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Works of Art Loaned by the NGV - National Gallery of Victoria

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<strong>Works</strong> <strong>of</strong> <strong>Art</strong> <strong>Loaned</strong> <strong>by</strong> <strong>the</strong> <strong>NGV</strong> continued<br />

Walker <strong>Art</strong> <strong>Gallery</strong>, Liverpool (Touring Exhibition)<br />

George Romney 1734–1802<br />

Walker <strong>Art</strong> <strong>Gallery</strong>, Liverpool (7 February–28 April 2002)<br />

<strong>National</strong> Portrait <strong>Gallery</strong>, London (30 May–18 August 2002)<br />

Huntington Library, <strong>Art</strong> Collections and Botanical Gardens<br />

(15 September–1 December 2002)<br />

George ROMNEY (English 1734–1802), The Leigh family,<br />

(c. 1768), oil on canvas. Felton Bequest, 1959<br />

University <strong>of</strong> Queensland <strong>Art</strong> Museum (Touring Exhibition)<br />

Laurence Hope Retrospective<br />

Heide Museum <strong>of</strong> Modern <strong>Art</strong> (8 March–5 May 2002)<br />

Laurence HOPE (born Australia 1928), Moonlit night, Spring Hill,<br />

1946–47, watercolour and pencil. Purchased, 1993<br />

Customs House <strong>Gallery</strong>, Brisbane (12 July–25 August 2002)<br />

Laurence HOPE (born Australia 1928), Moonlit night, Spring<br />

Hill, 1946–47, watercolour and pencil; Interior, boarding<br />

house, Brisbane, 1947, watercolour; The white gloves, 1948,<br />

watercolour, brush and ink and gouache. Purchased, 1993<br />

<strong>National</strong> Library <strong>of</strong> Australia, Canberra (Touring Exhibition)<br />

Burke and Wills: From Melbourne to Myth<br />

<strong>National</strong> Library <strong>of</strong> Australia (20 March–2 June 2002)<br />

<strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> South Australia (13 June–18 August 2002)<br />

State Library <strong>of</strong> <strong>Victoria</strong> (13 September–24 November 2002)<br />

John LONGSTAFF (Australia 1862–1941), Arrival <strong>of</strong> Burke, Wills<br />

and King at <strong>the</strong> deserted camp at Cooper’s Creek, Sunday evening,<br />

21st April 1861, 1907, oil on canvas. Gilbee Bequest, 1907<br />

Sidney NOLAN (born in Australia 1917, worked in Great Britain<br />

1953–92, died Great Britain 1992), Burke and Wills at <strong>the</strong><br />

Gulf, (1961), syn<strong>the</strong>tic polymer paint on composition board.<br />

Presented for Claire Pitblado from Sunday Reed, 1972<br />

Mornington Peninsula Regional <strong>Gallery</strong> (Touring Exhibition)<br />

Nocturne<br />

Mornington Peninsula Regional <strong>Gallery</strong> (24 April–16 June 2002)<br />

Geelong <strong>Art</strong> <strong>Gallery</strong> (5 July–1 September 2002)<br />

Girolamo NERLI (born Italy 1860, arrived in Australia 1885,<br />

worked in New Zealand 1893–93, died 1926), Street scene on a<br />

rainy night, (c. 1889–90), oil on cardboard. Purchased, 1951<br />

Jane R. PRICE (born Great Britain 1860, arrived in Australia<br />

1880, died 1948), Sydney Harbour <strong>by</strong> night, oil on canvas.<br />

Purchased, 1954<br />

Castlemaine <strong>Art</strong> <strong>Gallery</strong> and Historical Museum<br />

Murray Griffin (1903–92)<br />

(until 1 July 2001)<br />

Murray GRIFFIN (Australia 1903–92), The white one, (1933),<br />

colour linocut, ed. 6/12. Felton Bequest, 1934<br />

Lake Macquarie City <strong>Art</strong> <strong>Gallery</strong><br />

Dobell: The Portraits<br />

(until 15 July 2001)<br />

William DOBELL (Australia 1899–1970), Helena Rubinstein,<br />

(1957), oil on composition board. Felton Bequest, 1964<br />

Performing <strong>Art</strong>s Museum, Melbourne<br />

Nellie Stewart: Australia’s Darling <strong>of</strong> <strong>the</strong> Stage<br />

George Adams <strong>Gallery</strong> (until 15 July 2001)<br />

W. B. McINNES (Australia 1889–1939), Miss Nellie Stewart,<br />

1930, oil on canvas. Gift <strong>of</strong> Miss Stewart, 1931<br />

Tate Britain<br />

Michael Andrews<br />

(19 July–7 October 2001)<br />

Michael ANDREWS (English 1928–95), All night long, (1963–64),<br />

oil on composition board (3 panels). Felton Bequest, 1964<br />

Museum <strong>of</strong> Contemporary <strong>Art</strong>, Sydney<br />

Kathleen Petyarr Survey<br />

(until 22 July 2001)<br />

Kathleen PETYARR (Alyawarr/Eastern Anmatyerr born<br />

c. 1940), Mountain devil lizard Dreaming (after hailstorm), 1997,<br />

syn<strong>the</strong>tic polymer paint on canvas. Presented through The <strong>Art</strong><br />

Foundation <strong>of</strong> <strong>Victoria</strong> <strong>by</strong> Gallerie Australis, Member, 1997<br />

Museum <strong>of</strong> Contemporary <strong>Art</strong>, Sydney<br />

Ricky Swallow<br />

(1 August–29 October 2001)<br />

Ricky SWALLOW (born Australia 1974), Model for a sunken<br />

monument, (1999), syn<strong>the</strong>tic polymer paint on composition board.<br />

Purchased through The <strong>Art</strong> Foundation <strong>of</strong> <strong>Victoria</strong> with <strong>the</strong><br />

assistance <strong>of</strong> <strong>the</strong> Joan Clemenger Endowment, Governor, 1999<br />

Annual Report 2001–2002 59

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