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Volume 90, Number 1 - California Historical Society

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58<br />

notes<br />

The Rubáiyát of Omar Khayyám<br />

In late 1<strong>90</strong>3 or early 1<strong>90</strong>4, Miller was asked to pose for photographer<br />

Adelaide Marquand Hanscom’s (1875–1931) illustrated<br />

version of the classic selection of poems, the Rubáiyát<br />

of Omar Khayyám (left).<br />

In a 1<strong>90</strong>6 interview, Hanscom described waiting for Miller’s<br />

reply: “We had about given up on hope, thinking he had<br />

ignored us entirely, when one day a tall, long bearded, long<br />

haired and long coated old man came into our studio and,<br />

without waiting to introduce himself, extended both his<br />

hands above our heads and said, ‘Bless you, my children,<br />

bless you.’ He then took each in turn by the hand, bowed<br />

low, and kissed the fingertips. It is a ceremony, we soon<br />

learned, that he seldom omits.”<br />

<strong>California</strong> History • volume <strong>90</strong> number 1 2012<br />

The poet Charles Keeler (1871–1937) also posed for Hanscom<br />

(right). Keeler, she recalled, “hazarded his life by sitting upon<br />

the edge of an upturned circular table pouring, or imagining he<br />

was pouring, bubbles from a huge, heavy brass bowl. It was the<br />

only available thing I could make to represent this big, round<br />

earth of ours.”<br />

Courtesy of Michael Shreve; www.michaelshreve.com

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