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ZEITGEIST: THE MOVIE

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Ointment, ointment, where should you be? You on Horus‘s forehead, where should you be? You<br />

were on Horus‘s forehead... 84<br />

Concerning the god as ―Good Shepherd,‖ Murdock also remarks:<br />

In BD [Book of the Dead spell] 142 appears a long ―List of the Forms and Shrines of Osiris,‖ with<br />

over 140 epithets for the god, including the ―Protector‖ or ―Shepherd‖—Asar-Saa. The sun god Re<br />

too was the ―good shepherd,‖ and Horus‘s ―Good Shepherd‖ role is made clear in the Pyramid<br />

Texts as well, for example, at PT 690:2106a-b/N 524: ―O King, stand up for Horus, that he may<br />

make you a spirit and guide you when you ascend to the sky.‖<br />

―Horus,‖ in other words, the king, is called ―the good shepherd‖ also in the third inscription at the<br />

Temple of ―Redesiyeh‖ or El-Radesia at Wady Abad, near Edfu in Upper Egypt. As Lundy says,<br />

―The royal Good Shepherd is the antitype of Horus...‖ The idea of the Horus-king as the ―good<br />

shepherd,‖ in fact, was so important that it constituted a major shift in perception and public<br />

policy, representing the general mentality of the 11 th and 12 th Dynasties (c. 2050-1800 BCE). As<br />

remarked upon by Egyptologist Dr. John A. Wilson, a director of the Oriental Institute at the<br />

University of Chicago, ―The concept of the good shepherd rather than the distant and lordly owner<br />

of the flocks shifted the idea of kingship from possession as a right to responsibility as a duty.‖ 85<br />

Regarding the ―Lamb of God‖ epithet, Massey explains:<br />

...In the text Horus is addressed as the ―Sheep, son of a sheep; Lamb, son of a lamb,‖ and<br />

invoked in this character as the protector and saviour of souls...Horus is the lamb of God the<br />

father, and is addresses by the name of the lamb who is the protector of savior of the dead in the<br />

earth and Amenti. 86<br />

18. After being “betrayed” by Typhon, Horus was “crucified,” buried for three days,<br />

and thus, resurrected.<br />

It needs to be reiterated here that the ancient texts did not necessarily spell out the myths in a linear<br />

fashion, resembling a story following a certain timeframe. Mythical motifs found disparately in the ancient<br />

Egyptian texts are combined in this paragraph, as they are in modern encyclopedia entries. While some<br />

might be critical of this manner of unfolding in the movie, it should be understood that the premise of the<br />

entire section (―Zeitgeist,‖ Part 1) concerns how symbolic characteristics were taken from the Egyptian<br />

religion and infused into Christianity, as a natural flow of religious evolution across various seemingly<br />

independent doctrines. Hence, the linear nature of such points becomes less important than the symbols<br />

they represent—especially when all the evidence and the context of astrotheology are taken into<br />

consideration.<br />

Also, it is important to remember the ―hybrid‖ nature of the Egyptian gods and how multiple names are<br />

given to the same entity (i.e., Horus/Osiris hybrid). As Murdock explains:<br />

As we explore the original Egyptian mythos and ritual upon which much of Christianity was<br />

evidently founded, it needs to be kept in mind that the gods Osiris and Horus in particular were<br />

frequently interchangeable and combined, as in ―I and the Father are one.‖ (Jn 10:30) 87<br />

Along the same lines, Egyptologist Dr. Samuel C. Sharpe remarks:<br />

The long list of gods...again further increased in two ways. The priests sometimes made a new<br />

god by uniting two or three or four into one, and at other times by dividing one into two or three, or<br />

more. Thus out of Horus and Ra they made Horus-Ra, called by the Greeks Aroeris. Out of Osiris<br />

and Apis the bull of Memphis, the priests of Memphis made Osiri-Apis or Serapis. He carries the<br />

two sceptres of Osiris, and has a bull‘s head... Out of Amun-Ra and Ehe the bull of Heliopolis, the<br />

priests of the East of the Delta made Amun-Ra-Ehe. To this again they added a fourth character,<br />

83 Faulkner, EBD, pl. 33, 110; Allen, J., AEPT, 36. (E.g., PT 20:11a; PT 219:179b; PT 369:644c; PT 510:1130c; PT<br />

540:1331b; W 152)<br />

84 Allen, J., AEPT, 22.<br />

85 Murdock, CIE, 312.<br />

86 Massey, NG, II, 471,<br />

87 Murdock, CIE, 67-68.

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