Works of Art Loaned by the NGV - National Gallery of Victoria
Works of Art Loaned by the NGV - National Gallery of Victoria
Works of Art Loaned by the NGV - National Gallery of Victoria
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<strong>Works</strong> <strong>of</strong> <strong>Art</strong> <strong>Loaned</strong> <strong>by</strong> <strong>the</strong> <strong>NGV</strong> continued<br />
with <strong>the</strong> assistance <strong>of</strong> Henry and Dinah Krongold, Founder<br />
Benefactors, 1984. Decoy, 1971, coloured lithograph and<br />
photo-lithograph with die cut, ed. 38/55. Purchased, 1972.<br />
Periscope II, 1979, colour lithograph, ed. 21/28. Purchased,<br />
1980<br />
Willem de KOONING (Dutch/American 1904–97), Big, 1970,<br />
lithograph, printer’s pro<strong>of</strong>, ed. 10; Sting ray, lithograph,<br />
printer’s pro<strong>of</strong>, ed. 48. Purchased through The <strong>Art</strong> Foundation<br />
<strong>of</strong> <strong>Victoria</strong> with <strong>the</strong> assistance <strong>of</strong> Henry and Dinah Krongold,<br />
Founder Benefactors, 1984<br />
Sol LEWITT (American 1928–), Horizontal composite,<br />
(1970–71), screenprint, printer’s pro<strong>of</strong>, ed. 40; Lines,<br />
not long, not heavy, not touching, drawn at random (circle),<br />
(1971), coloured lithograph, artist’s pro<strong>of</strong>, ed. 100.<br />
Presented through The <strong>Art</strong> Foundation <strong>of</strong> <strong>Victoria</strong><br />
<strong>by</strong> Dr David Rosenthal, Governor, 1995<br />
Robert MOTHERWELL (American 1915–91), Africa<br />
suite no. 9, from <strong>the</strong> suite <strong>of</strong> 10 screenprints, Africa suite,<br />
1970, screenprint in two colours (black and warm cream),<br />
ed. 23/150. Gift <strong>of</strong> Don and Carolyn Rankin, 1997<br />
Robert RAUSCHENBERG (American 1925–), Drizzle, 1967,<br />
colour lithograph with embossing, printer’s pro<strong>of</strong>, ed. 29;<br />
Guardian, 1968, colour lithograph, printer’s pro<strong>of</strong> 1/2, ed. 44;<br />
Landmark, 1968, colour lithograph, printer’s pro<strong>of</strong>, ed. 40;<br />
Waterstop, 1968, colour lithograph with embossing, printer’s<br />
pro<strong>of</strong> 1/3, ed. 28. Purchased through The <strong>Art</strong> Foundation <strong>of</strong><br />
<strong>Victoria</strong> with <strong>the</strong> assistance <strong>of</strong> Henry and Dinah Krongold,<br />
Founder Benefactors, 1984<br />
James ROSENQUIST (American 1933–), Silver skies, 1970,<br />
colour lithograph, printer’s pro<strong>of</strong> 1/2, ed. 65; Flower garden,<br />
1972, colour lithograph, artist’s pro<strong>of</strong> 19/20, ed. 75; See-saw<br />
class systems, 1968, colour lithograph, ed. 100. Purchased<br />
through The <strong>Art</strong> Foundation <strong>of</strong> <strong>Victoria</strong> with <strong>the</strong> assistance<br />
<strong>of</strong> Henry and Dinah Krongold, Founder Benefactors, 1984.<br />
For love, 1965, from <strong>the</strong> portfolio 11 Pop <strong>Art</strong>ists III, 1965–66,<br />
colour screenprint, ed. 63/200. Purchased, 1969<br />
Robert RYMAN (American 1930–), Etching in four parts, 1972,<br />
colour etching on four sheets, ed. 16/30. Gift <strong>of</strong> Dr David<br />
Rosenthal, 1992<br />
Mark TOBEY (American 1890–1976), Mandarin, 1973, colour<br />
lithograph, artist’s pro<strong>of</strong> 11/11, ed. 95; Chinese memories,<br />
(1974), lithograph, printer’s pro<strong>of</strong> 11/11, ed. 50. Purchased<br />
through The <strong>Art</strong> Foundation <strong>of</strong> <strong>Victoria</strong> with <strong>the</strong> assistance <strong>of</strong><br />
Henry and Dinah Krongold, Founder Benefactors, 1984<br />
Andy WARHOL (American 1928–87), Jackie III, 1966, from <strong>the</strong><br />
portfolio 11 Pop <strong>Art</strong>ists III, 1965–66, colour screenprint, artist’s<br />
pro<strong>of</strong> 37/50, ed. 200. Gift <strong>of</strong> Dr David Rosenthal, 1991. Mickey<br />
Mouse, 1981, from <strong>the</strong> portfolio Myths, colour screenprint<br />
and diamond dust, artist’s pro<strong>of</strong> 9/30, ed. 200. Gift <strong>of</strong> James<br />
Mollison AO, 1988<br />
Global <strong>Art</strong>s Link, Ipswich<br />
Peak<br />
(17 August–11 November 2001)<br />
Edwin TANNER (born Wales 1920, arrived in Australia 1923,<br />
died 1980), Track man, 1957, oil on canvas on composition<br />
board. Gift <strong>of</strong> <strong>the</strong> Trustees <strong>of</strong> <strong>the</strong> Museum <strong>of</strong> Modern <strong>Art</strong> and<br />
Design <strong>of</strong> Australia, 1981<br />
Swan Hill Regional <strong>Art</strong> <strong>Gallery</strong><br />
A Sunlit Vision: Photographs <strong>by</strong> Max Dupain<br />
(until 19 August 2001)<br />
Max DUPAIN (Australia 1911–92), Sharks at Blackhead Beach,<br />
1938; Smiling girl, 1938; War photographer–Damien Parer, 1942,<br />
gelatin silver photograph; Wea<strong>the</strong>r <strong>of</strong> Tartarus, 1933, bromoil<br />
photograph. Purchased through The <strong>Art</strong> Foundation <strong>of</strong> <strong>Victoria</strong><br />
with <strong>the</strong> assistance <strong>of</strong> <strong>National</strong> Australia Bank Limited, Honorary<br />
Life Benefactor, 1992. Alfred Street, North Sydney, <strong>by</strong> night, 1940s,<br />
printed (c. 1986); Mo<strong>the</strong>r and child, 1952, printed (c. 1986); Paddy’s<br />
Market, 1938, printed (c. 1986); Rush hour in King’s Cross, 1938,<br />
printed (c. 1986); Sydney Harbour crepuscule, 1937, printed (c.<br />
1986); Twilight, peak hour, Sydney Harbour Bridge, 1946, printed<br />
(c. 1986); View from Clarence Street studio, 1947, printed (c. 1986),<br />
gelatin silver photograph. Purchased through The <strong>Art</strong> Foundation<br />
<strong>of</strong> <strong>Victoria</strong> with <strong>the</strong> assistance <strong>of</strong> Mr A. C. Goode, Fellow, 1987.<br />
Melbourne, 1946, printed (c. 1986); Melbourne with rain, 1946,<br />
printed (c. 1986); Storm at Toowoon Bay, 1952, printed (c. 1986),<br />
gelatin silver photograph. Purchased from funds donated <strong>by</strong><br />
Hallmark Cards Australia Pty Ltd, 1987. Sunrise at Newport, (c.<br />
1970), gelatin silver photograph. Purchased, 1971. At Newport,<br />
1952, printed (c. 1975); Australia Square Tower, 1968, printed<br />
(c. 1975); Coal and Candle Creek, 1973; Bondi, 1939, printed (c.<br />
1975); Norman Lindsay, 1936, printed (c. 1975); Smiling girl,<br />
1938, printed (c. 1975), gelatin silver photograph. Purchased<br />
with <strong>the</strong> assistance <strong>of</strong> <strong>the</strong> Visual <strong>Art</strong>s Board, 1976. Mosman Bay<br />
at dusk, 1937, printed (c. 1978); South West Rocks, N.S.W.; South<br />
West Rocks, N.S.W., 1978, gelatin silver photograph. Purchased,<br />
1979. Manly, 1939, gelatin silver photograph. Purchased, 1992.<br />
Bourke Street, Melbourne, 1946, printed (c. 1985), Collins Street,<br />
Melbourne, 1946, printed (c. 1985); Collins Street, Melbourne, 1946,<br />
printed (c. 1985); Harbour Bridge support system, 1941, printed<br />
1977; Melbourne from St Patrick’s, 1946, printed (c. 1985); North<br />
Sydney from MLC Building, 1957, printed (c. 1985); Silos through<br />
windscreen, 1935, printed (c. 1985); St Kilda Road, Melbourne,<br />
1946, printed (c. 1985), gelatin silver photograph. Purchased,<br />
1986. Opera House at night, 1969, printed (c. 1974); Opera House<br />
ro<strong>of</strong>, 1969, printed (c. 1974), gelatin silver photograph. Purchased<br />
through <strong>the</strong> Kodak (Australasia) Pty Ltd Fund, 1975. Manly, 1939,<br />
gelatin silver photograph. Purchased, 1992<br />
62 Council <strong>of</strong> Trustees <strong>of</strong> <strong>the</strong> <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong>