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Volume 90, Number 1 - California Historical Society

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56<br />

Of Miller’s Japanese residents, wrote Charles Warren<br />

Stoddard, “Never were gentler souls than these<br />

who have found a welcome and a shelter at The<br />

Heights.” Miller himself confessed enjoying their<br />

“exquisite refinement . . . their willingness and<br />

eagerness to add in some way to your comfort and<br />

pleasure; their delicacy and reserve,” attributes<br />

that “make them a model for every nation under<br />

the sun!” On their part, Miller observed, the “open<br />

little houses here and the meditative life among the<br />

flowers and birds remind them all the time of ‘beautiful,<br />

beautiful Japan.’”<br />

<strong>California</strong> <strong>Historical</strong> <strong>Society</strong>, CHS2010.301.tif<br />

The Japanese poet-philosopher Takeshi Kanno<br />

(1877–n.d.) married Gertrude Boyle (1876–1937),<br />

Miller’s portrait sculptor of choice, in 1<strong>90</strong>7. In<br />

this 1914 photograph, the Kannos are performing<br />

Takeshi’s 1913 “vision drama,” Creation Dawn.<br />

Gertrude described Takeshi’s affinity to the Hights<br />

as “a spot in harmony with the meditative spirit so<br />

strong within him. . . . Here he has remained in the<br />

silence of dream, sunk deep in the ocean-thought<br />

of the universe; anon awakening to whisper his<br />

fancies, his sea-murmurings, to the soft breezes, to<br />

voice his soul-dreams to my ear.”<br />

Library of Congress<br />

<strong>California</strong> History • volume <strong>90</strong> number 1 2012

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