Volume 90, Number 1 - California Historical Society
Volume 90, Number 1 - California Historical Society
Volume 90, Number 1 - California Historical Society
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56<br />
Of Miller’s Japanese residents, wrote Charles Warren<br />
Stoddard, “Never were gentler souls than these<br />
who have found a welcome and a shelter at The<br />
Heights.” Miller himself confessed enjoying their<br />
“exquisite refinement . . . their willingness and<br />
eagerness to add in some way to your comfort and<br />
pleasure; their delicacy and reserve,” attributes<br />
that “make them a model for every nation under<br />
the sun!” On their part, Miller observed, the “open<br />
little houses here and the meditative life among the<br />
flowers and birds remind them all the time of ‘beautiful,<br />
beautiful Japan.’”<br />
<strong>California</strong> <strong>Historical</strong> <strong>Society</strong>, CHS2010.301.tif<br />
The Japanese poet-philosopher Takeshi Kanno<br />
(1877–n.d.) married Gertrude Boyle (1876–1937),<br />
Miller’s portrait sculptor of choice, in 1<strong>90</strong>7. In<br />
this 1914 photograph, the Kannos are performing<br />
Takeshi’s 1913 “vision drama,” Creation Dawn.<br />
Gertrude described Takeshi’s affinity to the Hights<br />
as “a spot in harmony with the meditative spirit so<br />
strong within him. . . . Here he has remained in the<br />
silence of dream, sunk deep in the ocean-thought<br />
of the universe; anon awakening to whisper his<br />
fancies, his sea-murmurings, to the soft breezes, to<br />
voice his soul-dreams to my ear.”<br />
Library of Congress<br />
<strong>California</strong> History • volume <strong>90</strong> number 1 2012