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Works of Art Loaned by the NGV - National Gallery of Victoria

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The Ian Potter Centre: <strong>NGV</strong> Australia at Federation Square. Architect: Lab + Bates Smart. ©<strong>NGV</strong><br />

Staffing continued<br />

Overseas Travel<br />

In June 2001, Tony Ellwood, Deputy Director, International Collections,<br />

travelled to <strong>the</strong> USA to attend <strong>the</strong> opening <strong>of</strong> <strong>the</strong> exhibition<br />

European Masterpieces: Six Centuries <strong>of</strong> Painting from <strong>the</strong> <strong>National</strong><br />

<strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong>, Australia, at <strong>the</strong> Denver <strong>Art</strong> Museum. In June<br />

2002, he travelled to Norway and <strong>the</strong> United Kingdom to explore<br />

future projects and working relationships with a number <strong>of</strong> key<br />

art institutions.<br />

In October 2001, Frances Lindsay, Deputy Director, Australian<br />

<strong>Art</strong> visited <strong>the</strong> Portland <strong>Art</strong> Museum, Oregon to attend <strong>the</strong><br />

opening <strong>of</strong> European Masterpieces: Six Centuries <strong>of</strong> Paintings from<br />

<strong>the</strong> <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Victoria</strong> and to present a lecture — ‘From<br />

Melbourne to Portland: Encounters with <strong>the</strong> Masters’ — about<br />

<strong>the</strong> history <strong>of</strong> <strong>NGV</strong> and its current redevelopment. She also visited<br />

San Francisco and Los Angeles in connection with possible<br />

<strong>NGV</strong> exhibitions.<br />

In October 2001 Jason Smith, Curator, Contemporary <strong>Art</strong>, travelled<br />

to Japan to develop an exhibition <strong>of</strong> contemporary Japanese<br />

and Australian art under <strong>the</strong> auspices <strong>of</strong> <strong>the</strong> Asialink Centre, <strong>the</strong><br />

University <strong>of</strong> Melbourne. In April and May 2002, he also travelled<br />

to <strong>the</strong> United States, Great Britain, Germany and Japan under<br />

<strong>the</strong> auspices <strong>of</strong> <strong>the</strong> inaugural <strong>NGV</strong> Foundation Curatorial Travel<br />

Fund to fur<strong>the</strong>r develop a number <strong>of</strong> exhibitions.<br />

In November 2001, Christopher Menz, Senior Curator, Decorative<br />

<strong>Art</strong>s (International), visited <strong>the</strong> USA to take up a fourweek<br />

fellowship at <strong>the</strong> Huntington Library, <strong>Art</strong> Collections and<br />

Botanical Gardens at San Marino, California, and gave a lecture<br />

<strong>the</strong>re titled ‘From St James’s Palace to Torrens Park: Morris &<br />

Co in South Australia.’<br />

In December 2001 and January 2002, Daryl West-Moore, Manager,<br />

Design, travelled to Germany and Belgium to review and<br />

approve display case prototypes for The Ian Potter Centre:<br />

<strong>NGV</strong> Australia and to approve modifications to <strong>the</strong> display case<br />

prototypes for <strong>NGV</strong> International.<br />

In February 2002, Linda Waters, Senior Conservator, Paintings,<br />

travelled to Grenoble, France, to undertake analysis <strong>of</strong> samples<br />

<strong>of</strong> cobalt blue artists’ pigment at <strong>the</strong> European Synchrotron<br />

Radiation facility.<br />

In May 2002, Ca<strong>the</strong>rine Milikan, Senior Conservator <strong>of</strong> Objects,<br />

travelled as part <strong>of</strong> <strong>the</strong> <strong>Victoria</strong>n Government’s assistance<br />

program to East Timor to assist with <strong>the</strong> preservation and<br />

development <strong>of</strong> East Timor’s cultural heritage, concentrating<br />

her activities in Dili.<br />

Annual Report 2001–2002<br />

Several staff members’ couriered works <strong>of</strong> art overseas. From<br />

<strong>the</strong> Curatorial department, Ge<strong>of</strong>frey Smith and Ted Gott travelled<br />

to <strong>the</strong> USA; Laurie Benson to Italy. From <strong>the</strong> Conservation department,<br />

Holly McGowan-Jackson travelled to <strong>the</strong> UK and France;<br />

Ca<strong>the</strong>rine Earley to <strong>the</strong> USA and <strong>the</strong> UK; Tom Dixon to Spain<br />

and <strong>the</strong> USA; Michael Varcoe-Cocks to Belgium; Ca<strong>the</strong>rine<br />

Milikan to <strong>the</strong> USA. From <strong>the</strong> Registration department, Janine<br />

B<strong>of</strong>ill travelled to France, <strong>the</strong> UK and <strong>the</strong> USA; Paula Nason and<br />

Denise McCann to <strong>the</strong> USA. From Exhibitions and Collection<br />

Management, Gordon Morrison travelled to <strong>the</strong> UK, Belgium<br />

and <strong>the</strong> USA.<br />

Merit and Equity<br />

The <strong>NGV</strong> is committed to ensuring that merit and equity principles<br />

are integral to all aspects <strong>of</strong> human resource development.<br />

It has identified <strong>the</strong> four corporate goals set out in <strong>the</strong> Office <strong>of</strong><br />

<strong>the</strong> Public Service Commissioner (OPSC) policy statement as a<br />

basis for evaluating <strong>the</strong> effectiveness <strong>of</strong> existing merit and equity<br />

initiatives. The goals are as follows:<br />

• Managing diversity: ‘To develop and sustain an organisational<br />

culture in which policies, practices and services are adapted<br />

to <strong>the</strong> needs <strong>of</strong> a diverse and evolving community.’<br />

• Equal employment opportunity (EEO): ‘To ensure <strong>the</strong> diversity<br />

<strong>of</strong> <strong>the</strong> organisation’s workforce reflects <strong>the</strong> labour market<br />

and its customer base.’<br />

• Anti-discrimination: ‘To ensure workplaces are free from<br />

policies and practices that discriminate unlawfully against<br />

staff or potential job seekers.’<br />

• Individual grievances: ‘To ensure that staff have access to a<br />

fair and efficient grievance review process that addresses<br />

breaches <strong>of</strong> merit and equity.’<br />

Processes for achieving <strong>the</strong>se goals have been incorporated into:<br />

• <strong>the</strong> staff training and development program<br />

• <strong>the</strong> performance-management system<br />

• <strong>the</strong> selection and recruitment processes<br />

• <strong>the</strong> grievance resolution process<br />

• people management<br />

• <strong>the</strong> induction process.<br />

Staff Training and Development<br />

The <strong>Gallery</strong> aims to provide opportunities for all staff to develop<br />

and broaden <strong>the</strong>ir skills. A training and development committee<br />

continues to oversee <strong>the</strong> training and development requirements<br />

<strong>of</strong> <strong>the</strong> <strong>NGV</strong>.<br />

93

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