS<br />
CHARLES W. WYCHERLEY B.Sc (Est Man) MRICS<br />
CHARTERED SURVEYORS<br />
ESTATE AGENTS<br />
AUCTIONEERS<br />
56 High Street, <strong>Lewes</strong><br />
East Sussex BN7 1XE<br />
T: 01273 473329<br />
F: 01273 473373<br />
E: charles@wycherleys.co.uk<br />
www.teamprop.co.uk<br />
EST 1853
The Roundhouse<br />
There are six sides to every storey of this former windmill.<br />
Words by Emma Chaplin, painting by Pearl Bates<br />
It’s ironic perhaps that the current incumbent<br />
of The Round House on Pipe Passage, Annie<br />
Crowther, is a vegetarian, when what used to be on<br />
the site in the late 18th century, was a butcher’s. She<br />
tells me she keeps uncovering animal bones, like<br />
roe deer, when she digs in the pretty gardens that<br />
surround the house, as well as finding pieces of old<br />
pipe that come from the pipe factory that used to<br />
be just down the passage. Annie is kind enough to<br />
show me round the lovely, quirky house, originally<br />
built as a windmill in 1802, and once owned by Vir-<br />
ginia Woolf. Annie, who used to be<br />
a teacher, loves the building and enjoys<br />
talking to people about its fascinating<br />
history. The windmill was<br />
built to provide flour to make bread<br />
to feed the ‘poor mechanics’ of<br />
<strong>Lewes</strong> as a response to fears about<br />
possible local uprisings in the uncertain<br />
political period of the time.<br />
‘Sixty worthy people’ (fifty-nine<br />
men and one woman) put down the<br />
money to build it as a ‘smock’ mill,<br />
the name referring to its shape,<br />
which resembled a farmer’s smock.<br />
The two-storey hexagonal flint and<br />
brick base would have been topped<br />
by an eight-sided tapering wooden<br />
tower roof and cap, which rotated<br />
to bring the wooden sails into the<br />
wind. The houses that now surround<br />
the building did not exist at<br />
the time, so it was more obviously<br />
a windy spot, “although when the<br />
wind gets up, you can certainly feel<br />
it upstairs” she tells me. Unfortunately,<br />
members of the windmill<br />
committee got involved in embezzlement<br />
of its funds, and the mill in<br />
this location did not thrive. After<br />
seventeen years, the wooden mill<br />
section was somehow transported<br />
to a new site up on the racecourse,<br />
and the remaining building sold as a<br />
house. The Bloomsbury connection<br />
came about after Virginia Woolf saw<br />
the house and fell in love with it. She and Leonard<br />
bought it but never lived there, however, because<br />
he felt there was not enough privacy for Virginia,<br />
given her tendency to depression. What’s interesting<br />
is that it feels much more private inside than it<br />
looks to be from the outside, where you often see<br />
groups of visitors taking pictures at the garden gate.<br />
From the upstairs windows, you get extraordinary<br />
views of <strong>Lewes</strong> and surrounds from all eight sides<br />
of the building. V<br />
W W W. V i V a l E W E S . C o M<br />
B r i C k S a n d M o r t a r
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trust and experience<br />
Adams & Remers is a team of specialist<br />
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Whatever your legal requirements contact us and let us<br />
solve your problems and meet your individual needs.<br />
Tel: 01273 480616 www.adams-remers.co.uk
v kids<br />
i<br />
va<br />
Summer holiday activities<br />
Get in touch with nature..<br />
One of the attractions to living in <strong>Lewes</strong> is the<br />
surrounding countryside. We have the rolling<br />
South Downs on one side and miles of<br />
fascinating coastline to the other. Over the<br />
years however human development and activity<br />
has encroached, so we are lucky that there<br />
are conservation groups, including the Sussex<br />
Wildlife Trust, dedicated to preserving and<br />
protecting this unique landscape. They manage<br />
a number of nature reserves within the<br />
county - including Malling Down and the old<br />
<strong>Lewes</strong> railway land in the heart of the town.<br />
So if you’re looking for things for the kids to<br />
do over the long summer, why not get them<br />
in touch with nature at one of the Trust’s many<br />
reserves?<br />
They also organise events, courses and holiday<br />
clubs throughout August, including the<br />
following:<br />
Tuesday 7 - King Canute - a fun morning exploring<br />
and dipping in many of the rock pools<br />
around the Seven Sisters Country Park (SSCP)<br />
Sunday 26 - The Butterflies of Malling Down -<br />
spend the afternoon exploring Malling Down<br />
in search of the large array of downland butterflies<br />
found there.<br />
The Holiday Clubs are available throughout<br />
August at the SSCP (and also at Stanmer Park<br />
Brighton and Woods Mill, Henfield) and are<br />
basically fun days packed with environmental<br />
activities and games aimed at 6-11 year<br />
olds. For more info or to book an event or<br />
course, go to www.sussexwt.org.uk or call<br />
01273 492630<br />
Kick a Football…<br />
<strong>Lewes</strong> FC are running a couple of week long<br />
soccer skills course in August to help local<br />
budding Beckhams hone their abilities for the<br />
season ahead. The courses run Monday to<br />
Friday and as well as helping to improve their<br />
technical skills, there is also a major emphasis<br />
placed on the fun aspects of the game. And<br />
even if your kids can’t make the full week, you<br />
can still book them in for any of the individual<br />
days. The courses run over the two weeks from<br />
13th -24th August. Further details via www.<br />
lewesfc.com or call 01273 472100<br />
Or bang a Drum…<br />
For the more musically inclined, there’s always<br />
the option of the World Drumming Summer<br />
Workshops at the All Saints Centre to consider.<br />
So if you want to learn more about<br />
body percussion, stomp and even didgeridoo,<br />
courses run between the 14th and 23rd August.<br />
To book, call Ollie Heath on 07922<br />
3737779 V<br />
Nick Williams<br />
W W W. V i V a l E W E S . C o M
Paintngs by Peter Messer<br />
Castle Banks<br />
Alex Leith explores what has always been one of <strong>Lewes</strong>’ most distinctive area<br />
The estate agents are starting to call it ‘Castle<br />
Precincts’. Others know it as ‘Castle Banks’. Is<br />
the area, built around the hillside of the Norman<br />
bailey largely out of flints recycled from the castle<br />
walls, a distinct <strong>Lewes</strong> district?<br />
The artist Peter Messer (see page 13) lives, works<br />
and runs an allotment in the area, and seems the<br />
best man to give me a tour round the place. Almost<br />
all of Peter’s idiosyncratic tempera paintings<br />
are set in the hodgepodge of streets and twittens<br />
around the castle banks, and there are few people<br />
better suited to point out its nuances. We start<br />
our tour – always destined to end in the <strong>Lewes</strong><br />
Arms with a pint of Harveys Best – outside Peter’s<br />
workplace, adjoining the Paddock Studio.<br />
“Lovely square napped flints,” he says, pointing<br />
out the façade of the building, which used to be<br />
a coach house for the vehicles travelling to and<br />
from Haywards Heath, and then became a stables.<br />
“The artist Cecil Heathfield turned it into<br />
his studio, and then bequeathed it to the town.<br />
The Council didn’t know what to do with it, so<br />
the LDVAA took it over and ran it as a charity,<br />
hiring out the space for art classes. Developers<br />
would wet themselves to get hold of it, but for the<br />
moment it’s safe.”<br />
We wander down Paddock Road, and at every<br />
other step Peter points out a hidden detail I didn’t<br />
know about. The air raid shelters at the top and<br />
bottom of the street; the stones of the wall made<br />
from the slag from John Every’s Phoenix furnaces;<br />
the plaque on the Paddock Pavilion dedicated to<br />
Every’s grandson in 1933; the fact that the allotments<br />
used to be called ‘Hangman’s Acre’ because<br />
they would grow hemp there to make ropes, some<br />
of which were destined to be used in the gallows<br />
down the hill in the Pells. “A bloke I know who<br />
used to work the allotments told me he remembered<br />
winding and twisting gear at the top of the<br />
road, for making the ropes,” he says.<br />
As befits <strong>Lewes</strong>’ oldest area, there is history in<br />
every step. The old poorhouse on Castle Rise<br />
which used to be rented out by the novelist Mrs<br />
Henry Dudeney, considered a peer of Thomas<br />
Hardy in her time. “She used to live in Brack<br />
Mount House. She was quite a lady of letters,” he<br />
says. “She had a number of Dalmatians, which she<br />
was very fond of. The bloke who lives there now<br />
dug one up in the garden a few years ago.”<br />
He points out the vast Maltings House, now the<br />
Records Office, with its high flint wall stretching<br />
down the slope to the corner of Castle Ditch<br />
Lane. You can still make out the base of an oast<br />
tower at the end, missing its crooked witch-hat<br />
spire. And Brack Mount, of course, recently<br />
shaved, possibly a pagan site built before the<br />
Normans arrived. “It’s a bit of a mystery,” he says.<br />
“They excavated it recently, and found some sort<br />
of well in the middle. It was a pleasure gardens in<br />
Victorian times, which is why Mount Pleasant is<br />
called Mount Pleasant. They had some sort of tea<br />
house there, and steps up from the <strong>Lewes</strong> Arms.”<br />
“What I love about <strong>Lewes</strong> is its amazing light,”<br />
he comments, as we arrive at Castle Lane, overlooking<br />
the Paddock. “It comes from the strange<br />
configuration of the town, built on hills, but with<br />
big open spaces.” He wafts his hand towards the<br />
park below us to make his point. “It changes all<br />
through the year, according to the season. And<br />
nowhere is it as accentuated as round here.”<br />
We stroll into the Magic Circle, adjacent to the<br />
gravelly car park, behind the bowling alley once<br />
frequented by Tom Paine. For once, Peter is unable<br />
to tell me the origins of the place, a shady<br />
spot ideal for secret trysts and underage drinking.<br />
Presumably it wasn’t built for teenagers to<br />
perform their first experiments with cider and<br />
Cinzano. Then we make our way down to the<br />
Arms, for a pint to finish off the tour of an area,<br />
I’ve decided, which is surely distinct enough to be<br />
given district status, at least in the pages of this<br />
magazine. V<br />
W W W. V i V a l E W E S . C o M<br />
l E W E S d i S t r i C t S<br />
1
Photograph: Katie Moorman<br />
Norman Baker<br />
No flooding is ever welcome, as anyone in<br />
<strong>Lewes</strong> can readily testify, but for the latest bout<br />
to coincide with Gordon Brown’s arrival at No<br />
10 did at least mean it was quickly on the new<br />
PM’s agenda.<br />
The result was a pledge of an extra £200m, a<br />
very welcome development, particularly in<br />
the light of the cuts to the flood budget that<br />
DEFRA has sustained over the last couple of<br />
years. We have not yet, however, seen the small<br />
print, which may sound churlish of me, but is a<br />
reaction borne of sad experience of successive<br />
budgets from Gordon Brown.<br />
The consequences of the terrible floods that hit<br />
parts of Yorkshire, particularly Hull, were the<br />
trigger for the announcement and subsequent<br />
debate in Parliament. Now, I am pleased that<br />
the issue is once again on the government’s radar,<br />
and while having real sympathy for those<br />
flooded out, I had to point out to the Minister<br />
that the last time such floods occurred in 2000,<br />
there was a similar, no doubt genuine, response<br />
from the government, but that 7 years<br />
on, many towns and villages flooded then, including<br />
<strong>Lewes</strong>, are still awaiting the improved<br />
defences we thought we had been promised.<br />
I know Charles Hendry, my parliamentary<br />
neighbour who represents Wealden, feels the<br />
same way about the position in Uckfield.<br />
The problems are twofold. First, with so much<br />
going on at any time, the attention of a government<br />
tends to be on immediately urgent<br />
matters, and even with good intentions, there<br />
is not always the follow through there needs<br />
to be. This has been a matter of some exasperation<br />
for the MPs who form the All-Party<br />
Flood Defence group, which I chair.<br />
Second, while this government has rightly,<br />
if belatedly, recognised the need to reduce<br />
greenhouse gas emissions (or at least those<br />
which are carbon based) and hence the causes<br />
of climate change, it has been rather slower in<br />
identifying the need for a proactive policy on<br />
adaptation to climate change. In other words<br />
the need to deal with those changes which are<br />
now inevitable, the most obvious of which is an<br />
increase in both the frequency and severity of<br />
flooding incidents.<br />
As far as <strong>Lewes</strong> is concerned, we do of course<br />
now have a scheme in place to better protect<br />
Malling, and I am hopeful that one to protect<br />
the Cliffe area will, thanks to the regional<br />
flood defence committee, not be too far off.<br />
That will however still leave other areas unprotected,<br />
including parts of Landport and the<br />
new Malling estate.<br />
As you may expect, I am pressing for some of<br />
that extra £200m to come our way. Watch this<br />
space. V<br />
W W W. V i V a l E W E S . C o M<br />
C o l u M n
Tel. 01323 490085 | Design and Print<br />
sales@zetacolour.co.uk<br />
www.zetacolour.co.uk
Marina Pepper<br />
Nature’s red in buck teeth and claw<br />
Such is the power of his personality Elliott’s<br />
call to the revolution was inevitable - he was<br />
after all, wasted in the sole role of children’s<br />
pet.<br />
Huge and white with long floppy ears and pink<br />
eyes, Elliott is an impressive enough bunny.<br />
But time spent in his presence leads many to<br />
ask: “Is there a human being trapped inside<br />
that rabbit exterior?” Or words to that effect.<br />
When it became obvious the revolution required<br />
a leader (people constantly demand<br />
one, despite the revolution being more about<br />
people pulling together to make and demand<br />
the changes needed to avoid global and local<br />
social and economic meltdown), Elliott’s fate<br />
was sealed. Everyone seems to trust a rabbit<br />
more than a politician.<br />
Like all good leaders, Elliott likes to set the<br />
agenda. It’s pretty much a single-issue based<br />
agenda: food. He bunny hops round the allotment<br />
like he owns the place, nibbling whatever<br />
takes his fancy.<br />
Developing a taste for power Elliott recently<br />
started invading allotments a fair distance from<br />
our own and declaring them “lunch”.<br />
Last Sunday another inhabitant of the hill had<br />
other ideas. I know Tom Paine said: “Lead,<br />
follow or get out of the way.” But this was ridiculous.<br />
Elliott came whizzing past the shed<br />
where I was enjoying a well-earned lie in, with<br />
a fox hot on his tail.<br />
I grabbed the first thing to hand and was out<br />
the door before realising a tea towel was never<br />
going to work and this was a life and death<br />
situation. Down past the onions went Elliott,<br />
followed by the fox, followed by the boyfriend,<br />
followed by me. The fox opted to get out of the<br />
way and was gone.<br />
Which is how I came to greet Andi, Secretary<br />
to Transition Town <strong>Lewes</strong>, as nature intended.<br />
“For the record,” I said,” I do NOT do naked<br />
gardening.” Immediately I broke my personal<br />
taboo. Well it was impossible to resist bending<br />
to weed out a dandelion for Elliott and pick up<br />
a snail. “Stamp on that for me please,” I asked,<br />
as I wasn’t wearing shoes.<br />
“You couldn’t make it up,” said Andi as she<br />
poured the tea. “I don’t need to,” I said, soothing<br />
the rabbit.<br />
I was so proud of him, running home and involving<br />
the team. He knew he couldn’t do it<br />
alone. Nor can any of us. Nature is bloodier<br />
and more powerful than us all and is increasingly<br />
incompatible with human activity. This is<br />
no time for fluffy bunny leadership. We need<br />
hard-core action to make huge changes. For<br />
those who would lead because their ego won’t<br />
let them follow, a message from the revolutionary<br />
rabbit that beat the fox: get out of the<br />
way. V<br />
W W W. V i V a l E W E S . C o M<br />
C o l u M n<br />
Photograph: Katie Moorman<br />
5
6<br />
W W W. V i V a l E W E S . C o M<br />
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Along the line to <strong>Lewes</strong><br />
David Jarman maps out just a few of the railway’s literary associations<br />
In Henry Green’s 1939 novel, ‘Party Going’,<br />
a bunch of not overly bright young<br />
things are marooned at a London railway<br />
terminus when their boat train is delayed<br />
by fog. Green’s biographer, Jeremy Treglown,<br />
identifies the mise-en-scene as<br />
Victoria. This is a reasonable supposition<br />
but Green is fastidiously careful never to<br />
name the station. No such coyness inhibits<br />
Harold Pinter. His 1982 play entitled<br />
‘Victoria Station’ concerns a controller’s<br />
unavailing attempts to persuade a taxi<br />
driver to pick up a fare from the 10.22<br />
Boulogne train and take them to Cuckfield.<br />
At Clapham Junction between two o’<br />
clock and half past two on the rainy afternoon<br />
of November 13th, 1895, Oscar<br />
Wilde, handcuffed and in prison dress,<br />
suffered the laughter and jeers of the<br />
crowd as he awaited the train that would<br />
effect his transfer to Reading Gaol. In<br />
‘De Profundis’ he wrote, ‘For a year after<br />
that was done to me I wept every day at<br />
the same hour and for the same space of<br />
time.’<br />
In the same year the now wonderfully<br />
dim literary figure of George Burgin<br />
took up his duties as sub-editor of ‘The<br />
Idler’ magazine. His output of over ninety<br />
novels suggests that this was a peculiarly<br />
incongruous appointment. Burgin<br />
was born in Croydon, our next stop, as<br />
was that wittiest of detective story writers,<br />
Colin Watson.<br />
Let us ignore the airport and recall ‘earlier,<br />
happier sights’. In ‘The Inimitable<br />
Jeeves’ a character muses, ‘say I have a<br />
tenner on ‘Heppenstall’ and cop; that’ll<br />
give me a bit in hand to back ‘Pink Pill’<br />
with in the two o’ clock at Gatwick the<br />
week after next. Cop on that, put the pile<br />
on ‘Muskrat’ for the one thirty at <strong>Lewes</strong><br />
and there I am with a nice little sum to<br />
take to Alexandra Park’.<br />
Recounting a lengthy affair with Harold<br />
Pinter in her autobiography, ‘The Centre<br />
of the Bed’ (2003), Joan Bakewell<br />
gives details of various trysts, ‘we even<br />
met at Haywards Heath, arriving by train<br />
from different directions to meander for<br />
half an hour round its suburban villas before<br />
each heading back the way we had<br />
come’<br />
Like Oscar Wilde before him, Pinter was<br />
living in Worthing.<br />
The ghost of John Wells, co-author of<br />
Private Eye’s ‘Mrs Wilson’s Diary’ and<br />
the ‘Dear Bill’ letters, might be seen<br />
alighting at Plumpton. Those trains<br />
stopping at Cooksbridge would have<br />
best served John Cowper Powys when<br />
he was living at Offham.<br />
Patrick O’Brian noted in his diary, three<br />
days after VE day, ‘In the <strong>Lewes</strong> train I<br />
read Congreve’s ‘Old Bachelor’ - amusing<br />
farce but what an incredibly savage<br />
inhuman set of lechers’.<br />
More appropriate reading for the journey<br />
might be ‘The Country Wife’ - equally<br />
savage, equally lecherous, but, penned<br />
by William Wycherley, a forbear of the<br />
<strong>Lewes</strong> estate agents. V<br />
W W WW. W. V i V ai VlaE lW E WE S E. S C. oC Mo<br />
M<br />
l i t E r a r y l E W E S
Name: Allan Griffiths.<br />
Business Name: Hugh Rae Ltd, at 74-75 High St,<br />
<strong>Lewes</strong> (opposite the Castle).<br />
What does your shop sell? We are a Menswear<br />
retail shop selling a full range of classic men’s clothing<br />
from socks to suits. We also have a range of<br />
accessories, including military badges.<br />
How long have you been running the business?<br />
I’ve been here for 28 years, but the business itself<br />
was established in 1926.<br />
How is business at the moment? We’re usually<br />
very consistent, and the first half of 2007 has virtually<br />
matched last year.<br />
Who shops at Hugh Rae? We’ve got a large loyal<br />
customer base who range in age from 30 upwards.<br />
What was on the premises before? It was another<br />
menswear shop, and prior to that, a bakers. The<br />
building itself dates back to 1330 and clothing was<br />
first sold by the Slop Sellers in the mid 1550s.<br />
Where do you get your stock from? We mainly<br />
stock high-quality British brands, such as Van<br />
Heusen, Viyella, Hodgsons of Scotland, Barbour<br />
and Brook Taverner.<br />
What’s the most expensive thing you sell? A suit<br />
for £195.<br />
And the cheapest? A snuff hank for £1.95<br />
And the most unusual? Our military accessories,<br />
ties and badges, or our range of wildlife ties.<br />
is there anyhting that irritates you about the<br />
business?The seasonal booking delay - we have to<br />
buy things so far in advance, it’s often difficult to<br />
judge exactly what stock we’ll actually need months<br />
in advance.<br />
What is your favourite shop in <strong>Lewes</strong>? Bright<br />
Ideas on School Hill.<br />
Recommend somewhere to eat out? I recently<br />
had a great meal in Lazzati’s, and I sometimes pop<br />
in to Caffe Nero for a coffee.<br />
What sort of business do you think <strong>Lewes</strong><br />
needs to attract? The town has a great independent<br />
feel to it, so any shops, which are new and<br />
original, will be welcome.<br />
Would a redeveloped Phoenix area be good for<br />
the town? Firstly, I don’t think the town can cope<br />
with much more traffic. Also, unfortunately, previous<br />
“affordable housing” schemes in <strong>Lewes</strong> have<br />
not managed to provide the promised long term<br />
housing solutions for local people.<br />
What do you think about the idea of pedestrianising<br />
the centre of <strong>Lewes</strong>? It’s not practical, as<br />
lorries and the general traffic still needs to move<br />
through the town. <strong>Lewes</strong> needs to resolve its traffic<br />
and parking problems before it starts on more<br />
pedestrianisation.<br />
Could you do anything to make your business<br />
greener? I’m trying to source biodegradable plastic<br />
bags and am becoming increasingly aware of recycling<br />
issues. Hopefully our suppliers will start to use<br />
less packaging - but in reality things will only really<br />
change when the supermarkets take the lead.<br />
Any expansion plans? We hope to launch on the<br />
web in the near future.<br />
is there anything you always get asked?<br />
Q1 - Did Hugh Rae ever exist?<br />
A1 - He certainly did, he was my grandfather<br />
share a top tip with our readers - To protect<br />
your head from the sun (when it’s out), buy a good<br />
quality Panama hat. V<br />
Nick Williams<br />
W W W. V i V a l E W E S . C o M<br />
T R A D E S E C R E T S<br />
Photograph: Katie Moorman
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The <strong>Lewes</strong> Directory<br />
Local tradespeople for your business, home and garden<br />
W W W. V i V a l E W E S . C o M<br />
d i r E C t o r y<br />
Welcome to the <strong>Lewes</strong> Directory, your essential guide to many of the businesses and services on offer in the<br />
<strong>Lewes</strong> District. Every month the directory gets bigger, and this month, as well as expanding the health and<br />
wellbeing pages, we have also started to include a number of business to business and car service companies.<br />
It is vitally important to us that the services advertised in the <strong>Viva</strong> <strong>Lewes</strong> Handbook are offering good value<br />
and great service. To make sure this is the case, we will be publishing regular reviews of the various services<br />
on offer. So if you have any feedback, positive or negative, let us know via feedback@vivalewes.com.<br />
Also, if you are a local business which is currently not represented in the directory, and would like the<br />
opportunity to advertise from as little as £5 plus VAT per month, then call 01273 488882, or email<br />
advertising@vivalewes.com.<br />
Please note that though we aim to only take advertising from reputable businesses, we cannot guarantee the<br />
quality of any work undertaken, and accept no reponsibility or liability for any issues arising.<br />
5 1
5<br />
d i r E C t o r y<br />
Acupuncture<br />
Richard Mudie<br />
Roger Murray 01273 473912<br />
Hanna Evans 07799 417924<br />
Alexander Technique<br />
Adele Gibson 01273 473168<br />
Allergy Testing<br />
Robin Ravenhill 01273 470955<br />
Aromatherapy<br />
Marianna Lampard<br />
01273 483471<br />
Baby Massage<br />
Dafna Bartle 01273 470955<br />
Beauty & Massage Therapist<br />
Melanie Verity 01273 470908<br />
Bowen Therapist<br />
Rita Eccles 01273 488009<br />
Chiropractor<br />
Dr. Trevor Mains .01273 473473<br />
COUNSELLOR<br />
Ruth M. Sheen<br />
(M.B.A.C.P)<br />
01273 486338<br />
07748082278<br />
Cranio sacral Therapy<br />
Natalie Mineau 01273 470955<br />
Counselling<br />
Maggie Turner 07944481858<br />
<strong>Lewes</strong> Counselling Services<br />
01273 390331<br />
Tanya Smart 07790 979571<br />
Counsellor & integrative Arts<br />
Camilla Clark 01273 483025<br />
Cosmetic Treatment<br />
Simonne Carvin 01273 474428<br />
DYNAMiC HeALiNG VOiCe<br />
working with chakra energy<br />
regular classes and workshops<br />
Adrienne 0 81 6 568<br />
www.thevoiceproject.co.uk<br />
electrolysis and Beauty<br />
Kim Cook 01273 476375<br />
emotional Freedom Technique<br />
Kathy Johnson 01273 487464<br />
eurythmy<br />
Harmonizing Body, Mind &<br />
spirit. Kishu Wong<br />
01 66<br />
Facial Rejuvenation Massage<br />
Angie Asplin 01273 470955<br />
Homeopathy<br />
DuNCAN FReWeN Bsc, Lic.<br />
For CHIROPRACTIC or<br />
HOMEOPATHY<br />
At the Equilibrium Clinic<br />
Tel: 01273 470955<br />
Nicki Hutchinson 01273 470955<br />
Amanda Saurin 01273 479383<br />
Pat Eynon 01273 4883<br />
Hannah Scarlett 01273 480083<br />
Sarah Worne 01273 480089<br />
W W W. V i V a l E W E S . C o M<br />
Hypnotherapist<br />
Mary O’Keefe 07774 050466<br />
Richard Morley 01273 470955<br />
Richard Slade 01273 470955<br />
Michael Lank 01273 479397<br />
Life Coaching<br />
Butterfly 0800 2983798<br />
Benna Madan 01273 470842<br />
Zara Tippey 0845 4569816<br />
Massage Therapist<br />
Helen Willis 01273 242969<br />
Pam Hewitt 01273 403930<br />
Medical Herbalist<br />
Sherie Gabrielle 01273 473256<br />
Myo-Reflex Therapist (Physio)<br />
Birgitt Auer 07966 936390<br />
Nutrition<br />
Claire Hicks 01273 470955<br />
Annie McRae 01273 470543<br />
Pilates<br />
Silvia Laurenti 01273 470955<br />
Bridgette Lee 01273 470955<br />
Osteopathy<br />
Lin Peters 01273 476371<br />
Simon Murray 01273 403930<br />
Physiotherapy & sports injury<br />
Physiotherapy and<br />
sports injury Clinic<br />
Nigel Baker<br />
(BSc, MCSP, SRP)<br />
Southdown Sports Club<br />
01 806 0<br />
Psychotherapy and supervision<br />
Rosalind Field 01273 40116<br />
Podiatrists<br />
Clive Jones 01273 475000<br />
spritual & Crystal<br />
Healing<br />
Helen Piniger<br />
01 1 5<br />
sports Massage Therapist<br />
Bill Jeffries 01273 471965<br />
Tai Chi<br />
Paul Tucker 01273 470955<br />
Yoga<br />
Anita 07764 580767<br />
Lesley Rowe 07791 521736
Health and Wellbeing<br />
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Dr Simonne Carvin<br />
BSc(Med) MBBS MA<br />
Minimally Invasive<br />
Cosmetic Medical Treatments<br />
at the <strong>Lewes</strong> Clinic - Fullers Passage - 19b High St - <strong>Lewes</strong><br />
01273 474 428 www.cosmeticmedicineclinic.co.uk<br />
W W W. V i V a l E W E S . C o M<br />
d i r E C t o r y<br />
5
5<br />
d i r E C t o r y<br />
Painting classes every Tue, Wed & Thurs<br />
morning £80 for 6 wk course.<br />
Untutored Life drawing Thursday evening<br />
WALK’N CHALK: AUG 11<br />
MND WALL OF ART 2007 SEPTEMBER 1 st<br />
Young (11+) & Little Artists (8+)<br />
meet alternate Sunday am,<br />
Summer Schools throughout August.<br />
Dairy Studio, Old Malling Farm, <strong>Lewes</strong>,<br />
Tel: Susie on 01273 858438<br />
www.dairystudio-artcourses.co.uk<br />
Arti-Parties for arti kids! Etch printing,<br />
felt making, mosaics….<br />
W W W. V i V a l E W E S . C o M<br />
DAIRY<br />
STUDIO<br />
WALL OF ART 2007<br />
IN AID OF MOTOR NEURONE DISEASE<br />
This disease is devastating for all those<br />
involved; MND is a progressive, fatal condition<br />
that causes muscle wastage: It is fairly rare<br />
and unfortunately there is currently no cure,<br />
and most people with MND die from it within a<br />
few years.<br />
If you didn’t make it to Dairy Studio’s WALL of<br />
ART post card size art sale last September,<br />
then make sure you donate a card and come<br />
to the event this September 1 st<br />
Its fun, lively and all proceeds go to MND<br />
families in <strong>Lewes</strong>.<br />
Please start thinking about donating a post<br />
card size piece of art again this year: Contact<br />
Susie Monnington on<br />
01273 858438 or 07790556420.<br />
Details are on the newsletter page at:<br />
www.dairystudio-artcourses.co.uk
Health and Wellbeing<br />
LIFESTORY WORKSHOP<br />
Our life is richly woven of events and meetings,<br />
joys and crises, relationships and turning points.<br />
Through artistic exercises, talks and sharing in<br />
small groups we set out to see the larger destiny<br />
picture and to unravel some of our own mystery.<br />
Tracing the red thread of meaning and purpose<br />
in our lives illumines the “NOW” and enables<br />
choices in our next steps.<br />
If you are standing before a crossroad, or a life<br />
decision or wish to better understand your path,<br />
this workshop is for you.<br />
7 Sessions: beginning Tuesday<br />
25th September ~ 7.30 to 9.30pm<br />
Or Thursday 27th September 2.00 to 4.00pm<br />
Cost £85.00<br />
For further information telephone 01273 474596<br />
Mobile 0777 5755012<br />
Course leader: Hazel Collinson<br />
(biographical counsellor and biography groupworker)<br />
Venue location: Pelham Terrace.<br />
W W W. V i V a l E W E S . C o M<br />
ZAREBAS<br />
PERSONAL<br />
DEVELOPMENT<br />
GROUPS<br />
LIVING MINDFULlY<br />
Zarebas Groups offers an eight<br />
part course over 19 weeks, based<br />
on Buddhist principles.<br />
A straightforward, easy to follow<br />
introduction to genuine stress<br />
reduction, using insight into our<br />
limiting beliefs.<br />
September 9th to December 16th 2007<br />
Equilibrium Complementary Health Centre<br />
16 Station Street <strong>Lewes</strong> East Sussex<br />
01273 470955<br />
www.equilibrium-clinic.com<br />
info@equilibrium-clinic.com<br />
d i r E C t o r y<br />
5 5
5 6<br />
d i r E C t o r y<br />
Bespoke Kitchens<br />
Hartley Quinn Wislon<br />
01273 401648<br />
Peter Rogan 01273 513478<br />
Building and Landscaping<br />
Steve Holford 01273 475485<br />
Building and Decorating<br />
Marc Cable 0773 9127901<br />
Building Maintenance<br />
Ray Shaw 01273 477636<br />
Building services<br />
Corey Pegler 01273 486776<br />
Business services<br />
Carpentry<br />
Carpenter, Decorator<br />
Sash Windows Repairs<br />
Paul Furnell<br />
Tel: 07717 862940<br />
Goodman-Burrows 01273 483339<br />
Phil Day 07813 326130<br />
Ceramic Restorer<br />
Sarah Burgess 01273 479099<br />
Chimney sweep<br />
Mark Owen 01273 514349<br />
Corgi Gas Boiler servicing<br />
Dereck Wills 01273 472886<br />
electrical Contractor<br />
Robin Shoebridge 01273 515169<br />
Gardening<br />
sally Holder<br />
Professional Gardener<br />
Specialising in high quality<br />
renovation and maintenance<br />
tel 01 1 86<br />
Glazier<br />
Castle Glazing<br />
Dave Dryburgh 01273 472697<br />
i T / Computer support<br />
Geeks on Wheels<br />
0800 107 4111<br />
David Kemp 01273 475727<br />
sol Hoch (Apple Mac support)<br />
01 0155<br />
Joinery services<br />
Parsons Joinery 01273 814870<br />
Landscape Gardening / Design<br />
Woodruffs 01273 4708431<br />
Phil Downham 01273 488261<br />
Alex Hart 01273 401962<br />
Languages<br />
Spanish Lessons<br />
Call Adriana Blair<br />
41A St. Anne’s Crescent, <strong>Lewes</strong><br />
01273 476982<br />
Email: napb@fsmail.net<br />
W W W. V i V a l E W E S . C o M<br />
Business, Home & Garden<br />
Painter & Decorator<br />
Steve Dartnell 01273 478469<br />
P. Moult 01825 714738<br />
DRuM AND<br />
PiANO LessONs<br />
Beginners to Intermediate<br />
Call Luke on 01273 479184<br />
0782 8298507<br />
Plumbing & Heating<br />
Plumbcare 0845 6421799<br />
Keri Lindsay & Berty Richer<br />
01273 476570<br />
TREE SURGERY<br />
& GARDENING<br />
Martin Ashby<br />
T: 01273 476539<br />
Mobile: 07754 041827<br />
Removals & House Clearance<br />
Benjamin Light 07904 453825<br />
Roofing services<br />
Richard Soan 01273 486110<br />
Guitar/Songwriting lessons<br />
Beginners - Intermediate<br />
Many styles covered<br />
Call Darius on 07980743830
Business, Home & Garden<br />
Think Different<br />
Apple Mac IT Support<br />
Telephone: 01273 470155<br />
� Apple Certified Systems Administrator<br />
� Broadband, Wired & WiFi Networks<br />
� Apple & Windows OS integration<br />
� Friendly advice, 7x24x365 Support<br />
� �Outside the Box� solutions<br />
email: sollie103@mac.com<br />
W W W. V i V a l E W E S . C o M<br />
d i r E C t o r y<br />
5
5 8<br />
d i r E C t o r y Business, Home & Garden<br />
W W W. V i V a l E W E S . C o M
Business, Home & Garden<br />
W W W. V i V a l E W E S . C o M<br />
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5
6 0<br />
d i r E C t o r y<br />
W W W. V i V a l E W E S . C o M<br />
Taxis<br />
GM Taxis 01273 473 737<br />
<strong>Lewes</strong> District Taxis Ltd 01273 483 232<br />
<strong>Lewes</strong> Hackney Carriages 01273 474 444<br />
Len’s Taxies 01273 488 000<br />
PHOENIX CARS<br />
NOW WITH AN EIGHT SEATER<br />
TO BOOK CALL 01273 475 858<br />
S & G Taxis 01273 476 116<br />
Yellow Cars 01273 472 727<br />
To advertise call<br />
01273 488882 or email<br />
advertising@vivalewes.com<br />
Useful Numbers:<br />
Emergency/Utilities<br />
Electricity and Gas 0800 783 8866<br />
Gas Emergency 0800 111 999<br />
Water Emergency 0845 278 0845<br />
Floodline 0845 988 1188<br />
BT Fault Line 0800 800 151<br />
<strong>Lewes</strong> Victoria Hospital<br />
01273 474153<br />
Sussex Police (non-emergency)<br />
0845 607 0999<br />
Crimestoppers 0800 555 111<br />
Transport<br />
Gatwick Enq 0870 000 2468<br />
Heathrow Enq 0870 000 0123<br />
National Rail 08457 484950<br />
Public Transport Travel line<br />
0870 608 2608<br />
Other<br />
Childline 0800 1111<br />
Citizens’ Advice 01273 473082<br />
<strong>Lewes</strong> Chamber of Commerce<br />
01273 488212<br />
<strong>Lewes</strong> District Council<br />
01273 471600<br />
<strong>Lewes</strong> Library 01273 474232<br />
<strong>Lewes</strong> Tourist Info 01273 483448<br />
The Samaritans 08457 90 90 90
Restaurants and Take Aways<br />
Bill’s Produce store<br />
56 Cliffe High Street<br />
01273 476918<br />
Beijing Restaurant<br />
13 Fisher St, <strong>Lewes</strong><br />
01273 487 654<br />
Casbah<br />
146 High Street, <strong>Lewes</strong><br />
01273 472441<br />
Cheese Please<br />
46 High Street <strong>Lewes</strong><br />
01273 481048<br />
Carnival (Chinese T/A)<br />
01273 474221<br />
Circa<br />
Pelham House Lane, <strong>Lewes</strong>,<br />
01273 471 333<br />
Dilraj<br />
12 Fisher St, <strong>Lewes</strong><br />
01273 479 279<br />
LAPORTe’s<br />
Local and Organic Food<br />
1 Lansdown Place<br />
01 881<br />
Lazzati’s (italian)<br />
17, Market St, <strong>Lewes</strong><br />
01273 479539<br />
<strong>Lewes</strong> spice<br />
32 Lansdown Place, <strong>Lewes</strong><br />
01273 472 493<br />
Panda Garden Chinese<br />
162 High St, <strong>Lewes</strong><br />
01273 473 235<br />
Pizza express plc<br />
15 High St, <strong>Lewes</strong><br />
01273 487 524<br />
seasons of <strong>Lewes</strong><br />
199 High St, <strong>Lewes</strong><br />
01273 473 968<br />
shanaz<br />
Curry House<br />
01 880 8<br />
Spice Merchant<br />
01273 470707<br />
south street Fish Bar<br />
9 South St, <strong>Lewes</strong><br />
01273 474 710<br />
spring Barn Farm<br />
Kingston Road, <strong>Lewes</strong><br />
01273 488450<br />
The Brasserie<br />
Cliffe High St, <strong>Lewes</strong><br />
01273 472 247<br />
The Needlemakers Cafe<br />
West Street <strong>Lewes</strong><br />
01273 486258<br />
The Friar<br />
7 Fisher St, <strong>Lewes</strong><br />
01273 472 016<br />
Yummy Yummy’s<br />
38 Western Road,<strong>Lewes</strong><br />
01273 473366<br />
Pubs<br />
Abergavenny Arms<br />
Rodmell, <strong>Lewes</strong><br />
01273 472416<br />
Black Horse inn<br />
55 Western Rd,<br />
<strong>Lewes</strong>,<br />
01273 473 653<br />
Blacksmiths Arms<br />
Offham, <strong>Lewes</strong><br />
01273 472 971<br />
Dorset<br />
22 Mallinsg Street <strong>Lewes</strong><br />
01273 474823<br />
elephant & Castle<br />
White Hill, <strong>Lewes</strong><br />
01273 473 797<br />
Green Man<br />
<strong>Lewes</strong> Road Ringmer<br />
01273 812422<br />
John Harvey Tavern<br />
1 Bear Yard t, <strong>Lewes</strong><br />
01273 479 880<br />
<strong>Lewes</strong> Arms<br />
1 Mount Place, <strong>Lewes</strong><br />
01273 473 152<br />
Pelham Arms<br />
High St, <strong>Lewes</strong><br />
01273 476 149<br />
Royal Oak<br />
3 Station Street, <strong>Lewes</strong><br />
01273 474803<br />
snowdrop inn<br />
119 South St, <strong>Lewes</strong><br />
01273 471 018<br />
W W W. V i V a l E W E S . C o M<br />
Tally Ho<br />
Baxter Rd, <strong>Lewes</strong>,<br />
01273 474 759<br />
The Anchor<br />
<strong>Lewes</strong> Road Ringmer<br />
01273 812370<br />
The Brewers Arms<br />
91 High St, <strong>Lewes</strong>,<br />
01273 475 524<br />
The Cock<br />
Uckfield Road, Ringmer<br />
01273 812040<br />
The Chalk Pit inn<br />
Offham Rd, Offham<br />
01273 471 124<br />
The Juggs<br />
The Street, Kingston, <strong>Lewes</strong><br />
01273 472 523<br />
The Lansdown<br />
36 Lansdown Place, <strong>Lewes</strong><br />
01273 480623<br />
d i r E C t o r y<br />
The Kings Head<br />
9 Southover High St, <strong>Lewes</strong><br />
01273 474 628<br />
The Meridian<br />
109 Western Rd, <strong>Lewes</strong><br />
Tel: 01273 473710<br />
The Lamb<br />
10 Fisher St, <strong>Lewes</strong><br />
01273 470 950<br />
The Rainbow inn<br />
Resting Oak Hill, Cooksbridge<br />
01273 400 334<br />
The Rainbow Tavern<br />
179 High St, <strong>Lewes</strong><br />
01273 472 170<br />
The swan<br />
30a Southover High St, <strong>Lewes</strong><br />
01273 480 211<br />
Volunteer inn<br />
12 Eastgate St, <strong>Lewes</strong><br />
01273 476357<br />
6 1
M Y L E W E S<br />
6<br />
Name: Raphaella Sapir.<br />
Profession: I’m an arts project manager. I’m the<br />
co-ordinator of the ‘PATINA’ (parents and teachers<br />
in art) ‘Moving On’ parade, which takes place every<br />
beginning of July. I also co-run a small semi-underground<br />
Film and Food club at the Tin Tabernacle<br />
in Barcombe. We screen world films, and serve food<br />
from the country of origin. I used to work making<br />
props and set dressing for TV and cinema.<br />
Are you local? I’ve lived here for a good seven years.<br />
Before that I lived in London and Tel Aviv. When<br />
people ask me where I’m from it gets a bit complicated,<br />
because my mother is Tuscan Italian (of German<br />
and Hungarian parents), and my father’s Israeli<br />
(from Russian and Israeli parents). Often I just say<br />
I’m from Malling.<br />
Are you very aware that you’re a foreigner? I feel<br />
totally at home here, but I’m not speaking my mother<br />
tongue, so I’m always aware that I’m not from here.<br />
Perhaps it’s destiny: my mother was in the same position,<br />
and her mother before that.<br />
Best thing about <strong>Lewes</strong>? Bumping into friendly<br />
people all the time really makes me feel at home.<br />
What do you dislike about <strong>Lewes</strong>? I’m worried<br />
about the changes <strong>Lewes</strong> is bound to go through in<br />
the future. People will be saying ‘remember how it<br />
was in the old days?’ Well we’re living in the ‘old<br />
days’ now. And I am aware of how lovely it is.<br />
Favourite pub? The <strong>Lewes</strong> Arms after the boycott.<br />
Although I don’t do beer.<br />
What’s your poison? Vodka with whatever.<br />
Waitrose or Tesco (or neither)? Neither. Ashurst<br />
Organic box with extras, Infinity Food bulk order, a<br />
bit of Barefoot Herbs and May’s General Store.<br />
What did you have for breakfast this morning?<br />
Organic fair trade coffee from a percolator (milk no<br />
sugar) and a radish, lettuce, cucumber, lemon and<br />
olive-oil salad.<br />
What do you think about traffic wardens? I think<br />
that they must be really desperate to resort to getting<br />
such a job. A job which makes so many people<br />
unhappy and generates so much hatred. At ‘Something<br />
to Dance About’ (Paddock Productions’ day<br />
of dancing last year) I made props for the Warden<br />
Dance in the Precinct, so I developed some compassion<br />
for the poor souls.<br />
Which newspaper do you read? <strong>Viva</strong><strong>Lewes</strong>.com,<br />
when it comes out on Wednesday evening and the<br />
Sussex Express. I occasionally dip into international<br />
news on the web.<br />
Favourite <strong>Lewes</strong> landmark? I love the view from<br />
where we call ‘Tellytubby Land 2’ above the Chalk<br />
Pit Inn. Otherwise known as ‘Bonnie Scotland’. You<br />
can see the river turning and all of <strong>Lewes</strong> and the<br />
Castle, and when the train passes with its lights on…<br />
it’s like a picture book.<br />
How would you spend a perfect sunday afternoon?<br />
In my friend Adrienne’s woods, whistling and<br />
making wooden spoons and bows and arrows.<br />
And a restaurant? Moshi Moshi in Brighton. It’s a<br />
sushi bar where the plates move round on a conveyor<br />
belt. In <strong>Lewes</strong> it’ll be Seasons, Bill’s or Circa.<br />
What’s on your hi-fi? The White Stripes. All the<br />
albums. ‘The Denial Twist’ is my favourite track.<br />
What does <strong>Lewes</strong> need? More people to car share,<br />
it’s fab. And could the local independent cafés stay<br />
open after 5pm, please?<br />
W W W. V i V a l E W E S . C o M<br />
Photograph: Katie Moorman
Property Restoration<br />
We specialise in restoration and alteration of old and listed buildings,<br />
from traditional oak-framed barns to Victorian town houses<br />
Showroom:<br />
Cooksbridge Station<br />
Tel:<br />
01273 401648<br />
Email:<br />
mark@hqwshowroom.co.uk<br />
W W W. V i V A L e W e s . C O M<br />
Web:<br />
www.hqwshowroom.co.uk<br />
d i r E C t o r y<br />
6
Because life’s<br />
an investment.<br />
www.herbertscott.co.uk<br />
financial management<br />
Call 01273 407500 or email<br />
enquiries@herbertscott.co.uk<br />
Herbert Scott Financial Management comprises of Herbert Scott Financial Management Ltd and Herbert Scott IFA Ltd.<br />
Herbert Scott IFA Ltd is authorised and regulated by the Financial Services Authority.